File

Last modified on: April 14, 2020, 12:58 a.m.

Jos0603a-Missa_Lhomme_arme_super_voces_musicales-Kyrie.mid


Source
RenComp7
Musical Work
Missa Lhomme arme super voces musicales
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
8.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2042
Prevalence of Second Most Common Vertical Interval 0.1903
Prevalence Ratio of Two Most Common Vertical Intervals 0.9319
Vertical Unisons 0.04018
Vertical Minor Seconds 0.007446
Vertical Thirds 0.3623
Vertical Tritones 0.0123
Vertical Perfect Fourths 0.06572
Vertical Perfect Fifths 0.1761
Vertical Sixths 0.1408
Vertical Sevenths 0.02593
Vertical Octaves 0.1501
Perfect Vertical Intervals 0.4321
Vertical Dissonance Ratio 0.06927
Vertical Minor Third Prevalence 0.6025
Vertical Major Third Prevalence 0.5069
Chord Duration 2.47
Partial Chords 0.3136
Standard Triads 0.5048
Diminished and Augmented Triads 0.02714
Dominant Seventh Chords 0.002413
Seventh Chords 0.02654
Non-Standard Chords 0.155
Complex Chords 0.0
Minor Major Triad Ratio 0.8275
Average Number of Simultaneous Pitch Classes 2.671
Variability of Number of Simultaneous Pitch Classes 0.6562
Average Number of Simultaneous Pitches 3.278
Variability of Number of Simultaneous Pitches 0.7185
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 5.641
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 102.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.226
Stepwise Motion 0.6909
Melodic Thirds 0.1171
Melodic Perfect Fourths 0.04684
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06323
Melodic Sixths 0.005855
Melodic Sevenths 0.0
Melodic Octaves 0.01171
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.03
Melodic Embellishments 0.01981
Direction of Melodic Motion 0.4894
Average Length of Melodic Arcs 1.902
Average Interval Spanned by Melodic Arcs 4.852
Melodic Pitch Variety 5.277
Mean Melodic Interval 2.41
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4649
Relative Prevalence of Most Common Melodic Intervals 0.4861
Amount of Arpeggiation 0.2564
Repeated Notes 0.0644
Importance of Middle Register 0.69
Importance of High Register 0.003497
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 57.71
Mean Pitch Class 5.132
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1061
Prevalence of Most Common Pitch Class 0.1748
Relative Prevalence of Top Pitches 0.8242
Relative Prevalence of Top Pitch Classes 0.8533
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 7.122
Pitch Class Variability 3.565
Pitch Class Variability After Folding 3.181
Pitch Skewness -0.3569
Pitch Class Skewness 0.1108
Pitch Class Skewness After Folding 0.4342
Pitch Kurtosis 5.274
Pitch Class Kurtosis 4.842
Pitch Class Kurtosis After Folding 6.974
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.3065
Note Density per Quarter Note 0.9874
Note Density per Quarter Note per Voice 0.2468
Note Density per Quarter Note Variability 0.4892
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002331
Prevalence of Medium Rhythmic Values 0.5455
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7483
Prevalence of Very Long Rhythmic Values 0.1445
Prevalence of Dotted Notes 0.1841
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.31
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2937
Relative Prevalence of Most Common Rhythmic Values 0.8492
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.794
Rhythmic Value Skewness 1.407
Rhythmic Value Kurtosis 9.108
Mean Rhythmic Value Run Length 1.527
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.117
Mean Rhythmic Value Offset 0.1865
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.547
Complete Rests Fraction 0.001077
Partial Rests Fraction 0.4339
Average Rest Fraction Across Voices 0.1372
Longest Complete Rest 0.9355
Longest Partial Rest 84.32
Mean Complete Rest Duration 0.9355
Mean Partial Rest Duration 8.365
Median Complete Rest Duration 0.9355
Median Partial Rest Duration 3.774
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 14.91
Variability Across Voices of Combined Rests 91.02
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4927
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2548
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.934
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7475
Rhythmic Variability - Tempo Standardized 0.0477
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 858.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.195
Minimum Note Duration 0.1293
Maximum Note Duration 8.333
Average Note Duration 0.7719
Variability of Note Durations 0.7845
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 274.1
Strongest Rhythmic Pulse 46.0
Second Strongest Rhythmic Pulse 68.0
Harmonicity of Two Strongest Rhythmic Pulses 1.478
Strength of Strongest Rhythmic Pulse 0.2701
Strength of Second Strongest Rhythmic Pulse 0.2591
Strength Ratio of Two Strongest Rhythmic Pulses 1.042
Combined Strength of Two Strongest Rhythmic Pulses 0.5292
Rhythmic Variability 0.03667
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 24.2
Duration in Seconds 191.9
Note Density 4.471
Note Density Variability 1.648
Average Time Between Attacks 0.4214
Average Time Between Attacks for Each Voice 1.182
Variability of Time Between Attacks 0.2983
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.2744
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.303
Relative Note Durations of Lowest Line 0.9931
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8403
Voice Separation 5.0
Variability of Voice Separation 2.0
Parallel Motion 0.0419
Average Number of Independent Voices 3.456
Similar Motion 0.111
Contrary Motion 0.1665
Oblique Motion 0.6806
Parallel Fifths 0.001133
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.6917
Voice Equality - Number of Notes 102.8
Voice Equality - Note Duration 20.1
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.363
Importance of Loudest Voice 11.67