| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2278 |
| Prevalence of Second Most Common Vertical Interval |
0.165 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7241 |
| Vertical Unisons |
0.09018 |
| Vertical Minor Seconds |
0.01489 |
| Vertical Thirds |
0.2897 |
| Vertical Tritones |
0.003337 |
| Vertical Perfect Fourths |
0.117 |
| Vertical Perfect Fifths |
0.165 |
| Vertical Sixths |
0.09997 |
| Vertical Sevenths |
0.0324 |
| Vertical Octaves |
0.1376 |
| Perfect Vertical Intervals |
0.5098 |
| Vertical Dissonance Ratio |
0.1117 |
| Vertical Minor Third Prevalence |
0.498 |
| Vertical Major Third Prevalence |
0.4631 |
| Chord Duration |
1.779 |
| Partial Chords |
0.3506 |
| Standard Triads |
0.3853 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008658 |
| Non-Standard Chords |
0.2554 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.225 |
| Average Number of Simultaneous Pitch Classes |
2.625 |
| Variability of Number of Simultaneous Pitch Classes |
0.6841 |
| Average Number of Simultaneous Pitches |
3.152 |
| Variability of Number of Simultaneous Pitches |
0.6907 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.661 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
197.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1576 |
| Stepwise Motion |
0.5717 |
| Melodic Thirds |
0.1369 |
| Melodic Perfect Fourths |
0.03503 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.1035 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.09713 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.071 |
| Melodic Embellishments |
0.01424 |
| Direction of Melodic Motion |
0.5143 |
| Average Length of Melodic Arcs |
1.913 |
| Average Interval Spanned by Melodic Arcs |
7.032 |
| Melodic Pitch Variety |
5.571 |
| Mean Melodic Interval |
3.506 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.414 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3808 |
| Amount of Arpeggiation |
0.3933 |
| Repeated Notes |
0.05573 |
| Importance of Middle Register |
0.7358 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.06 |
| Mean Pitch Class |
5.396 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1329 |
| Prevalence of Most Common Pitch Class |
0.2184 |
| Relative Prevalence of Top Pitches |
0.9286 |
| Relative Prevalence of Top Pitch Classes |
0.8623 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.788 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
3.943 |
| Pitch Skewness |
0.1788 |
| Pitch Class Skewness |
0.3419 |
| Pitch Class Skewness After Folding |
1.587 |
| Pitch Kurtosis |
5.851 |
| Pitch Class Kurtosis |
4.63 |
| Pitch Class Kurtosis After Folding |
5.04 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2642 |
| Note Density per Quarter Note |
1.292 |
| Note Density per Quarter Note per Voice |
0.3231 |
| Note Density per Quarter Note Variability |
0.4799 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6566 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6899 |
| Prevalence of Very Long Rhythmic Values |
0.0981 |
| Prevalence of Dotted Notes |
0.09652 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.712 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3465 |
| Relative Prevalence of Most Common Rhythmic Values |
0.895 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.123 |
| Rhythmic Value Skewness |
1.006 |
| Rhythmic Value Kurtosis |
10.14 |
| Mean Rhythmic Value Run Length |
1.951 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.595 |
| Mean Rhythmic Value Offset |
0.0443 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.419 |
| Complete Rests Fraction |
0.002028 |
| Partial Rests Fraction |
0.3742 |
| Average Rest Fraction Across Voices |
0.1094 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.931 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.302 |
| Variability Across Voices of Combined Rests |
42.15 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5169 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2481 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.083 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.765 |
| Rhythmic Variability - Tempo Standardized |
0.04859 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
632.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5935 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5742 |
| Variability of Note Durations |
0.4889 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2432 |
| Strength of Second Strongest Rhythmic Pulse |
0.2321 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.048 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4752 |
| Rhythmic Variability |
0.03397 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004334 |
| Duration in Seconds |
101.9 |
| Note Density |
6.204 |
| Note Density Variability |
1.478 |
| Average Time Between Attacks |
0.3044 |
| Average Time Between Attacks for Each Voice |
0.7564 |
| Variability of Time Between Attacks |
0.125 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4912 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.4114 |
| Relative Note Durations of Lowest Line |
0.6635 |
| Relative Size of Melodic Intervals in Lowest Line |
0.3636 |
| Voice Overlap |
0.9114 |
| Voice Separation |
3.333 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04015 |
| Average Number of Independent Voices |
3.57 |
| Similar Motion |
0.1642 |
| Contrary Motion |
0.1131 |
| Oblique Motion |
0.6825 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5999 |
| Voice Equality - Number of Notes |
71.79 |
| Voice Equality - Note Duration |
8.782 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
1.5 |
| Voice Equality - Range |
4.359 |
| Importance of Loudest Voice |
10.0 |