| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2096 |
| Prevalence of Second Most Common Vertical Interval |
0.1862 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8885 |
| Vertical Unisons |
0.03161 |
| Vertical Minor Seconds |
0.007784 |
| Vertical Thirds |
0.3658 |
| Vertical Tritones |
0.009863 |
| Vertical Perfect Fourths |
0.07312 |
| Vertical Perfect Fifths |
0.1822 |
| Vertical Sixths |
0.1367 |
| Vertical Sevenths |
0.02085 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4416 |
| Vertical Dissonance Ratio |
0.05922 |
| Vertical Minor Third Prevalence |
0.5767 |
| Vertical Major Third Prevalence |
0.4726 |
| Chord Duration |
2.525 |
| Partial Chords |
0.3731 |
| Standard Triads |
0.4887 |
| Diminished and Augmented Triads |
0.01749 |
| Dominant Seventh Chords |
0.002743 |
| Seventh Chords |
0.01235 |
| Non-Standard Chords |
0.1259 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.73 |
| Average Number of Simultaneous Pitch Classes |
2.604 |
| Variability of Number of Simultaneous Pitch Classes |
0.618 |
| Average Number of Simultaneous Pitches |
3.198 |
| Variability of Number of Simultaneous Pitches |
0.8099 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.825 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
88.82 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2257 |
| Stepwise Motion |
0.6578 |
| Melodic Thirds |
0.1119 |
| Melodic Perfect Fourths |
0.06724 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05792 |
| Melodic Sixths |
0.01132 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01398 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.652 |
| Melodic Embellishments |
0.02191 |
| Direction of Melodic Motion |
0.5043 |
| Average Length of Melodic Arcs |
1.749 |
| Average Interval Spanned by Melodic Arcs |
4.665 |
| Melodic Pitch Variety |
5.26 |
| Mean Melodic Interval |
2.463 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4321 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5223 |
| Amount of Arpeggiation |
0.2636 |
| Repeated Notes |
0.07989 |
| Importance of Middle Register |
0.8101 |
| Importance of High Register |
0.0498 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.44 |
| Mean Pitch Class |
5.339 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1109 |
| Prevalence of Most Common Pitch Class |
0.1932 |
| Relative Prevalence of Top Pitches |
0.8383 |
| Relative Prevalence of Top Pitch Classes |
0.8041 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.934 |
| Pitch Class Variability |
3.595 |
| Pitch Class Variability After Folding |
3.204 |
| Pitch Skewness |
-0.05171 |
| Pitch Class Skewness |
0.2826 |
| Pitch Class Skewness After Folding |
0.4887 |
| Pitch Kurtosis |
5.379 |
| Pitch Class Kurtosis |
4.759 |
| Pitch Class Kurtosis After Folding |
6.869 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1401 |
| Note Density per Quarter Note |
0.9954 |
| Note Density per Quarter Note per Voice |
0.2488 |
| Note Density per Quarter Note Variability |
0.5718 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01461 |
| Prevalence of Medium Rhythmic Values |
0.492 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8121 |
| Prevalence of Very Long Rhythmic Values |
0.1288 |
| Prevalence of Dotted Notes |
0.1375 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.22 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3194 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9522 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.13 |
| Rhythmic Value Skewness |
0.3106 |
| Rhythmic Value Kurtosis |
9.589 |
| Mean Rhythmic Value Run Length |
1.67 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.287 |
| Mean Rhythmic Value Offset |
0.1222 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.593 |
| Complete Rests Fraction |
0.0004158 |
| Partial Rests Fraction |
0.4779 |
| Average Rest Fraction Across Voices |
0.1752 |
| Longest Complete Rest |
0.6291 |
| Longest Partial Rest |
139.3 |
| Mean Complete Rest Duration |
0.6291 |
| Mean Partial Rest Duration |
12.93 |
| Median Complete Rest Duration |
0.6291 |
| Median Partial Rest Duration |
4.802 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.94 |
| Variability Across Voices of Combined Rests |
35.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5626 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.582 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7805 |
| Rhythmic Variability - Tempo Standardized |
0.04999 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1506.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.379 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.714 |
| Variability of Note Durations |
0.6367 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
290.9 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2778 |
| Strength of Second Strongest Rhythmic Pulse |
0.2411 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.152 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5189 |
| Rhythmic Variability |
0.035 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
67.54 |
| Duration in Seconds |
326.0 |
| Note Density |
4.62 |
| Note Density Variability |
1.698 |
| Average Time Between Attacks |
0.4241 |
| Average Time Between Attacks for Each Voice |
0.8589 |
| Variability of Time Between Attacks |
0.2502 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4788 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1833 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8307 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.04284 |
| Average Number of Independent Voices |
3.329 |
| Similar Motion |
0.1432 |
| Contrary Motion |
0.1905 |
| Oblique Motion |
0.6234 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0006394 |
| Variability of Number of Independent Voices |
0.8189 |
| Voice Equality - Number of Notes |
88.82 |
| Voice Equality - Note Duration |
7.694 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
11.67 |