| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2101 |
| Prevalence of Second Most Common Vertical Interval |
0.1866 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8881 |
| Vertical Unisons |
0.04648 |
| Vertical Minor Seconds |
0.005118 |
| Vertical Thirds |
0.3206 |
| Vertical Tritones |
0.01062 |
| Vertical Perfect Fourths |
0.07739 |
| Vertical Perfect Fifths |
0.1866 |
| Vertical Sixths |
0.1405 |
| Vertical Sevenths |
0.02534 |
| Vertical Octaves |
0.1636 |
| Perfect Vertical Intervals |
0.4741 |
| Vertical Dissonance Ratio |
0.06924 |
| Vertical Minor Third Prevalence |
0.3867 |
| Vertical Major Third Prevalence |
0.298 |
| Chord Duration |
2.113 |
| Partial Chords |
0.615 |
| Standard Triads |
0.283 |
| Diminished and Augmented Triads |
0.01637 |
| Dominant Seventh Chords |
0.0007797 |
| Seventh Chords |
0.008967 |
| Non-Standard Chords |
0.09298 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.63 |
| Average Number of Simultaneous Pitch Classes |
2.209 |
| Variability of Number of Simultaneous Pitch Classes |
0.7103 |
| Average Number of Simultaneous Pitches |
2.618 |
| Variability of Number of Simultaneous Pitches |
0.8668 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.898 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
54.56 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2072 |
| Stepwise Motion |
0.6135 |
| Melodic Thirds |
0.1773 |
| Melodic Perfect Fourths |
0.06275 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03884 |
| Melodic Sixths |
0.003984 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007968 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.423 |
| Melodic Embellishments |
0.01687 |
| Direction of Melodic Motion |
0.5132 |
| Average Length of Melodic Arcs |
1.805 |
| Average Interval Spanned by Melodic Arcs |
4.604 |
| Melodic Pitch Variety |
4.96 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4064 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5098 |
| Amount of Arpeggiation |
0.3197 |
| Repeated Notes |
0.09562 |
| Importance of Middle Register |
0.8105 |
| Importance of High Register |
0.06647 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.38 |
| Mean Pitch Class |
5.306 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.12 |
| Prevalence of Most Common Pitch Class |
0.1994 |
| Relative Prevalence of Top Pitches |
0.8264 |
| Relative Prevalence of Top Pitch Classes |
0.9154 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.856 |
| Pitch Class Variability |
3.348 |
| Pitch Class Variability After Folding |
3.916 |
| Pitch Skewness |
-0.1007 |
| Pitch Class Skewness |
0.2738 |
| Pitch Class Skewness After Folding |
0.9182 |
| Pitch Kurtosis |
5.391 |
| Pitch Class Kurtosis |
4.714 |
| Pitch Class Kurtosis After Folding |
5.009 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.123 |
| Note Density per Quarter Note |
1.007 |
| Note Density per Quarter Note per Voice |
0.2518 |
| Note Density per Quarter Note Variability |
0.5053 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001984 |
| Prevalence of Medium Rhythmic Values |
0.6379 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7827 |
| Prevalence of Very Long Rhythmic Values |
0.06349 |
| Prevalence of Dotted Notes |
0.121 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.687 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4206 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5047 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.849 |
| Rhythmic Value Skewness |
1.115 |
| Rhythmic Value Kurtosis |
13.6 |
| Mean Rhythmic Value Run Length |
1.839 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.446 |
| Mean Rhythmic Value Offset |
0.04043 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.712 |
| Complete Rests Fraction |
0.0008925 |
| Partial Rests Fraction |
0.7358 |
| Average Rest Fraction Across Voices |
0.3166 |
| Longest Complete Rest |
0.8934 |
| Longest Partial Rest |
187.9 |
| Mean Complete Rest Duration |
0.8934 |
| Mean Partial Rest Duration |
17.13 |
| Median Complete Rest Duration |
0.8934 |
| Median Partial Rest Duration |
11.18 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
30.35 |
| Variability Across Voices of Combined Rests |
88.39 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5547 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2243 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.473 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.779 |
| Rhythmic Variability - Tempo Standardized |
0.0498 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1008.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.496 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6277 |
| Variability of Note Durations |
0.499 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
262.5 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
130.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2802 |
| Strength of Second Strongest Rhythmic Pulse |
0.2546 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.1 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5347 |
| Rhythmic Variability |
0.03726 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.89 |
| Duration in Seconds |
231.5 |
| Note Density |
4.355 |
| Note Density Variability |
1.915 |
| Average Time Between Attacks |
0.3974 |
| Average Time Between Attacks for Each Voice |
0.8466 |
| Variability of Time Between Attacks |
0.22 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.3717 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2778 |
| Relative Note Durations of Lowest Line |
0.9905 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8185 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.04619 |
| Average Number of Independent Voices |
2.748 |
| Similar Motion |
0.1455 |
| Contrary Motion |
0.2125 |
| Oblique Motion |
0.5958 |
| Parallel Fifths |
0.001155 |
| Parallel Octaves |
0.002309 |
| Variability of Number of Independent Voices |
0.9146 |
| Voice Equality - Number of Notes |
54.56 |
| Voice Equality - Note Duration |
20.44 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
11.67 |