| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2442 |
| Prevalence of Second Most Common Vertical Interval |
0.206 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8437 |
| Vertical Unisons |
0.05122 |
| Vertical Minor Seconds |
0.0002909 |
| Vertical Thirds |
0.3353 |
| Vertical Tritones |
0.003297 |
| Vertical Perfect Fourths |
0.07969 |
| Vertical Perfect Fifths |
0.1922 |
| Vertical Sixths |
0.1335 |
| Vertical Sevenths |
0.005255 |
| Vertical Octaves |
0.193 |
| Perfect Vertical Intervals |
0.5161 |
| Vertical Dissonance Ratio |
0.0153 |
| Vertical Minor Third Prevalence |
0.7292 |
| Vertical Major Third Prevalence |
0.5777 |
| Chord Duration |
3.038 |
| Partial Chords |
0.2138 |
| Standard Triads |
0.723 |
| Diminished and Augmented Triads |
0.01579 |
| Dominant Seventh Chords |
0.002632 |
| Seventh Chords |
0.005921 |
| Non-Standard Chords |
0.05724 |
| Complex Chords |
0.0006579 |
| Minor Major Triad Ratio |
2.456 |
| Average Number of Simultaneous Pitch Classes |
2.733 |
| Variability of Number of Simultaneous Pitch Classes |
0.5619 |
| Average Number of Simultaneous Pitches |
3.761 |
| Variability of Number of Simultaneous Pitches |
0.9949 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.931 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
151.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1161 |
| Stepwise Motion |
0.4513 |
| Melodic Thirds |
0.1447 |
| Melodic Perfect Fourths |
0.05779 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03632 |
| Melodic Sixths |
0.004403 |
| Melodic Sevenths |
0.001101 |
| Melodic Octaves |
0.01156 |
| Melodic Large Intervals |
0.0005504 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.207 |
| Melodic Embellishments |
0.01975 |
| Direction of Melodic Motion |
0.4759 |
| Average Length of Melodic Arcs |
1.566 |
| Average Interval Spanned by Melodic Arcs |
4.41 |
| Melodic Pitch Variety |
4.089 |
| Mean Melodic Interval |
2.005 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3352 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8719 |
| Amount of Arpeggiation |
0.4865 |
| Repeated Notes |
0.2922 |
| Importance of Middle Register |
0.6851 |
| Importance of High Register |
0.01481 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.4 |
| Mean Pitch Class |
5.184 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1366 |
| Prevalence of Most Common Pitch Class |
0.2501 |
| Relative Prevalence of Top Pitches |
0.9679 |
| Relative Prevalence of Top Pitch Classes |
0.9211 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.384 |
| Pitch Class Variability |
3.231 |
| Pitch Class Variability After Folding |
3.887 |
| Pitch Skewness |
-0.009806 |
| Pitch Class Skewness |
0.1706 |
| Pitch Class Skewness After Folding |
1.502 |
| Pitch Kurtosis |
5.327 |
| Pitch Class Kurtosis |
4.723 |
| Pitch Class Kurtosis After Folding |
5.208 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3001 |
| Note Density per Quarter Note |
1.15 |
| Note Density per Quarter Note per Voice |
0.1917 |
| Note Density per Quarter Note Variability |
0.5157 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4388 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9347 |
| Prevalence of Very Long Rhythmic Values |
0.1295 |
| Prevalence of Dotted Notes |
0.0757 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.501 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3939 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9485 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.971 |
| Rhythmic Value Skewness |
-0.7598 |
| Rhythmic Value Kurtosis |
8.166 |
| Mean Rhythmic Value Run Length |
1.805 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.195 |
| Mean Rhythmic Value Offset |
0.07899 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.255 |
| Complete Rests Fraction |
0.0006257 |
| Partial Rests Fraction |
0.836 |
| Average Rest Fraction Across Voices |
0.3138 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
60.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.87 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.5 |
| Variability Across Voices of Combined Rests |
122.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7779 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1131 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.879 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.891 |
| Rhythmic Variability - Tempo Standardized |
0.06243 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1823.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.528 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7458 |
| Variability of Note Durations |
0.5434 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3845 |
| Strength of Second Strongest Rhythmic Pulse |
0.2581 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.49 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6426 |
| Rhythmic Variability |
0.04132 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000009175 |
| Duration in Seconds |
330.2 |
| Note Density |
5.521 |
| Note Density Variability |
1.906 |
| Average Time Between Attacks |
0.4734 |
| Average Time Between Attacks for Each Voice |
1.109 |
| Variability of Time Between Attacks |
0.2467 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.5143 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.2238 |
| Relative Note Durations of Lowest Line |
0.9689 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.8305 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.808 |
| Parallel Motion |
0.06876 |
| Average Number of Independent Voices |
4.12 |
| Similar Motion |
0.1909 |
| Contrary Motion |
0.2399 |
| Oblique Motion |
0.5004 |
| Parallel Fifths |
0.002195 |
| Parallel Octaves |
0.004389 |
| Variability of Number of Independent Voices |
1.188 |
| Voice Equality - Number of Notes |
65.4 |
| Voice Equality - Note Duration |
25.44 |
| Voice Equality - Dynamics |
8.01 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
2.563 |
| Importance of Loudest Voice |
13.0 |