| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2638 |
| Prevalence of Second Most Common Vertical Interval |
0.2128 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8066 |
| Vertical Unisons |
0.0639 |
| Vertical Minor Seconds |
0.001966 |
| Vertical Thirds |
0.3331 |
| Vertical Tritones |
0.002237 |
| Vertical Perfect Fourths |
0.06621 |
| Vertical Perfect Fifths |
0.1905 |
| Vertical Sixths |
0.1152 |
| Vertical Sevenths |
0.01293 |
| Vertical Octaves |
0.1999 |
| Perfect Vertical Intervals |
0.5205 |
| Vertical Dissonance Ratio |
0.03228 |
| Vertical Minor Third Prevalence |
0.7012 |
| Vertical Major Third Prevalence |
0.5894 |
| Chord Duration |
2.004 |
| Partial Chords |
0.2785 |
| Standard Triads |
0.6118 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006329 |
| Non-Standard Chords |
0.1034 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.0 |
| Average Number of Simultaneous Pitch Classes |
2.709 |
| Variability of Number of Simultaneous Pitch Classes |
0.6172 |
| Average Number of Simultaneous Pitches |
3.93 |
| Variability of Number of Simultaneous Pitches |
1.036 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.102 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
38.85 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1521 |
| Stepwise Motion |
0.4583 |
| Melodic Thirds |
0.1596 |
| Melodic Perfect Fourths |
0.06865 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.09647 |
| Melodic Sixths |
0.005566 |
| Melodic Sevenths |
0.001855 |
| Melodic Octaves |
0.0167 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.529 |
| Melodic Embellishments |
0.02018 |
| Direction of Melodic Motion |
0.5057 |
| Average Length of Melodic Arcs |
1.642 |
| Average Interval Spanned by Melodic Arcs |
5.177 |
| Melodic Pitch Variety |
4.59 |
| Mean Melodic Interval |
2.594 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3061 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6303 |
| Amount of Arpeggiation |
0.4675 |
| Repeated Notes |
0.1929 |
| Importance of Middle Register |
0.7431 |
| Importance of High Register |
0.02569 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.59 |
| Mean Pitch Class |
5.428 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1174 |
| Prevalence of Most Common Pitch Class |
0.2624 |
| Relative Prevalence of Top Pitches |
0.9844 |
| Relative Prevalence of Top Pitch Classes |
0.8042 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.777 |
| Pitch Class Variability |
3.537 |
| Pitch Class Variability After Folding |
2.738 |
| Pitch Skewness |
-0.3171 |
| Pitch Class Skewness |
0.3626 |
| Pitch Class Skewness After Folding |
0.2714 |
| Pitch Kurtosis |
5.04 |
| Pitch Class Kurtosis |
4.788 |
| Pitch Class Kurtosis After Folding |
8.396 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2312 |
| Note Density per Quarter Note |
1.657 |
| Note Density per Quarter Note per Voice |
0.2761 |
| Note Density per Quarter Note Variability |
0.716 |
| Range of Rhythmic Values |
11.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.001835 |
| Prevalence of Short Rhythmic Values |
0.001835 |
| Prevalence of Medium Rhythmic Values |
0.6532 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8514 |
| Prevalence of Very Long Rhythmic Values |
0.02752 |
| Prevalence of Dotted Notes |
0.08624 |
| Shortest Rhythmic Value |
0.125 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.638 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5064 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5507 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.454 |
| Rhythmic Value Skewness |
1.317 |
| Rhythmic Value Kurtosis |
14.35 |
| Mean Rhythmic Value Run Length |
2.3 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.715 |
| Mean Rhythmic Value Offset |
0.0389 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5428 |
| Complete Rests Fraction |
0.003014 |
| Partial Rests Fraction |
0.7872 |
| Average Rest Fraction Across Voices |
0.2661 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.71 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.956 |
| Variability Across Voices of Combined Rests |
10.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6929 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1155 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.0 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8084 |
| Rhythmic Variability - Tempo Standardized |
0.05597 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
545.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5903 |
| Minimum Note Duration |
0.001736 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5538 |
| Variability of Note Durations |
0.3593 |
| Amount of Staccato |
0.001835 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2891 |
| Strength of Second Strongest Rhythmic Pulse |
0.2666 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.084 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5557 |
| Rhythmic Variability |
0.03705 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002224 |
| Duration in Seconds |
68.54 |
| Note Density |
7.952 |
| Note Density Variability |
2.359 |
| Average Time Between Attacks |
0.3251 |
| Average Time Between Attacks for Each Voice |
0.6985 |
| Variability of Time Between Attacks |
0.1639 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.7596 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.4 |
| Variability of Voice Separation |
4.278 |
| Parallel Motion |
0.07622 |
| Average Number of Independent Voices |
4.417 |
| Similar Motion |
0.122 |
| Contrary Motion |
0.186 |
| Oblique Motion |
0.6159 |
| Parallel Fifths |
0.01829 |
| Parallel Octaves |
0.006098 |
| Variability of Number of Independent Voices |
1.208 |
| Voice Equality - Number of Notes |
16.73 |
| Voice Equality - Note Duration |
2.186 |
| Voice Equality - Dynamics |
8.01 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
3.899 |
| Importance of Loudest Voice |
13.0 |