| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2384 |
| Prevalence of Second Most Common Vertical Interval |
0.1889 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7926 |
| Vertical Unisons |
0.0453 |
| Vertical Minor Seconds |
0.003721 |
| Vertical Thirds |
0.3258 |
| Vertical Tritones |
0.005487 |
| Vertical Perfect Fourths |
0.07899 |
| Vertical Perfect Fifths |
0.1698 |
| Vertical Sixths |
0.1286 |
| Vertical Sevenths |
0.02795 |
| Vertical Octaves |
0.1931 |
| Perfect Vertical Intervals |
0.4872 |
| Vertical Dissonance Ratio |
0.0621 |
| Vertical Minor Third Prevalence |
0.3779 |
| Vertical Major Third Prevalence |
0.3003 |
| Chord Duration |
2.284 |
| Partial Chords |
0.6033 |
| Standard Triads |
0.2975 |
| Diminished and Augmented Triads |
0.01157 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006612 |
| Non-Standard Chords |
0.09256 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.769 |
| Average Number of Simultaneous Pitch Classes |
2.236 |
| Variability of Number of Simultaneous Pitch Classes |
0.6962 |
| Average Number of Simultaneous Pitches |
2.763 |
| Variability of Number of Simultaneous Pitches |
0.9226 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.213 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.43 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2115 |
| Stepwise Motion |
0.6721 |
| Melodic Thirds |
0.1918 |
| Melodic Perfect Fourths |
0.0377 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02623 |
| Melodic Sixths |
0.006557 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009836 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.388 |
| Melodic Embellishments |
0.01954 |
| Direction of Melodic Motion |
0.4722 |
| Average Length of Melodic Arcs |
1.756 |
| Average Interval Spanned by Melodic Arcs |
4.311 |
| Melodic Pitch Variety |
4.543 |
| Mean Melodic Interval |
2.336 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4607 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4591 |
| Amount of Arpeggiation |
0.2836 |
| Repeated Notes |
0.05574 |
| Importance of Middle Register |
0.702 |
| Importance of High Register |
0.009772 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.35 |
| Mean Pitch Class |
5.075 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09446 |
| Prevalence of Most Common Pitch Class |
0.171 |
| Relative Prevalence of Top Pitches |
0.9138 |
| Relative Prevalence of Top Pitch Classes |
0.9905 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.201 |
| Pitch Class Variability |
3.594 |
| Pitch Class Variability After Folding |
3.051 |
| Pitch Skewness |
-0.09906 |
| Pitch Class Skewness |
0.06254 |
| Pitch Class Skewness After Folding |
0.2915 |
| Pitch Kurtosis |
5.24 |
| Pitch Class Kurtosis |
4.859 |
| Pitch Class Kurtosis After Folding |
7.397 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2883 |
| Note Density per Quarter Note |
0.8809 |
| Note Density per Quarter Note per Voice |
0.2202 |
| Note Density per Quarter Note Variability |
0.6022 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5391 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7915 |
| Prevalence of Very Long Rhythmic Values |
0.1173 |
| Prevalence of Dotted Notes |
0.1873 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.11 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3306 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7291 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.312 |
| Rhythmic Value Skewness |
1.44 |
| Rhythmic Value Kurtosis |
11.2 |
| Mean Rhythmic Value Run Length |
1.501 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.237 |
| Mean Rhythmic Value Offset |
0.1914 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.811 |
| Complete Rests Fraction |
0.001547 |
| Partial Rests Fraction |
0.6162 |
| Average Rest Fraction Across Voices |
0.2694 |
| Longest Complete Rest |
1.078 |
| Longest Partial Rest |
70.07 |
| Mean Complete Rest Duration |
1.078 |
| Mean Partial Rest Duration |
25.04 |
| Median Complete Rest Duration |
1.078 |
| Median Partial Rest Duration |
21.75 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.16 |
| Variability Across Voices of Combined Rests |
22.94 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5504 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.235 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.342 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7854 |
| Rhythmic Variability - Tempo Standardized |
0.04978 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
614.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.997 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.789 |
| Variability of Note Durations |
0.8145 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
255.1 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2833 |
| Strength of Second Strongest Rhythmic Pulse |
0.2705 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.047 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5538 |
| Rhythmic Variability |
0.0377 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.58 |
| Duration in Seconds |
165.8 |
| Note Density |
3.704 |
| Note Density Variability |
1.936 |
| Average Time Between Attacks |
0.4607 |
| Average Time Between Attacks for Each Voice |
0.9995 |
| Variability of Time Between Attacks |
0.3062 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4459 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4365 |
| Relative Note Durations of Lowest Line |
1.003 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7899 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.03136 |
| Average Number of Independent Voices |
2.908 |
| Similar Motion |
0.1028 |
| Contrary Motion |
0.216 |
| Oblique Motion |
0.6498 |
| Parallel Fifths |
0.001742 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9754 |
| Voice Equality - Number of Notes |
14.43 |
| Voice Equality - Note Duration |
5.456 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
11.67 |