| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2167 |
| Prevalence of Second Most Common Vertical Interval |
0.1798 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8299 |
| Vertical Unisons |
0.0414 |
| Vertical Minor Seconds |
0.005877 |
| Vertical Thirds |
0.3226 |
| Vertical Tritones |
0.009793 |
| Vertical Perfect Fourths |
0.08382 |
| Vertical Perfect Fifths |
0.1798 |
| Vertical Sixths |
0.1287 |
| Vertical Sevenths |
0.02557 |
| Vertical Octaves |
0.1753 |
| Perfect Vertical Intervals |
0.4804 |
| Vertical Dissonance Ratio |
0.07328 |
| Vertical Minor Third Prevalence |
0.3988 |
| Vertical Major Third Prevalence |
0.3971 |
| Chord Duration |
2.187 |
| Partial Chords |
0.5382 |
| Standard Triads |
0.3411 |
| Diminished and Augmented Triads |
0.01709 |
| Dominant Seventh Chords |
0.003798 |
| Seventh Chords |
0.01291 |
| Non-Standard Chords |
0.1079 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4917 |
| Average Number of Simultaneous Pitch Classes |
2.366 |
| Variability of Number of Simultaneous Pitch Classes |
0.6983 |
| Average Number of Simultaneous Pitches |
2.906 |
| Variability of Number of Simultaneous Pitches |
0.9596 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.833 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
123.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2167 |
| Stepwise Motion |
0.6551 |
| Melodic Thirds |
0.112 |
| Melodic Perfect Fourths |
0.05011 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05822 |
| Melodic Sixths |
0.004422 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01916 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.01176 |
| Direction of Melodic Motion |
0.4607 |
| Average Length of Melodic Arcs |
1.958 |
| Average Interval Spanned by Melodic Arcs |
5.199 |
| Melodic Pitch Variety |
5.279 |
| Mean Melodic Interval |
2.396 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4385 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4941 |
| Amount of Arpeggiation |
0.2903 |
| Repeated Notes |
0.101 |
| Importance of Middle Register |
0.6003 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.55 |
| Mean Pitch Class |
5.12 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1176 |
| Prevalence of Most Common Pitch Class |
0.1999 |
| Relative Prevalence of Top Pitches |
0.9187 |
| Relative Prevalence of Top Pitch Classes |
0.8713 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.883 |
| Pitch Class Variability |
3.49 |
| Pitch Class Variability After Folding |
4.26 |
| Pitch Skewness |
-0.4576 |
| Pitch Class Skewness |
0.103 |
| Pitch Class Skewness After Folding |
0.996 |
| Pitch Kurtosis |
5.599 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
4.69 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3997 |
| Note Density per Quarter Note |
0.929 |
| Note Density per Quarter Note per Voice |
0.2323 |
| Note Density per Quarter Note Variability |
0.4893 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007348 |
| Prevalence of Medium Rhythmic Values |
0.5393 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7223 |
| Prevalence of Very Long Rhythmic Values |
0.1345 |
| Prevalence of Dotted Notes |
0.144 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.101 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.2704 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9674 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.352 |
| Rhythmic Value Skewness |
1.404 |
| Rhythmic Value Kurtosis |
9.155 |
| Mean Rhythmic Value Run Length |
1.638 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.197 |
| Mean Rhythmic Value Offset |
0.1499 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.306 |
| Complete Rests Fraction |
0.01052 |
| Partial Rests Fraction |
0.5405 |
| Average Rest Fraction Across Voices |
0.2429 |
| Longest Complete Rest |
3.627 |
| Longest Partial Rest |
108.1 |
| Mean Complete Rest Duration |
2.568 |
| Mean Partial Rest Duration |
14.98 |
| Median Complete Rest Duration |
3.627 |
| Median Partial Rest Duration |
3.627 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.207 |
| Variability of Partial Rest Durations |
22.18 |
| Variability Across Voices of Combined Rests |
193.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5095 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2473 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.061 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7568 |
| Rhythmic Variability - Tempo Standardized |
0.04811 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1361.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.763 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.749 |
| Variability of Note Durations |
0.7554 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
264.1 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2758 |
| Strength of Second Strongest Rhythmic Pulse |
0.2584 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.067 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5342 |
| Rhythmic Variability |
0.03673 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.69 |
| Duration in Seconds |
336.6 |
| Note Density |
4.044 |
| Note Density Variability |
1.35 |
| Average Time Between Attacks |
0.4223 |
| Average Time Between Attacks for Each Voice |
1.031 |
| Variability of Time Between Attacks |
0.3047 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6061 |
| Relative Range Isolation of Loudest Voice |
0.419 |
| Relative Range of Highest Line |
0.6061 |
| Relative Note Density of Highest Line |
0.1822 |
| Relative Note Durations of Lowest Line |
1.155 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7987 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.03361 |
| Average Number of Independent Voices |
3.055 |
| Similar Motion |
0.1429 |
| Contrary Motion |
0.1597 |
| Oblique Motion |
0.6639 |
| Parallel Fifths |
0.001528 |
| Parallel Octaves |
0.002292 |
| Variability of Number of Independent Voices |
0.9488 |
| Voice Equality - Number of Notes |
123.5 |
| Voice Equality - Note Duration |
44.52 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
11.67 |