| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2455 |
| Prevalence of Second Most Common Vertical Interval |
0.1989 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8103 |
| Vertical Unisons |
0.05091 |
| Vertical Minor Seconds |
0.009132 |
| Vertical Thirds |
0.2901 |
| Vertical Tritones |
0.007265 |
| Vertical Perfect Fourths |
0.06962 |
| Vertical Perfect Fifths |
0.1989 |
| Vertical Sixths |
0.1416 |
| Vertical Sevenths |
0.01864 |
| Vertical Octaves |
0.1946 |
| Perfect Vertical Intervals |
0.514 |
| Vertical Dissonance Ratio |
0.05748 |
| Vertical Minor Third Prevalence |
0.2783 |
| Vertical Major Third Prevalence |
0.3972 |
| Chord Duration |
2.492 |
| Partial Chords |
0.5553 |
| Standard Triads |
0.3535 |
| Diminished and Augmented Triads |
0.01128 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008701 |
| Non-Standard Chords |
0.0825 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5321 |
| Average Number of Simultaneous Pitch Classes |
2.272 |
| Variability of Number of Simultaneous Pitch Classes |
0.7272 |
| Average Number of Simultaneous Pitches |
2.812 |
| Variability of Number of Simultaneous Pitches |
0.8884 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.204 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
33.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1992 |
| Stepwise Motion |
0.6148 |
| Melodic Thirds |
0.1057 |
| Melodic Perfect Fourths |
0.0376 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04065 |
| Melodic Sixths |
0.004065 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01626 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.261 |
| Melodic Embellishments |
0.02834 |
| Direction of Melodic Motion |
0.4591 |
| Average Length of Melodic Arcs |
1.919 |
| Average Interval Spanned by Melodic Arcs |
4.876 |
| Melodic Pitch Variety |
4.84 |
| Mean Melodic Interval |
2.097 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4157 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4792 |
| Amount of Arpeggiation |
0.3435 |
| Repeated Notes |
0.1809 |
| Importance of Middle Register |
0.7874 |
| Importance of High Register |
0.0749 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.71 |
| Mean Pitch Class |
4.631 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1366 |
| Prevalence of Most Common Pitch Class |
0.2439 |
| Relative Prevalence of Top Pitches |
0.7037 |
| Relative Prevalence of Top Pitch Classes |
0.751 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.356 |
| Pitch Class Variability |
3.677 |
| Pitch Class Variability After Folding |
3.081 |
| Pitch Skewness |
0.04251 |
| Pitch Class Skewness |
0.5144 |
| Pitch Class Skewness After Folding |
0.8407 |
| Pitch Kurtosis |
5.445 |
| Pitch Class Kurtosis |
4.875 |
| Pitch Class Kurtosis After Folding |
7.694 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1377 |
| Note Density per Quarter Note |
0.8118 |
| Note Density per Quarter Note per Voice |
0.203 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3229 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8381 |
| Prevalence of Very Long Rhythmic Values |
0.1872 |
| Prevalence of Dotted Notes |
0.2419 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.658 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3664 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4392 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.05 |
| Rhythmic Value Skewness |
-0.5007 |
| Rhythmic Value Kurtosis |
7.083 |
| Mean Rhythmic Value Run Length |
1.529 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.136 |
| Mean Rhythmic Value Offset |
0.07625 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3212 |
| Complete Rests Fraction |
0.01396 |
| Partial Rests Fraction |
0.6237 |
| Average Rest Fraction Across Voices |
0.2649 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
4.248 |
| Mean Partial Rest Duration |
15.35 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.875 |
| Variability of Partial Rest Durations |
12.83 |
| Variability Across Voices of Combined Rests |
45.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4353 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1813 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.401 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6166 |
| Rhythmic Variability - Tempo Standardized |
0.04173 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
988.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.397 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7546 |
| Variability of Note Durations |
0.4446 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2896 |
| Strength of Second Strongest Rhythmic Pulse |
0.198 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.463 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4875 |
| Rhythmic Variability |
0.03229 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003569 |
| Duration in Seconds |
253.5 |
| Note Density |
3.897 |
| Note Density Variability |
1.47 |
| Average Time Between Attacks |
0.4678 |
| Average Time Between Attacks for Each Voice |
1.013 |
| Variability of Time Between Attacks |
0.3151 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.5649 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2874 |
| Relative Note Durations of Lowest Line |
1.046 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7642 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.03878 |
| Average Number of Independent Voices |
2.982 |
| Similar Motion |
0.1222 |
| Contrary Motion |
0.1927 |
| Oblique Motion |
0.6463 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001175 |
| Variability of Number of Independent Voices |
0.9157 |
| Voice Equality - Number of Notes |
33.5 |
| Voice Equality - Note Duration |
9.393 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
11.67 |