| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2135 |
| Prevalence of Second Most Common Vertical Interval |
0.1799 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8428 |
| Vertical Unisons |
0.02143 |
| Vertical Minor Seconds |
0.01042 |
| Vertical Thirds |
0.2901 |
| Vertical Tritones |
0.01456 |
| Vertical Perfect Fourths |
0.05674 |
| Vertical Perfect Fifths |
0.09872 |
| Vertical Sixths |
0.1826 |
| Vertical Sevenths |
0.08675 |
| Vertical Octaves |
0.192 |
| Perfect Vertical Intervals |
0.3689 |
| Vertical Dissonance Ratio |
0.1881 |
| Vertical Minor Third Prevalence |
0.1694 |
| Vertical Major Third Prevalence |
0.2272 |
| Chord Duration |
1.772 |
| Partial Chords |
0.7467 |
| Standard Triads |
0.1217 |
| Diminished and Augmented Triads |
0.02303 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1316 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.48 |
| Average Number of Simultaneous Pitch Classes |
2.024 |
| Variability of Number of Simultaneous Pitch Classes |
0.6239 |
| Average Number of Simultaneous Pitches |
2.363 |
| Variability of Number of Simultaneous Pitches |
0.6179 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.931 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.28 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2972 |
| Stepwise Motion |
0.7647 |
| Melodic Thirds |
0.04954 |
| Melodic Perfect Fourths |
0.03406 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01858 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009288 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.0 |
| Melodic Embellishments |
0.04601 |
| Direction of Melodic Motion |
0.5406 |
| Average Length of Melodic Arcs |
2.211 |
| Average Interval Spanned by Melodic Arcs |
4.469 |
| Melodic Pitch Variety |
5.106 |
| Mean Melodic Interval |
1.805 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4675 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6358 |
| Amount of Arpeggiation |
0.2012 |
| Repeated Notes |
0.1238 |
| Importance of Middle Register |
0.7423 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.93 |
| Mean Pitch Class |
4.856 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1043 |
| Prevalence of Most Common Pitch Class |
0.181 |
| Relative Prevalence of Top Pitches |
0.9706 |
| Relative Prevalence of Top Pitch Classes |
0.9322 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.149 |
| Pitch Class Variability |
3.387 |
| Pitch Class Variability After Folding |
4.295 |
| Pitch Skewness |
-0.232 |
| Pitch Class Skewness |
-0.1277 |
| Pitch Class Skewness After Folding |
1.284 |
| Pitch Kurtosis |
5.252 |
| Pitch Class Kurtosis |
4.941 |
| Pitch Class Kurtosis After Folding |
4.498 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2577 |
| Note Density per Quarter Note |
0.8647 |
| Note Density per Quarter Note per Voice |
0.2882 |
| Note Density per Quarter Note Variability |
0.4034 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006135 |
| Prevalence of Medium Rhythmic Values |
0.6012 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6718 |
| Prevalence of Very Long Rhythmic Values |
0.1012 |
| Prevalence of Dotted Notes |
0.1626 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.693 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3221 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8476 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.96 |
| Rhythmic Value Skewness |
1.061 |
| Rhythmic Value Kurtosis |
9.523 |
| Mean Rhythmic Value Run Length |
1.411 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.087 |
| Mean Rhythmic Value Offset |
0.04908 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6999 |
| Complete Rests Fraction |
0.01324 |
| Partial Rests Fraction |
0.5278 |
| Average Rest Fraction Across Voices |
0.2095 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
52.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
8.172 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
10.9 |
| Variability Across Voices of Combined Rests |
33.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4636 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.289 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.604 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7527 |
| Rhythmic Variability - Tempo Standardized |
0.04696 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
326.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8176 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5713 |
| Variability of Note Durations |
0.4773 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2264 |
| Strength of Second Strongest Rhythmic Pulse |
0.2107 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.074 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4372 |
| Rhythmic Variability |
0.03293 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003097 |
| Duration in Seconds |
78.54 |
| Note Density |
4.151 |
| Note Density Variability |
1.158 |
| Average Time Between Attacks |
0.3368 |
| Average Time Between Attacks for Each Voice |
0.6718 |
| Variability of Time Between Attacks |
0.1903 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.2583 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.589 |
| Relative Note Durations of Lowest Line |
1.146 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9049 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04688 |
| Average Number of Independent Voices |
2.403 |
| Similar Motion |
0.06641 |
| Contrary Motion |
0.1172 |
| Oblique Motion |
0.7695 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6254 |
| Voice Equality - Number of Notes |
22.28 |
| Voice Equality - Note Duration |
7.009 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.606 |
| Importance of Loudest Voice |
12.5 |