File

Last modified on: April 14, 2020, 1:16 a.m.

Jos0602e-Missa_Lhomme_arme_sexti_toni-Agnus.mid


Source
RenComp7
Musical Work
Missa Lhomme arme sexti toni
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
13.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2188
Prevalence of Second Most Common Vertical Interval 0.1881
Prevalence Ratio of Two Most Common Vertical Intervals 0.8596
Vertical Unisons 0.06686
Vertical Minor Seconds 0.01329
Vertical Thirds 0.3366
Vertical Tritones 0.008693
Vertical Perfect Fourths 0.07663
Vertical Perfect Fifths 0.1767
Vertical Sixths 0.09412
Vertical Sevenths 0.02491
Vertical Octaves 0.1519
Perfect Vertical Intervals 0.4721
Vertical Dissonance Ratio 0.1076
Vertical Minor Third Prevalence 0.454
Vertical Major Third Prevalence 0.4617
Chord Duration 2.056
Partial Chords 0.5073
Standard Triads 0.3101
Diminished and Augmented Triads 0.01218
Dominant Seventh Chords 0.003247
Seventh Chords 0.01055
Non-Standard Chords 0.1721
Complex Chords 0.008929
Minor Major Triad Ratio 0.3451
Average Number of Simultaneous Pitch Classes 2.486
Variability of Number of Simultaneous Pitch Classes 0.7273
Average Number of Simultaneous Pitches 3.072
Variability of Number of Simultaneous Pitches 1.022
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 5.672
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 265.3
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1956
Stepwise Motion 0.6637
Melodic Thirds 0.1831
Melodic Perfect Fourths 0.03537
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05964
Melodic Sixths 0.00208
Melodic Sevenths 0.0
Melodic Octaves 0.01664
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.4
Melodic Embellishments 0.03798
Direction of Melodic Motion 0.4462
Average Length of Melodic Arcs 1.942
Average Interval Spanned by Melodic Arcs 5.157
Melodic Pitch Variety 5.376
Mean Melodic Interval 2.568
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4681
Relative Prevalence of Most Common Melodic Intervals 0.4178
Amount of Arpeggiation 0.2989
Repeated Notes 0.03953
Importance of Middle Register 0.7224
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 56.91
Mean Pitch Class 5.216
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1354
Prevalence of Most Common Pitch Class 0.1858
Relative Prevalence of Top Pitches 0.9286
Relative Prevalence of Top Pitch Classes 0.9071
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.025
Pitch Class Variability 3.465
Pitch Class Variability After Folding 4.198
Pitch Skewness 0.2328
Pitch Class Skewness 0.1872
Pitch Class Skewness After Folding 1.0
Pitch Kurtosis 6.051
Pitch Class Kurtosis 4.754
Pitch Class Kurtosis After Folding 4.75
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.2776
Note Density per Quarter Note 1.11
Note Density per Quarter Note per Voice 0.1849
Note Density per Quarter Note Variability 0.6367
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6264
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6609
Prevalence of Very Long Rhythmic Values 0.1057
Prevalence of Dotted Notes 0.1906
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.903
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.3391
Relative Prevalence of Most Common Rhythmic Values 0.8473
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.706
Rhythmic Value Skewness 1.001
Rhythmic Value Kurtosis 10.64
Mean Rhythmic Value Run Length 1.647
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.071
Mean Rhythmic Value Offset 0.1326
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9887
Complete Rests Fraction 0.0007184
Partial Rests Fraction 0.9362
Average Rest Fraction Across Voices 0.4388
Longest Complete Rest 0.9376
Longest Partial Rest 761.4
Mean Complete Rest Duration 0.9376
Mean Partial Rest Duration 22.31
Median Complete Rest Duration 0.9376
Median Partial Rest Duration 4.695
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 89.84
Variability Across Voices of Combined Rests 305.8
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4655
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2717
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.713
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7372
Rhythmic Variability - Tempo Standardized 0.04699
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1448.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.834
Minimum Note Duration 0.2083
Maximum Note Duration 6.207
Average Note Duration 0.6687
Variability of Note Durations 0.7348
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 274.6
Strongest Rhythmic Pulse 136.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 2.957
Strength of Strongest Rhythmic Pulse 0.2464
Strength of Second Strongest Rhythmic Pulse 0.2376
Strength Ratio of Two Strongest Rhythmic Pulses 1.037
Combined Strength of Two Strongest Rhythmic Pulses 0.484
Rhythmic Variability 0.03585
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 23.89
Duration in Seconds 287.6
Note Density 5.035
Note Density Variability 2.546
Average Time Between Attacks 0.3488
Average Time Between Attacks for Each Voice 1.244
Variability of Time Between Attacks 0.2789
Maximum Number of Independent Voices 6.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.2569
Relative Note Durations of Lowest Line 1.769
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9993
Voice Separation 2.6
Variability of Voice Separation 1.673
Parallel Motion 0.03761
Average Number of Independent Voices 3.371
Similar Motion 0.09747
Contrary Motion 0.09133
Oblique Motion 0.7736
Parallel Fifths 0.0007675
Parallel Octaves 0.0
Variability of Number of Independent Voices 1.217
Voice Equality - Number of Notes 120.8
Voice Equality - Note Duration 67.4
Voice Equality - Dynamics 7.583
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.549
Importance of Loudest Voice 9.0