File

Last modified on: April 14, 2020, 1 a.m.

Jos0602a-Missa_Lhomme_arme_sexti_toni-Kyrie.mid


Source
RenComp7
Musical Work
Missa Lhomme arme sexti toni
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
6.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2101
Prevalence of Second Most Common Vertical Interval 0.2077
Prevalence Ratio of Two Most Common Vertical Intervals 0.9888
Vertical Unisons 0.02803
Vertical Minor Seconds 0.004431
Vertical Thirds 0.3374
Vertical Tritones 0.00594
Vertical Perfect Fourths 0.07801
Vertical Perfect Fifths 0.1938
Vertical Sixths 0.1255
Vertical Sevenths 0.02338
Vertical Octaves 0.182
Perfect Vertical Intervals 0.4819
Vertical Dissonance Ratio 0.0585
Vertical Minor Third Prevalence 0.4125
Vertical Major Third Prevalence 0.5382
Chord Duration 2.34
Partial Chords 0.3781
Standard Triads 0.4796
Diminished and Augmented Triads 0.007299
Dominant Seventh Chords 0.005839
Seventh Chords 0.0219
Non-Standard Chords 0.1204
Complex Chords 0.0
Minor Major Triad Ratio 0.4009
Average Number of Simultaneous Pitch Classes 2.593
Variability of Number of Simultaneous Pitch Classes 0.6622
Average Number of Simultaneous Pitches 3.333
Variability of Number of Simultaneous Pitches 0.7565
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 6.815
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 49.96
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1942
Stepwise Motion 0.6835
Melodic Thirds 0.1116
Melodic Perfect Fourths 0.05046
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05352
Melodic Sixths 0.001529
Melodic Sevenths 0.001529
Melodic Octaves 0.01682
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.056
Melodic Embellishments 0.02128
Direction of Melodic Motion 0.4559
Average Length of Melodic Arcs 1.884
Average Interval Spanned by Melodic Arcs 4.831
Melodic Pitch Variety 5.206
Mean Melodic Interval 2.391
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4893
Relative Prevalence of Most Common Melodic Intervals 0.3969
Amount of Arpeggiation 0.2645
Repeated Notes 0.08104
Importance of Middle Register 0.5912
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 55.65
Mean Pitch Class 5.065
Most Common Pitch 53.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1064
Prevalence of Most Common Pitch Class 0.19
Relative Prevalence of Top Pitches 0.8714
Relative Prevalence of Top Pitch Classes 0.912
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.343
Pitch Class Variability 3.327
Pitch Class Variability After Folding 4.246
Pitch Skewness -0.2738
Pitch Class Skewness 0.05894
Pitch Class Skewness After Folding 1.053
Pitch Kurtosis 5.332
Pitch Class Kurtosis 4.857
Pitch Class Kurtosis After Folding 4.699
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.4088
Note Density per Quarter Note 0.9126
Note Density per Quarter Note per Voice 0.2282
Note Density per Quarter Note Variability 0.5252
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00304
Prevalence of Medium Rhythmic Values 0.5289
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7842
Prevalence of Very Long Rhythmic Values 0.19
Prevalence of Dotted Notes 0.1657
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.623
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3131
Relative Prevalence of Most Common Rhythmic Values 0.7379
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.996
Rhythmic Value Skewness 1.625
Rhythmic Value Kurtosis 7.853
Mean Rhythmic Value Run Length 1.621
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.122
Mean Rhythmic Value Offset 0.1641
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.496
Complete Rests Fraction 0.001481
Partial Rests Fraction 0.4051
Average Rest Fraction Across Voices 0.137
Longest Complete Rest 1.068
Longest Partial Rest 55.99
Mean Complete Rest Duration 1.068
Mean Partial Rest Duration 7.319
Median Complete Rest Duration 1.068
Median Partial Rest Duration 2.153
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 11.97
Variability Across Voices of Combined Rests 55.86
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5899
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2225
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.652
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8123
Rhythmic Variability - Tempo Standardized 0.05153
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 658.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.197
Minimum Note Duration 0.1293
Maximum Note Duration 6.667
Average Note Duration 0.9085
Variability of Note Durations 0.8528
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 252.5
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2808
Strength of Second Strongest Rhythmic Pulse 0.2775
Strength Ratio of Two Strongest Rhythmic Pulses 1.012
Combined Strength of Two Strongest Rhythmic Pulses 0.5583
Rhythmic Variability 0.0382
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 26.98
Duration in Seconds 173.2
Note Density 3.799
Note Density Variability 1.763
Average Time Between Attacks 0.4805
Average Time Between Attacks for Each Voice 1.07
Variability of Time Between Attacks 0.3501
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.7304
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.3891
Relative Note Durations of Lowest Line 1.126
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.7052
Voice Separation 5.667
Variability of Voice Separation 2.517
Parallel Motion 0.05213
Average Number of Independent Voices 3.461
Similar Motion 0.1235
Contrary Motion 0.1646
Oblique Motion 0.6598
Parallel Fifths 0.009602
Parallel Octaves 0.001372
Variability of Number of Independent Voices 0.7368
Voice Equality - Number of Notes 49.96
Voice Equality - Note Duration 13.42
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.708
Importance of Loudest Voice 11.67