| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2287 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8068 |
| Vertical Unisons |
0.0709 |
| Vertical Minor Seconds |
0.006418 |
| Vertical Thirds |
0.317 |
| Vertical Tritones |
0.01041 |
| Vertical Perfect Fourths |
0.08489 |
| Vertical Perfect Fifths |
0.1684 |
| Vertical Sixths |
0.1199 |
| Vertical Sevenths |
0.02398 |
| Vertical Octaves |
0.1578 |
| Perfect Vertical Intervals |
0.4819 |
| Vertical Dissonance Ratio |
0.08838 |
| Vertical Minor Third Prevalence |
0.7172 |
| Vertical Major Third Prevalence |
0.6402 |
| Chord Duration |
1.615 |
| Partial Chords |
0.1817 |
| Standard Triads |
0.5567 |
| Diminished and Augmented Triads |
0.03479 |
| Dominant Seventh Chords |
0.0116 |
| Seventh Chords |
0.02706 |
| Non-Standard Chords |
0.2345 |
| Complex Chords |
0.01933 |
| Minor Major Triad Ratio |
1.16 |
| Average Number of Simultaneous Pitch Classes |
2.949 |
| Variability of Number of Simultaneous Pitch Classes |
0.6798 |
| Average Number of Simultaneous Pitches |
3.937 |
| Variability of Number of Simultaneous Pitches |
0.9567 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.079 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
168.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1634 |
| Stepwise Motion |
0.6327 |
| Melodic Thirds |
0.139 |
| Melodic Perfect Fourths |
0.04381 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05981 |
| Melodic Sixths |
0.0008425 |
| Melodic Sevenths |
0.005055 |
| Melodic Octaves |
0.02359 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.02682 |
| Direction of Melodic Motion |
0.5382 |
| Average Length of Melodic Arcs |
1.918 |
| Average Interval Spanned by Melodic Arcs |
5.368 |
| Melodic Pitch Variety |
5.124 |
| Mean Melodic Interval |
2.553 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4693 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3483 |
| Amount of Arpeggiation |
0.3227 |
| Repeated Notes |
0.0952 |
| Importance of Middle Register |
0.715 |
| Importance of High Register |
0.005868 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.0 |
| Mean Pitch Class |
5.121 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1257 |
| Prevalence of Most Common Pitch Class |
0.1978 |
| Relative Prevalence of Top Pitches |
0.9 |
| Relative Prevalence of Top Pitch Classes |
0.9619 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.51 |
| Pitch Class Variability |
3.214 |
| Pitch Class Variability After Folding |
3.943 |
| Pitch Skewness |
0.1248 |
| Pitch Class Skewness |
0.1127 |
| Pitch Class Skewness After Folding |
1.582 |
| Pitch Kurtosis |
5.399 |
| Pitch Class Kurtosis |
4.858 |
| Pitch Class Kurtosis After Folding |
5.162 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2791 |
| Note Density per Quarter Note |
1.504 |
| Note Density per Quarter Note per Voice |
0.2507 |
| Note Density per Quarter Note Variability |
0.6413 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001676 |
| Prevalence of Medium Rhythmic Values |
0.5499 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6915 |
| Prevalence of Very Long Rhythmic Values |
0.119 |
| Prevalence of Dotted Notes |
0.1559 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.946 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2741 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9266 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.086 |
| Rhythmic Value Skewness |
1.36 |
| Rhythmic Value Kurtosis |
8.069 |
| Mean Rhythmic Value Run Length |
1.687 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.415 |
| Mean Rhythmic Value Offset |
0.04862 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8425 |
| Complete Rests Fraction |
0.001251 |
| Partial Rests Fraction |
0.8209 |
| Average Rest Fraction Across Voices |
0.2518 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.584 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.571 |
| Variability Across Voices of Combined Rests |
71.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4623 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2518 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.836 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.714 |
| Rhythmic Variability - Tempo Standardized |
0.04506 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1193.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.043 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6217 |
| Variability of Note Durations |
0.5046 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2485 |
| Strength of Second Strongest Rhythmic Pulse |
0.2118 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.174 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4603 |
| Rhythmic Variability |
0.03243 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000000984 |
| Duration in Seconds |
165.2 |
| Note Density |
7.221 |
| Note Density Variability |
2.521 |
| Average Time Between Attacks |
0.2936 |
| Average Time Between Attacks for Each Voice |
0.9358 |
| Variability of Time Between Attacks |
0.1478 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.1765 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.337 |
| Relative Note Durations of Lowest Line |
0.9731 |
| Relative Size of Melodic Intervals in Lowest Line |
1.2 |
| Voice Overlap |
0.938 |
| Voice Separation |
3.4 |
| Variability of Voice Separation |
1.342 |
| Parallel Motion |
0.05401 |
| Average Number of Independent Voices |
4.495 |
| Similar Motion |
0.1307 |
| Contrary Motion |
0.1568 |
| Oblique Motion |
0.6585 |
| Parallel Fifths |
0.005226 |
| Parallel Octaves |
0.008711 |
| Variability of Number of Independent Voices |
1.029 |
| Voice Equality - Number of Notes |
97.0 |
| Voice Equality - Note Duration |
14.79 |
| Voice Equality - Dynamics |
8.01 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
4.719 |
| Importance of Loudest Voice |
13.0 |