| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2215 |
| Prevalence of Second Most Common Vertical Interval |
0.1927 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8699 |
| Vertical Unisons |
0.08437 |
| Vertical Minor Seconds |
0.015 |
| Vertical Thirds |
0.3321 |
| Vertical Tritones |
0.00749 |
| Vertical Perfect Fourths |
0.07245 |
| Vertical Perfect Fifths |
0.1728 |
| Vertical Sixths |
0.114 |
| Vertical Sevenths |
0.02678 |
| Vertical Octaves |
0.1372 |
| Perfect Vertical Intervals |
0.4668 |
| Vertical Dissonance Ratio |
0.09535 |
| Vertical Minor Third Prevalence |
0.533 |
| Vertical Major Third Prevalence |
0.408 |
| Chord Duration |
1.823 |
| Partial Chords |
0.5165 |
| Standard Triads |
0.3196 |
| Diminished and Augmented Triads |
0.003189 |
| Dominant Seventh Chords |
0.001914 |
| Seventh Chords |
0.01786 |
| Non-Standard Chords |
0.1461 |
| Complex Chords |
0.004465 |
| Minor Major Triad Ratio |
1.694 |
| Average Number of Simultaneous Pitch Classes |
2.418 |
| Variability of Number of Simultaneous Pitch Classes |
0.7618 |
| Average Number of Simultaneous Pitches |
2.864 |
| Variability of Number of Simultaneous Pitches |
1.039 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.691 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
145.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1789 |
| Stepwise Motion |
0.5594 |
| Melodic Thirds |
0.1584 |
| Melodic Perfect Fourths |
0.03759 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07168 |
| Melodic Sixths |
0.003509 |
| Melodic Sevenths |
0.002506 |
| Melodic Octaves |
0.03158 |
| Melodic Large Intervals |
0.001003 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.847 |
| Melodic Embellishments |
0.01549 |
| Direction of Melodic Motion |
0.5235 |
| Average Length of Melodic Arcs |
1.814 |
| Average Interval Spanned by Melodic Arcs |
5.436 |
| Melodic Pitch Variety |
5.095 |
| Mean Melodic Interval |
2.61 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3805 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4704 |
| Amount of Arpeggiation |
0.3995 |
| Repeated Notes |
0.1343 |
| Importance of Middle Register |
0.6962 |
| Importance of High Register |
0.005497 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.53 |
| Mean Pitch Class |
5.346 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1074 |
| Prevalence of Most Common Pitch Class |
0.1999 |
| Relative Prevalence of Top Pitches |
0.9814 |
| Relative Prevalence of Top Pitch Classes |
0.865 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.624 |
| Pitch Class Variability |
3.582 |
| Pitch Class Variability After Folding |
2.946 |
| Pitch Skewness |
0.4067 |
| Pitch Class Skewness |
0.2901 |
| Pitch Class Skewness After Folding |
0.2458 |
| Pitch Kurtosis |
5.59 |
| Pitch Class Kurtosis |
4.866 |
| Pitch Class Kurtosis After Folding |
7.65 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2984 |
| Note Density per Quarter Note |
1.157 |
| Note Density per Quarter Note per Voice |
0.1929 |
| Note Density per Quarter Note Variability |
0.69 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6397 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7001 |
| Prevalence of Very Long Rhythmic Values |
0.08446 |
| Prevalence of Dotted Notes |
0.1139 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.683 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3398 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8794 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.027 |
| Rhythmic Value Skewness |
1.011 |
| Rhythmic Value Kurtosis |
10.48 |
| Mean Rhythmic Value Run Length |
1.749 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.888 |
| Mean Rhythmic Value Offset |
0.08708 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.409 |
| Complete Rests Fraction |
0.0005963 |
| Partial Rests Fraction |
0.9242 |
| Average Rest Fraction Across Voices |
0.4578 |
| Longest Complete Rest |
1.031 |
| Longest Partial Rest |
1098.0 |
| Mean Complete Rest Duration |
1.031 |
| Mean Partial Rest Duration |
27.45 |
| Median Complete Rest Duration |
1.031 |
| Median Partial Rest Duration |
4.159 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
124.7 |
| Variability Across Voices of Combined Rests |
531.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4908 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2553 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.922 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7462 |
| Rhythmic Variability - Tempo Standardized |
0.0477 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2001.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.455 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
11.67 |
| Average Note Duration |
0.5633 |
| Variability of Note Durations |
0.5805 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
304.8 |
| Strongest Rhythmic Pulse |
150.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2231 |
| Strength of Second Strongest Rhythmic Pulse |
0.2206 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.011 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4437 |
| Rhythmic Variability |
0.03334 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
47.44 |
| Duration in Seconds |
346.4 |
| Note Density |
5.776 |
| Note Density Variability |
2.476 |
| Average Time Between Attacks |
0.3108 |
| Average Time Between Attacks for Each Voice |
0.8132 |
| Variability of Time Between Attacks |
0.1487 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5833 |
| Relative Range Isolation of Loudest Voice |
0.2242 |
| Relative Range of Highest Line |
0.5833 |
| Relative Note Density of Highest Line |
0.1979 |
| Relative Note Durations of Lowest Line |
0.7455 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.956 |
| Voice Separation |
3.2 |
| Variability of Voice Separation |
3.564 |
| Parallel Motion |
0.04839 |
| Average Number of Independent Voices |
3.207 |
| Similar Motion |
0.1365 |
| Contrary Motion |
0.07506 |
| Oblique Motion |
0.7401 |
| Parallel Fifths |
0.003102 |
| Parallel Octaves |
0.0006203 |
| Variability of Number of Independent Voices |
1.267 |
| Voice Equality - Number of Notes |
146.2 |
| Voice Equality - Note Duration |
106.6 |
| Voice Equality - Dynamics |
6.831 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
1.517 |
| Importance of Loudest Voice |
10.0 |