| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2188 |
| Prevalence of Second Most Common Vertical Interval |
0.1812 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8282 |
| Vertical Unisons |
0.05069 |
| Vertical Minor Seconds |
0.006909 |
| Vertical Thirds |
0.303 |
| Vertical Tritones |
0.008495 |
| Vertical Perfect Fourths |
0.1086 |
| Vertical Perfect Fifths |
0.1812 |
| Vertical Sixths |
0.126 |
| Vertical Sevenths |
0.02335 |
| Vertical Octaves |
0.1682 |
| Perfect Vertical Intervals |
0.5087 |
| Vertical Dissonance Ratio |
0.06643 |
| Vertical Minor Third Prevalence |
0.7058 |
| Vertical Major Third Prevalence |
0.5966 |
| Chord Duration |
2.11 |
| Partial Chords |
0.2151 |
| Standard Triads |
0.5645 |
| Diminished and Augmented Triads |
0.02361 |
| Dominant Seventh Chords |
0.005105 |
| Seventh Chords |
0.03127 |
| Non-Standard Chords |
0.1892 |
| Complex Chords |
0.01468 |
| Minor Major Triad Ratio |
1.781 |
| Average Number of Simultaneous Pitch Classes |
2.888 |
| Variability of Number of Simultaneous Pitch Classes |
0.628 |
| Average Number of Simultaneous Pitches |
3.85 |
| Variability of Number of Simultaneous Pitches |
1.074 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.074 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
221.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1876 |
| Stepwise Motion |
0.6151 |
| Melodic Thirds |
0.1372 |
| Melodic Perfect Fourths |
0.06349 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07313 |
| Melodic Sixths |
0.002834 |
| Melodic Sevenths |
0.0005669 |
| Melodic Octaves |
0.01871 |
| Melodic Large Intervals |
0.001134 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.723 |
| Melodic Embellishments |
0.03785 |
| Direction of Melodic Motion |
0.4823 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
5.092 |
| Melodic Pitch Variety |
5.011 |
| Mean Melodic Interval |
2.591 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4274 |
| Relative Prevalence of Most Common Melodic Intervals |
0.439 |
| Amount of Arpeggiation |
0.3186 |
| Repeated Notes |
0.08787 |
| Importance of Middle Register |
0.661 |
| Importance of High Register |
0.00452 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.12 |
| Mean Pitch Class |
5.244 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1333 |
| Prevalence of Most Common Pitch Class |
0.2034 |
| Relative Prevalence of Top Pitches |
0.7881 |
| Relative Prevalence of Top Pitch Classes |
0.9389 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.514 |
| Pitch Class Variability |
3.383 |
| Pitch Class Variability After Folding |
3.992 |
| Pitch Skewness |
-0.147 |
| Pitch Class Skewness |
0.2159 |
| Pitch Class Skewness After Folding |
1.594 |
| Pitch Kurtosis |
5.666 |
| Pitch Class Kurtosis |
4.711 |
| Pitch Class Kurtosis After Folding |
4.945 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3345 |
| Note Density per Quarter Note |
1.117 |
| Note Density per Quarter Note per Voice |
0.1861 |
| Note Density per Quarter Note Variability |
0.5619 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01243 |
| Prevalence of Medium Rhythmic Values |
0.4486 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7463 |
| Prevalence of Very Long Rhythmic Values |
0.2147 |
| Prevalence of Dotted Notes |
0.1989 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.64 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2452 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9839 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.767 |
| Rhythmic Value Skewness |
0.6934 |
| Rhythmic Value Kurtosis |
7.354 |
| Mean Rhythmic Value Run Length |
1.506 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9429 |
| Mean Rhythmic Value Offset |
0.1424 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.183 |
| Complete Rests Fraction |
0.0006637 |
| Partial Rests Fraction |
0.7531 |
| Average Rest Fraction Across Voices |
0.2972 |
| Longest Complete Rest |
1.052 |
| Longest Partial Rest |
114.6 |
| Mean Complete Rest Duration |
1.052 |
| Mean Partial Rest Duration |
18.47 |
| Median Complete Rest Duration |
1.052 |
| Median Partial Rest Duration |
6.365 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.91 |
| Variability Across Voices of Combined Rests |
80.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4855 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2527 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.921 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7382 |
| Rhythmic Variability - Tempo Standardized |
0.04725 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1770.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.934 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7416 |
| Variability of Note Durations |
0.6755 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
313.2 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.259 |
| Strength of Second Strongest Rhythmic Pulse |
0.2278 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.137 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4868 |
| Rhythmic Variability |
0.03367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
56.26 |
| Duration in Seconds |
311.3 |
| Note Density |
5.686 |
| Note Density Variability |
1.776 |
| Average Time Between Attacks |
0.356 |
| Average Time Between Attacks for Each Voice |
1.062 |
| Variability of Time Between Attacks |
0.2232 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4062 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2271 |
| Relative Note Durations of Lowest Line |
1.157 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.9537 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
1.924 |
| Parallel Motion |
0.05817 |
| Average Number of Independent Voices |
4.226 |
| Similar Motion |
0.1322 |
| Contrary Motion |
0.1005 |
| Oblique Motion |
0.7092 |
| Parallel Fifths |
0.006515 |
| Parallel Octaves |
0.001861 |
| Variability of Number of Independent Voices |
1.271 |
| Voice Equality - Number of Notes |
60.06 |
| Voice Equality - Note Duration |
15.74 |
| Voice Equality - Dynamics |
6.831 |
| Voice Equality - Melodic Leaps |
0.6325 |
| Voice Equality - Range |
1.265 |
| Importance of Loudest Voice |
10.0 |