| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2365 |
| Prevalence of Second Most Common Vertical Interval |
0.1925 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8138 |
| Vertical Unisons |
0.03713 |
| Vertical Minor Seconds |
0.002098 |
| Vertical Thirds |
0.3703 |
| Vertical Tritones |
0.01096 |
| Vertical Perfect Fourths |
0.0631 |
| Vertical Perfect Fifths |
0.1498 |
| Vertical Sixths |
0.171 |
| Vertical Sevenths |
0.0146 |
| Vertical Octaves |
0.1553 |
| Perfect Vertical Intervals |
0.4054 |
| Vertical Dissonance Ratio |
0.05632 |
| Vertical Minor Third Prevalence |
0.5256 |
| Vertical Major Third Prevalence |
0.3248 |
| Chord Duration |
2.199 |
| Partial Chords |
0.5527 |
| Standard Triads |
0.3443 |
| Diminished and Augmented Triads |
0.0281 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01015 |
| Non-Standard Chords |
0.0929 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7711 |
| Average Number of Simultaneous Pitch Classes |
2.353 |
| Variability of Number of Simultaneous Pitch Classes |
0.685 |
| Average Number of Simultaneous Pitches |
2.793 |
| Variability of Number of Simultaneous Pitches |
0.8782 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.125 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
71.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2137 |
| Stepwise Motion |
0.6762 |
| Melodic Thirds |
0.1652 |
| Melodic Perfect Fourths |
0.04405 |
| Melodic Tritones |
0.002203 |
| Melodic Perfect Fifths |
0.03744 |
| Melodic Sixths |
0.002203 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01322 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.409 |
| Melodic Embellishments |
0.01092 |
| Direction of Melodic Motion |
0.4333 |
| Average Length of Melodic Arcs |
2.063 |
| Average Interval Spanned by Melodic Arcs |
5.101 |
| Melodic Pitch Variety |
5.083 |
| Mean Melodic Interval |
2.355 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4626 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4619 |
| Amount of Arpeggiation |
0.2753 |
| Repeated Notes |
0.05947 |
| Importance of Middle Register |
0.679 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.37 |
| Mean Pitch Class |
6.144 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1463 |
| Prevalence of Most Common Pitch Class |
0.2445 |
| Relative Prevalence of Top Pitches |
0.7761 |
| Relative Prevalence of Top Pitch Classes |
0.7589 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.355 |
| Pitch Class Variability |
3.152 |
| Pitch Class Variability After Folding |
3.883 |
| Pitch Skewness |
-0.0748 |
| Pitch Class Skewness |
-0.8146 |
| Pitch Class Skewness After Folding |
0.9312 |
| Pitch Kurtosis |
5.618 |
| Pitch Class Kurtosis |
5.212 |
| Pitch Class Kurtosis After Folding |
5.036 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.321 |
| Note Density per Quarter Note |
0.9522 |
| Note Density per Quarter Note per Voice |
0.238 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5197 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.762 |
| Prevalence of Very Long Rhythmic Values |
0.08952 |
| Prevalence of Dotted Notes |
0.1266 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.949 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3144 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8958 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.868 |
| Rhythmic Value Skewness |
1.523 |
| Rhythmic Value Kurtosis |
9.571 |
| Mean Rhythmic Value Run Length |
1.568 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.139 |
| Mean Rhythmic Value Offset |
0.02729 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3234 |
| Complete Rests Fraction |
0.02701 |
| Partial Rests Fraction |
0.7256 |
| Average Rest Fraction Across Voices |
0.2921 |
| Longest Complete Rest |
12.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
6.496 |
| Mean Partial Rest Duration |
11.47 |
| Median Complete Rest Duration |
12.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
7.784 |
| Variability of Partial Rest Durations |
16.32 |
| Variability Across Voices of Combined Rests |
46.83 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4888 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2607 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.875 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7496 |
| Rhythmic Variability - Tempo Standardized |
0.04748 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
458.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9943 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.5719 |
| Variability of Note Durations |
0.388 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2486 |
| Strength of Second Strongest Rhythmic Pulse |
0.2432 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4918 |
| Rhythmic Variability |
0.03411 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004424 |
| Duration in Seconds |
92.5 |
| Note Density |
4.951 |
| Note Density Variability |
2.38 |
| Average Time Between Attacks |
0.3864 |
| Average Time Between Attacks for Each Voice |
0.7457 |
| Variability of Time Between Attacks |
0.2409 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.5267 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.559 |
| Relative Note Durations of Lowest Line |
1.061 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8493 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.07907 |
| Average Number of Independent Voices |
2.91 |
| Similar Motion |
0.1395 |
| Contrary Motion |
0.2023 |
| Oblique Motion |
0.5791 |
| Parallel Fifths |
0.002326 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.84 |
| Voice Equality - Number of Notes |
15.35 |
| Voice Equality - Note Duration |
9.006 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.582 |
| Importance of Loudest Voice |
15.0 |