File

Last modified on: April 14, 2020, 12:57 a.m.

Jos2302-Alma_redemptoris_mater__Ave_regina_celorum.mid


Source
RenComp7
Musical Work
Alma redemptoris mater Ave regina celorum
File Type
Symbolic Music
File Format
.mid
File Size
11.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2056
Prevalence of Second Most Common Vertical Interval 0.1898
Prevalence Ratio of Two Most Common Vertical Intervals 0.9231
Vertical Unisons 0.04487
Vertical Minor Seconds 0.007348
Vertical Thirds 0.3391
Vertical Tritones 0.0106
Vertical Perfect Fourths 0.08936
Vertical Perfect Fifths 0.1633
Vertical Sixths 0.1365
Vertical Sevenths 0.02847
Vertical Octaves 0.1607
Perfect Vertical Intervals 0.4583
Vertical Dissonance Ratio 0.07081
Vertical Minor Third Prevalence 0.429
Vertical Major Third Prevalence 0.3398
Chord Duration 2.425
Partial Chords 0.5433
Standard Triads 0.342
Diminished and Augmented Triads 0.0196
Dominant Seventh Chords 0.001547
Seventh Chords 0.01161
Non-Standard Chords 0.1032
Complex Chords 0.0
Minor Major Triad Ratio 0.8624
Average Number of Simultaneous Pitch Classes 2.315
Variability of Number of Simultaneous Pitch Classes 0.7036
Average Number of Simultaneous Pitches 2.757
Variability of Number of Simultaneous Pitches 0.9183
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.613
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 97.68
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.272
Stepwise Motion 0.7819
Melodic Thirds 0.08955
Melodic Perfect Fourths 0.02819
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03814
Melodic Sixths 0.004146
Melodic Sevenths 0.0
Melodic Octaves 0.00995
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.842
Melodic Embellishments 0.01734
Direction of Melodic Motion 0.466
Average Length of Melodic Arcs 1.929
Average Interval Spanned by Melodic Arcs 4.336
Melodic Pitch Variety 5.096
Mean Melodic Interval 2.153
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.51
Relative Prevalence of Most Common Melodic Intervals 0.5333
Amount of Arpeggiation 0.1857
Repeated Notes 0.04809
Importance of Middle Register 0.8637
Importance of High Register 0.02147
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 60.97
Mean Pitch Class 5.083
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1305
Prevalence of Most Common Pitch Class 0.1924
Relative Prevalence of Top Pitches 0.7975
Relative Prevalence of Top Pitch Classes 0.9528
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.204
Pitch Class Variability 3.616
Pitch Class Variability After Folding 3.146
Pitch Skewness -0.2771
Pitch Class Skewness 0.06919
Pitch Class Skewness After Folding 1.107
Pitch Kurtosis 5.676
Pitch Class Kurtosis 4.859
Pitch Class Kurtosis After Folding 7.241
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.1148
Note Density per Quarter Note 0.8289
Note Density per Quarter Note per Voice 0.2072
Note Density per Quarter Note Variability 0.406
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.004955
Prevalence of Medium Rhythmic Values 0.455
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7688
Prevalence of Very Long Rhythmic Values 0.1709
Prevalence of Dotted Notes 0.2048
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.436
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.2675
Relative Prevalence of Most Common Rhythmic Values 0.8364
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.49
Rhythmic Value Skewness 0.5252
Rhythmic Value Kurtosis 8.415
Mean Rhythmic Value Run Length 1.512
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9261
Mean Rhythmic Value Offset 0.1225
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7703
Complete Rests Fraction 0.0004194
Partial Rests Fraction 0.6898
Average Rest Fraction Across Voices 0.2878
Longest Complete Rest 0.6127
Longest Partial Rest 128.1
Mean Complete Rest Duration 0.6127
Mean Partial Rest Duration 21.02
Median Complete Rest Duration 0.6127
Median Partial Rest Duration 7.535
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 30.32
Variability Across Voices of Combined Rests 159.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.476
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2208
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.156
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.6969
Rhythmic Variability - Tempo Standardized 0.0448
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1211.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.194
Minimum Note Duration 0.06834
Maximum Note Duration 6.207
Average Note Duration 0.7611
Variability of Note Durations 0.6498
Amount of Staccato 0.001652
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 283.5
Strongest Rhythmic Pulse 68.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.478
Strength of Strongest Rhythmic Pulse 0.2663
Strength of Second Strongest Rhythmic Pulse 0.2471
Strength Ratio of Two Strongest Rhythmic Pulses 1.077
Combined Strength of Two Strongest Rhythmic Pulses 0.5134
Rhythmic Variability 0.03455
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 67.33
Duration in Seconds 323.2
Note Density 3.747
Note Density Variability 1.567
Average Time Between Attacks 0.4453
Average Time Between Attacks for Each Voice 1.105
Variability of Time Between Attacks 0.3079
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5882
Relative Range Isolation of Loudest Voice 0.3295
Relative Range of Highest Line 0.5882
Relative Note Density of Highest Line 0.2213
Relative Note Durations of Lowest Line 1.12
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.8208
Voice Separation 4.667
Variability of Voice Separation 4.163
Parallel Motion 0.04411
Average Number of Independent Voices 2.891
Similar Motion 0.1425
Contrary Motion 0.1807
Oblique Motion 0.6327
Parallel Fifths 0.003393
Parallel Octaves 0.0008482
Variability of Number of Independent Voices 0.888
Voice Equality - Number of Notes 97.68
Voice Equality - Note Duration 35.19
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.304
Importance of Loudest Voice 11.67