File

Last modified on: April 14, 2020, 1:05 a.m.

Jos1101a-Missa_Hercules_dux_Ferrarie-Kyrie.mid


Source
RenComp7
Musical Work
Missa Hercules dux Ferrarie
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
5.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2155
Prevalence of Second Most Common Vertical Interval 0.1992
Prevalence Ratio of Two Most Common Vertical Intervals 0.9241
Vertical Unisons 0.03861
Vertical Minor Seconds 0.004151
Vertical Thirds 0.3963
Vertical Tritones 0.00411
Vertical Perfect Fourths 0.05351
Vertical Perfect Fifths 0.1872
Vertical Sixths 0.09591
Vertical Sevenths 0.02566
Vertical Octaves 0.1606
Perfect Vertical Intervals 0.4398
Vertical Dissonance Ratio 0.07296
Vertical Minor Third Prevalence 0.5456
Vertical Major Third Prevalence 0.4708
Chord Duration 2.12
Partial Chords 0.4823
Standard Triads 0.3957
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.009843
Non-Standard Chords 0.1122
Complex Chords 0.0
Minor Major Triad Ratio 2.722
Average Number of Simultaneous Pitch Classes 2.447
Variability of Number of Simultaneous Pitch Classes 0.6881
Average Number of Simultaneous Pitches 2.995
Variability of Number of Simultaneous Pitches 0.8272
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 5.166
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 74.15
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1537
Stepwise Motion 0.5958
Melodic Thirds 0.1613
Melodic Perfect Fourths 0.08159
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04554
Melodic Sixths 0.009488
Melodic Sevenths 0.0
Melodic Octaves 0.04934
Melodic Large Intervals 0.001898
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.148
Melodic Embellishments 0.06403
Direction of Melodic Motion 0.5281
Average Length of Melodic Arcs 1.76
Average Interval Spanned by Melodic Arcs 5.537
Melodic Pitch Variety 5.518
Mean Melodic Interval 2.998
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4421
Relative Prevalence of Most Common Melodic Intervals 0.3476
Amount of Arpeggiation 0.3131
Repeated Notes 0.05503
Importance of Middle Register 0.6855
Importance of High Register 0.001883
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.04
Mean Pitch Class 5.247
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1186
Prevalence of Most Common Pitch Class 0.194
Relative Prevalence of Top Pitches 0.8413
Relative Prevalence of Top Pitch Classes 0.9515
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.691
Pitch Class Variability 3.338
Pitch Class Variability After Folding 3.525
Pitch Skewness 0.3031
Pitch Class Skewness 0.2217
Pitch Class Skewness After Folding 0.6619
Pitch Kurtosis 5.43
Pitch Class Kurtosis 4.868
Pitch Class Kurtosis After Folding 6.15
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.3126
Note Density per Quarter Note 0.9672
Note Density per Quarter Note per Voice 0.2418
Note Density per Quarter Note Variability 0.4125
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 4.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5574
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7345
Prevalence of Very Long Rhythmic Values 0.1055
Prevalence of Dotted Notes 0.2411
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.149
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2919
Relative Prevalence of Most Common Rhythmic Values 0.9097
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.832
Rhythmic Value Skewness 1.217
Rhythmic Value Kurtosis 10.26
Mean Rhythmic Value Run Length 1.427
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.1
Mean Rhythmic Value Offset 0.0904
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.067
Complete Rests Fraction 0.001607
Partial Rests Fraction 0.5677
Average Rest Fraction Across Voices 0.2178
Longest Complete Rest 0.8823
Longest Partial Rest 111.9
Mean Complete Rest Duration 0.8823
Mean Partial Rest Duration 8.244
Median Complete Rest Duration 0.8823
Median Partial Rest Duration 1.878
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 20.23
Variability Across Voices of Combined Rests 101.2
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4601
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2785
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.652
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7386
Rhythmic Variability - Tempo Standardized 0.04686
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 531.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.032
Minimum Note Duration 0.1974
Maximum Note Duration 6.667
Average Note Duration 0.7176
Variability of Note Durations 0.7519
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 274.4
Strongest Rhythmic Pulse 68.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.478
Strength of Strongest Rhythmic Pulse 0.269
Strength of Second Strongest Rhythmic Pulse 0.2382
Strength Ratio of Two Strongest Rhythmic Pulses 1.13
Combined Strength of Two Strongest Rhythmic Pulses 0.5072
Rhythmic Variability 0.03619
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 31.74
Duration in Seconds 121.8
Note Density 4.36
Note Density Variability 1.47
Average Time Between Attacks 0.3562
Average Time Between Attacks for Each Voice 1.525
Variability of Time Between Attacks 0.2286
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.3184
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.4821
Relative Note Durations of Lowest Line 0.8864
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8286
Voice Separation 4.667
Variability of Voice Separation 4.163
Parallel Motion 0.03824
Average Number of Independent Voices 3.139
Similar Motion 0.09369
Contrary Motion 0.13
Oblique Motion 0.738
Parallel Fifths 0.0
Parallel Octaves 0.001912
Variability of Number of Independent Voices 0.8644
Voice Equality - Number of Notes 74.15
Voice Equality - Note Duration 22.45
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 0.0
Importance of Loudest Voice 11.67