| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2155 |
| Prevalence of Second Most Common Vertical Interval |
0.1992 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9241 |
| Vertical Unisons |
0.03861 |
| Vertical Minor Seconds |
0.004151 |
| Vertical Thirds |
0.3963 |
| Vertical Tritones |
0.00411 |
| Vertical Perfect Fourths |
0.05351 |
| Vertical Perfect Fifths |
0.1872 |
| Vertical Sixths |
0.09591 |
| Vertical Sevenths |
0.02566 |
| Vertical Octaves |
0.1606 |
| Perfect Vertical Intervals |
0.4398 |
| Vertical Dissonance Ratio |
0.07296 |
| Vertical Minor Third Prevalence |
0.5456 |
| Vertical Major Third Prevalence |
0.4708 |
| Chord Duration |
2.12 |
| Partial Chords |
0.4823 |
| Standard Triads |
0.3957 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.009843 |
| Non-Standard Chords |
0.1122 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.722 |
| Average Number of Simultaneous Pitch Classes |
2.447 |
| Variability of Number of Simultaneous Pitch Classes |
0.6881 |
| Average Number of Simultaneous Pitches |
2.995 |
| Variability of Number of Simultaneous Pitches |
0.8272 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.166 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
74.15 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1537 |
| Stepwise Motion |
0.5958 |
| Melodic Thirds |
0.1613 |
| Melodic Perfect Fourths |
0.08159 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04554 |
| Melodic Sixths |
0.009488 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.04934 |
| Melodic Large Intervals |
0.001898 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.148 |
| Melodic Embellishments |
0.06403 |
| Direction of Melodic Motion |
0.5281 |
| Average Length of Melodic Arcs |
1.76 |
| Average Interval Spanned by Melodic Arcs |
5.537 |
| Melodic Pitch Variety |
5.518 |
| Mean Melodic Interval |
2.998 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4421 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3476 |
| Amount of Arpeggiation |
0.3131 |
| Repeated Notes |
0.05503 |
| Importance of Middle Register |
0.6855 |
| Importance of High Register |
0.001883 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.04 |
| Mean Pitch Class |
5.247 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1186 |
| Prevalence of Most Common Pitch Class |
0.194 |
| Relative Prevalence of Top Pitches |
0.8413 |
| Relative Prevalence of Top Pitch Classes |
0.9515 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.691 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
3.525 |
| Pitch Skewness |
0.3031 |
| Pitch Class Skewness |
0.2217 |
| Pitch Class Skewness After Folding |
0.6619 |
| Pitch Kurtosis |
5.43 |
| Pitch Class Kurtosis |
4.868 |
| Pitch Class Kurtosis After Folding |
6.15 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3126 |
| Note Density per Quarter Note |
0.9672 |
| Note Density per Quarter Note per Voice |
0.2418 |
| Note Density per Quarter Note Variability |
0.4125 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5574 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7345 |
| Prevalence of Very Long Rhythmic Values |
0.1055 |
| Prevalence of Dotted Notes |
0.2411 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.149 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2919 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9097 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.832 |
| Rhythmic Value Skewness |
1.217 |
| Rhythmic Value Kurtosis |
10.26 |
| Mean Rhythmic Value Run Length |
1.427 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.1 |
| Mean Rhythmic Value Offset |
0.0904 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.067 |
| Complete Rests Fraction |
0.001607 |
| Partial Rests Fraction |
0.5677 |
| Average Rest Fraction Across Voices |
0.2178 |
| Longest Complete Rest |
0.8823 |
| Longest Partial Rest |
111.9 |
| Mean Complete Rest Duration |
0.8823 |
| Mean Partial Rest Duration |
8.244 |
| Median Complete Rest Duration |
0.8823 |
| Median Partial Rest Duration |
1.878 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.23 |
| Variability Across Voices of Combined Rests |
101.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4601 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2785 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.652 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7386 |
| Rhythmic Variability - Tempo Standardized |
0.04686 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
531.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.032 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7176 |
| Variability of Note Durations |
0.7519 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
274.4 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.269 |
| Strength of Second Strongest Rhythmic Pulse |
0.2382 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.13 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5072 |
| Rhythmic Variability |
0.03619 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
31.74 |
| Duration in Seconds |
121.8 |
| Note Density |
4.36 |
| Note Density Variability |
1.47 |
| Average Time Between Attacks |
0.3562 |
| Average Time Between Attacks for Each Voice |
1.525 |
| Variability of Time Between Attacks |
0.2286 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.3184 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.4821 |
| Relative Note Durations of Lowest Line |
0.8864 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8286 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.03824 |
| Average Number of Independent Voices |
3.139 |
| Similar Motion |
0.09369 |
| Contrary Motion |
0.13 |
| Oblique Motion |
0.738 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001912 |
| Variability of Number of Independent Voices |
0.8644 |
| Voice Equality - Number of Notes |
74.15 |
| Voice Equality - Note Duration |
22.45 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
11.67 |