| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2004 |
| Prevalence of Second Most Common Vertical Interval |
0.1943 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9696 |
| Vertical Unisons |
0.04004 |
| Vertical Minor Seconds |
0.004121 |
| Vertical Thirds |
0.377 |
| Vertical Tritones |
0.01116 |
| Vertical Perfect Fourths |
0.05489 |
| Vertical Perfect Fifths |
0.1779 |
| Vertical Sixths |
0.1522 |
| Vertical Sevenths |
0.01375 |
| Vertical Octaves |
0.1543 |
| Perfect Vertical Intervals |
0.4271 |
| Vertical Dissonance Ratio |
0.04557 |
| Vertical Minor Third Prevalence |
0.4513 |
| Vertical Major Third Prevalence |
0.3962 |
| Chord Duration |
2.176 |
| Partial Chords |
0.4892 |
| Standard Triads |
0.4267 |
| Diminished and Augmented Triads |
0.02284 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08413 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.649 |
| Average Number of Simultaneous Pitch Classes |
2.345 |
| Variability of Number of Simultaneous Pitch Classes |
0.7007 |
| Average Number of Simultaneous Pitches |
2.842 |
| Variability of Number of Simultaneous Pitches |
0.9553 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.326 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
93.25 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2083 |
| Stepwise Motion |
0.639 |
| Melodic Thirds |
0.183 |
| Melodic Perfect Fourths |
0.04853 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0455 |
| Melodic Sixths |
0.003033 |
| Melodic Sevenths |
0.001011 |
| Melodic Octaves |
0.01011 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.935 |
| Melodic Embellishments |
0.009063 |
| Direction of Melodic Motion |
0.5033 |
| Average Length of Melodic Arcs |
1.418 |
| Average Interval Spanned by Melodic Arcs |
3.616 |
| Melodic Pitch Variety |
4.191 |
| Mean Melodic Interval |
2.383 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4307 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4836 |
| Amount of Arpeggiation |
0.3094 |
| Repeated Notes |
0.06977 |
| Importance of Middle Register |
0.7946 |
| Importance of High Register |
0.02115 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.71 |
| Mean Pitch Class |
5.291 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1057 |
| Prevalence of Most Common Pitch Class |
0.1793 |
| Relative Prevalence of Top Pitches |
0.9714 |
| Relative Prevalence of Top Pitch Classes |
0.9551 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.643 |
| Pitch Class Variability |
3.38 |
| Pitch Class Variability After Folding |
4.164 |
| Pitch Skewness |
0.1082 |
| Pitch Class Skewness |
0.2583 |
| Pitch Class Skewness After Folding |
1.163 |
| Pitch Kurtosis |
5.355 |
| Pitch Class Kurtosis |
4.727 |
| Pitch Class Kurtosis After Folding |
4.576 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1843 |
| Note Density per Quarter Note |
1.051 |
| Note Density per Quarter Note per Voice |
0.2627 |
| Note Density per Quarter Note Variability |
0.4796 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5811 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7996 |
| Prevalence of Very Long Rhythmic Values |
0.05035 |
| Prevalence of Dotted Notes |
0.08761 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.798 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3807 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8069 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.778 |
| Rhythmic Value Skewness |
1.346 |
| Rhythmic Value Kurtosis |
13.96 |
| Mean Rhythmic Value Run Length |
2.113 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.534 |
| Mean Rhythmic Value Offset |
0.03223 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7822 |
| Complete Rests Fraction |
0.0009451 |
| Partial Rests Fraction |
0.6066 |
| Average Rest Fraction Across Voices |
0.2583 |
| Longest Complete Rest |
0.8931 |
| Longest Partial Rest |
96.15 |
| Mean Complete Rest Duration |
0.8931 |
| Mean Partial Rest Duration |
14.15 |
| Median Complete Rest Duration |
0.8931 |
| Median Partial Rest Duration |
4.472 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.1 |
| Variability Across Voices of Combined Rests |
141.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6042 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2033 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.971 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8075 |
| Rhythmic Variability - Tempo Standardized |
0.05227 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
993.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.603 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
7.5 |
| Average Note Duration |
0.6531 |
| Variability of Note Durations |
0.4655 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
262.4 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.3306 |
| Strength of Second Strongest Rhythmic Pulse |
0.2517 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.314 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5823 |
| Rhythmic Variability |
0.03895 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.9 |
| Duration in Seconds |
218.6 |
| Note Density |
4.543 |
| Note Density Variability |
1.389 |
| Average Time Between Attacks |
0.4205 |
| Average Time Between Attacks for Each Voice |
0.9593 |
| Variability of Time Between Attacks |
0.2078 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.4708 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.2699 |
| Relative Note Durations of Lowest Line |
1.01 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8278 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.06334 |
| Average Number of Independent Voices |
2.977 |
| Similar Motion |
0.1803 |
| Contrary Motion |
0.3325 |
| Oblique Motion |
0.4239 |
| Parallel Fifths |
0.002436 |
| Parallel Octaves |
0.001218 |
| Variability of Number of Independent Voices |
0.9441 |
| Voice Equality - Number of Notes |
93.25 |
| Voice Equality - Note Duration |
32.82 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.243 |
| Importance of Loudest Voice |
11.67 |