| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2101 |
| Prevalence of Second Most Common Vertical Interval |
0.1931 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9192 |
| Vertical Unisons |
0.04521 |
| Vertical Minor Seconds |
0.008249 |
| Vertical Thirds |
0.3266 |
| Vertical Tritones |
0.01749 |
| Vertical Perfect Fourths |
0.0734 |
| Vertical Perfect Fifths |
0.1834 |
| Vertical Sixths |
0.1356 |
| Vertical Sevenths |
0.02608 |
| Vertical Octaves |
0.1649 |
| Perfect Vertical Intervals |
0.4669 |
| Vertical Dissonance Ratio |
0.07636 |
| Vertical Minor Third Prevalence |
0.5468 |
| Vertical Major Third Prevalence |
0.4294 |
| Chord Duration |
2.088 |
| Partial Chords |
0.3741 |
| Standard Triads |
0.453 |
| Diminished and Augmented Triads |
0.03104 |
| Dominant Seventh Chords |
0.002586 |
| Seventh Chords |
0.01875 |
| Non-Standard Chords |
0.1542 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.797 |
| Average Number of Simultaneous Pitch Classes |
2.543 |
| Variability of Number of Simultaneous Pitch Classes |
0.703 |
| Average Number of Simultaneous Pitches |
3.12 |
| Variability of Number of Simultaneous Pitches |
0.8074 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.127 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
194.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2237 |
| Stepwise Motion |
0.6307 |
| Melodic Thirds |
0.1429 |
| Melodic Perfect Fourths |
0.06656 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04746 |
| Melodic Sixths |
0.004364 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01037 |
| Melodic Large Intervals |
0.0005456 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.238 |
| Melodic Embellishments |
0.0196 |
| Direction of Melodic Motion |
0.4634 |
| Average Length of Melodic Arcs |
1.831 |
| Average Interval Spanned by Melodic Arcs |
4.692 |
| Melodic Pitch Variety |
4.784 |
| Mean Melodic Interval |
2.322 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.407 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5496 |
| Amount of Arpeggiation |
0.2984 |
| Repeated Notes |
0.09711 |
| Importance of Middle Register |
0.7398 |
| Importance of High Register |
0.001633 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.86 |
| Mean Pitch Class |
5.379 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1149 |
| Prevalence of Most Common Pitch Class |
0.2074 |
| Relative Prevalence of Top Pitches |
0.8673 |
| Relative Prevalence of Top Pitch Classes |
0.8373 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.602 |
| Pitch Class Variability |
3.437 |
| Pitch Class Variability After Folding |
3.011 |
| Pitch Skewness |
-0.3903 |
| Pitch Class Skewness |
0.3311 |
| Pitch Class Skewness After Folding |
0.6199 |
| Pitch Kurtosis |
5.34 |
| Pitch Class Kurtosis |
4.894 |
| Pitch Class Kurtosis After Folding |
7.229 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2586 |
| Note Density per Quarter Note |
1.093 |
| Note Density per Quarter Note per Voice |
0.2732 |
| Note Density per Quarter Note Variability |
0.4796 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01089 |
| Prevalence of Medium Rhythmic Values |
0.5912 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7485 |
| Prevalence of Very Long Rhythmic Values |
0.1089 |
| Prevalence of Dotted Notes |
0.1562 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.993 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3397 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7083 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.422 |
| Rhythmic Value Skewness |
1.23 |
| Rhythmic Value Kurtosis |
11.05 |
| Mean Rhythmic Value Run Length |
1.681 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.264 |
| Mean Rhythmic Value Offset |
0.02395 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3842 |
| Complete Rests Fraction |
0.001618 |
| Partial Rests Fraction |
0.5199 |
| Average Rest Fraction Across Voices |
0.1765 |
| Longest Complete Rest |
1.818 |
| Longest Partial Rest |
81.26 |
| Mean Complete Rest Duration |
1.36 |
| Mean Partial Rest Duration |
8.921 |
| Median Complete Rest Duration |
1.818 |
| Median Partial Rest Duration |
2.257 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6482 |
| Variability of Partial Rest Durations |
13.48 |
| Variability Across Voices of Combined Rests |
150.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5206 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2417 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.154 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7623 |
| Rhythmic Variability - Tempo Standardized |
0.04851 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1837.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.215 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6908 |
| Variability of Note Durations |
0.5838 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
264.8 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.275 |
| Strength of Second Strongest Rhythmic Pulse |
0.2544 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.081 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5294 |
| Rhythmic Variability |
0.03668 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.58 |
| Duration in Seconds |
385.2 |
| Note Density |
4.769 |
| Note Density Variability |
1.637 |
| Average Time Between Attacks |
0.3919 |
| Average Time Between Attacks for Each Voice |
0.9964 |
| Variability of Time Between Attacks |
0.243 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.2942 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1415 |
| Relative Note Durations of Lowest Line |
0.9987 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8612 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.0372 |
| Average Number of Independent Voices |
3.303 |
| Similar Motion |
0.1294 |
| Contrary Motion |
0.1638 |
| Oblique Motion |
0.6696 |
| Parallel Fifths |
0.001666 |
| Parallel Octaves |
0.00111 |
| Variability of Number of Independent Voices |
0.7896 |
| Voice Equality - Number of Notes |
194.8 |
| Voice Equality - Note Duration |
34.4 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.0 |
| Importance of Loudest Voice |
11.67 |