| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2112 |
| Prevalence of Second Most Common Vertical Interval |
0.1947 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9215 |
| Vertical Unisons |
0.03345 |
| Vertical Minor Seconds |
0.004723 |
| Vertical Thirds |
0.3517 |
| Vertical Tritones |
0.008017 |
| Vertical Perfect Fourths |
0.06323 |
| Vertical Perfect Fifths |
0.1728 |
| Vertical Sixths |
0.1456 |
| Vertical Sevenths |
0.02791 |
| Vertical Octaves |
0.1778 |
| Perfect Vertical Intervals |
0.4473 |
| Vertical Dissonance Ratio |
0.05867 |
| Vertical Minor Third Prevalence |
0.4218 |
| Vertical Major Third Prevalence |
0.3464 |
| Chord Duration |
2.324 |
| Partial Chords |
0.583 |
| Standard Triads |
0.3175 |
| Diminished and Augmented Triads |
0.008047 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01061 |
| Non-Standard Chords |
0.08888 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.398 |
| Average Number of Simultaneous Pitch Classes |
2.326 |
| Variability of Number of Simultaneous Pitch Classes |
0.6475 |
| Average Number of Simultaneous Pitches |
2.842 |
| Variability of Number of Simultaneous Pitches |
0.8344 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.315 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
143.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1941 |
| Stepwise Motion |
0.5981 |
| Melodic Thirds |
0.2092 |
| Melodic Perfect Fourths |
0.0745 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03438 |
| Melodic Sixths |
0.008596 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01576 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.318 |
| Melodic Embellishments |
0.01286 |
| Direction of Melodic Motion |
0.4912 |
| Average Length of Melodic Arcs |
1.462 |
| Average Interval Spanned by Melodic Arcs |
3.963 |
| Melodic Pitch Variety |
4.972 |
| Mean Melodic Interval |
2.564 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.404 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4805 |
| Amount of Arpeggiation |
0.3188 |
| Repeated Notes |
0.05946 |
| Importance of Middle Register |
0.7429 |
| Importance of High Register |
0.009286 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.36 |
| Mean Pitch Class |
5.536 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1014 |
| Prevalence of Most Common Pitch Class |
0.1929 |
| Relative Prevalence of Top Pitches |
0.9718 |
| Relative Prevalence of Top Pitch Classes |
0.8741 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.14 |
| Pitch Class Variability |
3.316 |
| Pitch Class Variability After Folding |
3.945 |
| Pitch Skewness |
0.3283 |
| Pitch Class Skewness |
-0.4201 |
| Pitch Class Skewness After Folding |
0.9375 |
| Pitch Kurtosis |
5.391 |
| Pitch Class Kurtosis |
4.779 |
| Pitch Class Kurtosis After Folding |
4.966 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2479 |
| Note Density per Quarter Note |
0.9428 |
| Note Density per Quarter Note per Voice |
0.2357 |
| Note Density per Quarter Note Variability |
0.4278 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001429 |
| Prevalence of Medium Rhythmic Values |
0.5186 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7757 |
| Prevalence of Very Long Rhythmic Values |
0.09786 |
| Prevalence of Dotted Notes |
0.1264 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.086 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.32 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9196 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.168 |
| Rhythmic Value Skewness |
1.502 |
| Rhythmic Value Kurtosis |
11.26 |
| Mean Rhythmic Value Run Length |
1.777 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.13 |
| Mean Rhythmic Value Offset |
0.04286 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8063 |
| Complete Rests Fraction |
0.000649 |
| Partial Rests Fraction |
0.6687 |
| Average Rest Fraction Across Voices |
0.259 |
| Longest Complete Rest |
0.9637 |
| Longest Partial Rest |
361.5 |
| Mean Complete Rest Duration |
0.9637 |
| Mean Partial Rest Duration |
11.4 |
| Median Complete Rest Duration |
0.9637 |
| Median Partial Rest Duration |
2.413 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
32.26 |
| Variability Across Voices of Combined Rests |
172.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5703 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2155 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.646 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7858 |
| Rhythmic Variability - Tempo Standardized |
0.05066 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1400.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.52 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.674 |
| Variability of Note Durations |
0.5676 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
284.1 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2601 |
| Strength of Second Strongest Rhythmic Pulse |
0.2516 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5117 |
| Rhythmic Variability |
0.03528 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
38.26 |
| Duration in Seconds |
318.3 |
| Note Density |
4.398 |
| Note Density Variability |
1.376 |
| Average Time Between Attacks |
0.3879 |
| Average Time Between Attacks for Each Voice |
1.065 |
| Variability of Time Between Attacks |
0.2302 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.3386 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.1886 |
| Relative Note Durations of Lowest Line |
1.106 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8271 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04216 |
| Average Number of Independent Voices |
2.951 |
| Similar Motion |
0.113 |
| Contrary Motion |
0.1661 |
| Oblique Motion |
0.6788 |
| Parallel Fifths |
0.003373 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8549 |
| Voice Equality - Number of Notes |
143.2 |
| Voice Equality - Note Duration |
37.0 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.243 |
| Importance of Loudest Voice |
11.67 |