File

Last modified on: April 14, 2020, 12:58 a.m.

Jos0603e-Missa_Lhomme_arme_super_voces_musicales-Agnus.mid


Source
RenComp7
Musical Work
Missa Lhomme arme super voces musicales
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
15.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1965
Prevalence of Second Most Common Vertical Interval 0.1877
Prevalence Ratio of Two Most Common Vertical Intervals 0.9549
Vertical Unisons 0.06075
Vertical Minor Seconds 0.009751
Vertical Thirds 0.3429
Vertical Tritones 0.009458
Vertical Perfect Fourths 0.09045
Vertical Perfect Fifths 0.1877
Vertical Sixths 0.1126
Vertical Sevenths 0.01903
Vertical Octaves 0.1358
Perfect Vertical Intervals 0.4746
Vertical Dissonance Ratio 0.07508
Vertical Minor Third Prevalence 0.555
Vertical Major Third Prevalence 0.5174
Chord Duration 2.159
Partial Chords 0.3618
Standard Triads 0.4696
Diminished and Augmented Triads 0.008378
Dominant Seventh Chords 0.001289
Seventh Chords 0.009023
Non-Standard Chords 0.1596
Complex Chords 0.0
Minor Major Triad Ratio 2.282
Average Number of Simultaneous Pitch Classes 2.622
Variability of Number of Simultaneous Pitch Classes 0.6329
Average Number of Simultaneous Pitches 3.133
Variability of Number of Simultaneous Pitches 0.689
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.689
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 116.1
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.204
Stepwise Motion 0.6175
Melodic Thirds 0.1743
Melodic Perfect Fourths 0.05768
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05161
Melodic Sixths 0.009715
Melodic Sevenths 0.0
Melodic Octaves 0.01882
Melodic Large Intervals 0.0006072
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.5
Melodic Embellishments 0.03574
Direction of Melodic Motion 0.4896
Average Length of Melodic Arcs 1.687
Average Interval Spanned by Melodic Arcs 4.634
Melodic Pitch Variety 4.751
Mean Melodic Interval 2.567
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4135
Relative Prevalence of Most Common Melodic Intervals 0.4934
Amount of Arpeggiation 0.3151
Repeated Notes 0.06982
Importance of Middle Register 0.6784
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.55
Mean Pitch Class 5.345
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1266
Prevalence of Most Common Pitch Class 0.1708
Relative Prevalence of Top Pitches 0.8708
Relative Prevalence of Top Pitch Classes 0.9504
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 5.858
Pitch Class Variability 3.36
Pitch Class Variability After Folding 3.317
Pitch Skewness 0.138
Pitch Class Skewness 0.3077
Pitch Class Skewness After Folding 0.6087
Pitch Kurtosis 5.488
Pitch Class Kurtosis 4.928
Pitch Class Kurtosis After Folding 6.575
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 12.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.3216
Note Density per Quarter Note 1.024
Note Density per Quarter Note per Voice 0.2559
Note Density per Quarter Note Variability 0.4805
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5512
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.745
Prevalence of Very Long Rhythmic Values 0.1217
Prevalence of Dotted Notes 0.2187
Shortest Rhythmic Value 0.75
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.086
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2962
Relative Prevalence of Most Common Rhythmic Values 0.8344
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.495
Rhythmic Value Skewness 1.306
Rhythmic Value Kurtosis 10.46
Mean Rhythmic Value Run Length 1.504
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.097
Mean Rhythmic Value Offset 0.2387
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.583
Complete Rests Fraction 0.0005784
Partial Rests Fraction 0.5241
Average Rest Fraction Across Voices 0.1548
Longest Complete Rest 0.933
Longest Partial Rest 229.4
Mean Complete Rest Duration 0.933
Mean Partial Rest Duration 7.289
Median Complete Rest Duration 0.933
Median Partial Rest Duration 2.336
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 21.13
Variability Across Voices of Combined Rests 201.7
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4863
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2444
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.99
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7307
Rhythmic Variability - Tempo Standardized 0.04642
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1651.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.447
Minimum Note Duration 0.1389
Maximum Note Duration 6.667
Average Note Duration 0.7314
Variability of Note Durations 0.7669
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 273.4
Strongest Rhythmic Pulse 68.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.478
Strength of Strongest Rhythmic Pulse 0.2542
Strength of Second Strongest Rhythmic Pulse 0.2475
Strength Ratio of Two Strongest Rhythmic Pulses 1.027
Combined Strength of Two Strongest Rhythmic Pulses 0.5017
Rhythmic Variability 0.03555
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 24.58
Duration in Seconds 357.2
Note Density 4.623
Note Density Variability 1.451
Average Time Between Attacks 0.3757
Average Time Between Attacks for Each Voice 0.8975
Variability of Time Between Attacks 0.2213
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4839
Relative Range Isolation of Loudest Voice 0.06406
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.1551
Relative Note Durations of Lowest Line 0.8368
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9849
Voice Separation 4.333
Variability of Voice Separation 2.082
Parallel Motion 0.04588
Average Number of Independent Voices 3.383
Similar Motion 0.1341
Contrary Motion 0.1347
Oblique Motion 0.6852
Parallel Fifths 0.006969
Parallel Octaves 0.003484
Variability of Number of Independent Voices 0.6525
Voice Equality - Number of Notes 116.1
Voice Equality - Note Duration 44.66
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 3.775
Importance of Loudest Voice 11.67