File

Last modified on: April 14, 2020, 1:06 a.m.

Jos0603c-Missa_Lhomme_arme_super_voces_musicales-Credo.mid


Source
RenComp7
Musical Work
Missa Lhomme arme super voces musicales
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
17.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2101
Prevalence of Second Most Common Vertical Interval 0.1931
Prevalence Ratio of Two Most Common Vertical Intervals 0.9192
Vertical Unisons 0.04521
Vertical Minor Seconds 0.008249
Vertical Thirds 0.3266
Vertical Tritones 0.01749
Vertical Perfect Fourths 0.0734
Vertical Perfect Fifths 0.1834
Vertical Sixths 0.1356
Vertical Sevenths 0.02608
Vertical Octaves 0.1649
Perfect Vertical Intervals 0.4669
Vertical Dissonance Ratio 0.07636
Vertical Minor Third Prevalence 0.5468
Vertical Major Third Prevalence 0.4294
Chord Duration 2.088
Partial Chords 0.3741
Standard Triads 0.453
Diminished and Augmented Triads 0.03104
Dominant Seventh Chords 0.002586
Seventh Chords 0.01875
Non-Standard Chords 0.1542
Complex Chords 0.0
Minor Major Triad Ratio 2.797
Average Number of Simultaneous Pitch Classes 2.543
Variability of Number of Simultaneous Pitch Classes 0.703
Average Number of Simultaneous Pitches 3.12
Variability of Number of Simultaneous Pitches 0.8074
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.127
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 194.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2237
Stepwise Motion 0.6307
Melodic Thirds 0.1429
Melodic Perfect Fourths 0.06656
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04746
Melodic Sixths 0.004364
Melodic Sevenths 0.0
Melodic Octaves 0.01037
Melodic Large Intervals 0.0005456
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 5.238
Melodic Embellishments 0.0196
Direction of Melodic Motion 0.4634
Average Length of Melodic Arcs 1.831
Average Interval Spanned by Melodic Arcs 4.692
Melodic Pitch Variety 4.784
Mean Melodic Interval 2.322
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.407
Relative Prevalence of Most Common Melodic Intervals 0.5496
Amount of Arpeggiation 0.2984
Repeated Notes 0.09711
Importance of Middle Register 0.7398
Importance of High Register 0.001633
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 58.86
Mean Pitch Class 5.379
Most Common Pitch 64.0
Most Common Pitch Class 4.0
Prevalence of Most Common Pitch 0.1149
Prevalence of Most Common Pitch Class 0.2074
Relative Prevalence of Top Pitches 0.8673
Relative Prevalence of Top Pitch Classes 0.8373
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.602
Pitch Class Variability 3.437
Pitch Class Variability After Folding 3.011
Pitch Skewness -0.3903
Pitch Class Skewness 0.3311
Pitch Class Skewness After Folding 0.6199
Pitch Kurtosis 5.34
Pitch Class Kurtosis 4.894
Pitch Class Kurtosis After Folding 7.229
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.2586
Note Density per Quarter Note 1.093
Note Density per Quarter Note per Voice 0.2732
Note Density per Quarter Note Variability 0.4796
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01089
Prevalence of Medium Rhythmic Values 0.5912
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7485
Prevalence of Very Long Rhythmic Values 0.1089
Prevalence of Dotted Notes 0.1562
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.993
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3397
Relative Prevalence of Most Common Rhythmic Values 0.7083
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.422
Rhythmic Value Skewness 1.23
Rhythmic Value Kurtosis 11.05
Mean Rhythmic Value Run Length 1.681
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.264
Mean Rhythmic Value Offset 0.02395
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3842
Complete Rests Fraction 0.001618
Partial Rests Fraction 0.5199
Average Rest Fraction Across Voices 0.1765
Longest Complete Rest 1.818
Longest Partial Rest 81.26
Mean Complete Rest Duration 1.36
Mean Partial Rest Duration 8.921
Median Complete Rest Duration 1.818
Median Partial Rest Duration 2.257
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.6482
Variability of Partial Rest Durations 13.48
Variability Across Voices of Combined Rests 150.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5206
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2417
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.154
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7623
Rhythmic Variability - Tempo Standardized 0.04851
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1837.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.215
Minimum Note Duration 0.1293
Maximum Note Duration 5.0
Average Note Duration 0.6908
Variability of Note Durations 0.5838
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 264.8
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.275
Strength of Second Strongest Rhythmic Pulse 0.2544
Strength Ratio of Two Strongest Rhythmic Pulses 1.081
Combined Strength of Two Strongest Rhythmic Pulses 0.5294
Rhythmic Variability 0.03668
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 27.58
Duration in Seconds 385.2
Note Density 4.769
Note Density Variability 1.637
Average Time Between Attacks 0.3919
Average Time Between Attacks for Each Voice 0.9964
Variability of Time Between Attacks 0.243
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.2942
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.1415
Relative Note Durations of Lowest Line 0.9987
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8612
Voice Separation 4.667
Variability of Voice Separation 2.309
Parallel Motion 0.0372
Average Number of Independent Voices 3.303
Similar Motion 0.1294
Contrary Motion 0.1638
Oblique Motion 0.6696
Parallel Fifths 0.001666
Parallel Octaves 0.00111
Variability of Number of Independent Voices 0.7896
Voice Equality - Number of Notes 194.8
Voice Equality - Note Duration 34.4
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 3.0
Importance of Loudest Voice 11.67