File

Last modified on: April 14, 2020, 1:04 a.m.

Jos1904-Homo_quidam_fecit_cenam.mid


Source
RenComp7
Musical Work
Homo quidam fecit cenam
File Type
Symbolic Music
File Format
.mid
File Size
9.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2568
Prevalence of Second Most Common Vertical Interval 0.174
Prevalence Ratio of Two Most Common Vertical Intervals 0.6774
Vertical Unisons 0.07795
Vertical Minor Seconds 0.006917
Vertical Thirds 0.3385
Vertical Tritones 0.01533
Vertical Perfect Fourths 0.07426
Vertical Perfect Fifths 0.1689
Vertical Sixths 0.09206
Vertical Sevenths 0.02161
Vertical Octaves 0.1788
Perfect Vertical Intervals 0.4999
Vertical Dissonance Ratio 0.07472
Vertical Minor Third Prevalence 0.4535
Vertical Major Third Prevalence 0.4417
Chord Duration 2.067
Partial Chords 0.4984
Standard Triads 0.3286
Diminished and Augmented Triads 0.03177
Dominant Seventh Chords 0.004236
Seventh Chords 0.01059
Non-Standard Chords 0.1624
Complex Chords 0.002118
Minor Major Triad Ratio 0.4638
Average Number of Simultaneous Pitch Classes 2.403
Variability of Number of Simultaneous Pitch Classes 0.7117
Average Number of Simultaneous Pitches 3.035
Variability of Number of Simultaneous Pitches 0.9635
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 7.454
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 12.9
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2111
Stepwise Motion 0.6803
Melodic Thirds 0.1776
Melodic Perfect Fourths 0.03866
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04598
Melodic Sixths 0.00418
Melodic Sevenths 0.0
Melodic Octaves 0.008359
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.429
Melodic Embellishments 0.0343
Direction of Melodic Motion 0.4683
Average Length of Melodic Arcs 1.991
Average Interval Spanned by Melodic Arcs 4.948
Melodic Pitch Variety 5.175
Mean Melodic Interval 2.405
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4692
Relative Prevalence of Most Common Melodic Intervals 0.4499
Amount of Arpeggiation 0.2769
Repeated Notes 0.04493
Importance of Middle Register 0.764
Importance of High Register 0.09875
Dominant Spread 4.0
Strong Tonal Centres 3.0
Mean Pitch 61.92
Mean Pitch Class 4.574
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1227
Prevalence of Most Common Pitch Class 0.2048
Relative Prevalence of Top Pitches 0.822
Relative Prevalence of Top Pitch Classes 0.8223
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 4.0
Pitch Variability 7.497
Pitch Class Variability 3.482
Pitch Class Variability After Folding 3.218
Pitch Skewness 0.1215
Pitch Class Skewness 0.4943
Pitch Class Skewness After Folding 1.085
Pitch Kurtosis 5.469
Pitch Class Kurtosis 5.071
Pitch Class Kurtosis After Folding 7.175
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 32.0
Importance of Bass Register 0.1372
Note Density per Quarter Note 0.9241
Note Density per Quarter Note per Voice 0.1848
Note Density per Quarter Note Variability 0.4525
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 4.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4283
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7942
Prevalence of Very Long Rhythmic Values 0.1892
Prevalence of Dotted Notes 0.1133
Shortest Rhythmic Value 0.75
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.615
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3212
Relative Prevalence of Most Common Rhythmic Values 0.6926
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.403
Rhythmic Value Skewness -0.4805
Rhythmic Value Kurtosis 6.453
Mean Rhythmic Value Run Length 1.667
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.969
Mean Rhythmic Value Offset 0.0434
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5146
Complete Rests Fraction 0.0009503
Partial Rests Fraction 0.8328
Average Rest Fraction Across Voices 0.3246
Longest Complete Rest 0.9893
Longest Partial Rest 80.36
Mean Complete Rest Duration 0.9893
Mean Partial Rest Duration 13.41
Median Complete Rest Duration 0.9893
Median Partial Rest Duration 7.981
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 14.98
Variability Across Voices of Combined Rests 52.65
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5535
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2287
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.421
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7822
Rhythmic Variability - Tempo Standardized 0.04946
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 962.0
Initial Tempo 290.0
Average Variability of Time Between Attacks for Each Voice 1.659
Minimum Note Duration 0.1379
Maximum Note Duration 5.0
Average Note Duration 0.7579
Variability of Note Durations 0.5387
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 289.3
Strongest Rhythmic Pulse 73.0
Second Strongest Rhythmic Pulse 49.0
Harmonicity of Two Strongest Rhythmic Pulses 1.49
Strength of Strongest Rhythmic Pulse 0.2889
Strength of Second Strongest Rhythmic Pulse 0.2373
Strength Ratio of Two Strongest Rhythmic Pulses 1.217
Combined Strength of Two Strongest Rhythmic Pulses 0.5263
Rhythmic Variability 0.03536
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.9508
Duration in Seconds 215.9
Note Density 4.456
Note Density Variability 1.75
Average Time Between Attacks 0.3973
Average Time Between Attacks for Each Voice 1.216
Variability of Time Between Attacks 0.2446
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.6875
Relative Range Isolation of Loudest Voice 0.6873
Relative Range of Highest Line 0.6875
Relative Note Density of Highest Line 0.369
Relative Note Durations of Lowest Line 0.8483
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7723
Voice Separation 4.5
Variability of Voice Separation 3.873
Parallel Motion 0.03567
Average Number of Independent Voices 3.381
Similar Motion 0.1177
Contrary Motion 0.1463
Oblique Motion 0.7004
Parallel Fifths 0.002378
Parallel Octaves 0.001189
Variability of Number of Independent Voices 1.044
Voice Equality - Number of Notes 68.36
Voice Equality - Note Duration 10.92
Voice Equality - Dynamics 8.944
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 3.435
Importance of Loudest Voice 13.75