| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2243 |
| Prevalence of Second Most Common Vertical Interval |
0.1873 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.835 |
| Vertical Unisons |
0.0585 |
| Vertical Minor Seconds |
0.006354 |
| Vertical Thirds |
0.2878 |
| Vertical Tritones |
0.008151 |
| Vertical Perfect Fourths |
0.09657 |
| Vertical Perfect Fifths |
0.1873 |
| Vertical Sixths |
0.1388 |
| Vertical Sevenths |
0.0259 |
| Vertical Octaves |
0.1658 |
| Perfect Vertical Intervals |
0.5082 |
| Vertical Dissonance Ratio |
0.0697 |
| Vertical Minor Third Prevalence |
0.4251 |
| Vertical Major Third Prevalence |
0.265 |
| Chord Duration |
2.441 |
| Partial Chords |
0.5124 |
| Standard Triads |
0.343 |
| Diminished and Augmented Triads |
0.0157 |
| Dominant Seventh Chords |
0.003306 |
| Seventh Chords |
0.009917 |
| Non-Standard Chords |
0.1347 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.034 |
| Average Number of Simultaneous Pitch Classes |
2.377 |
| Variability of Number of Simultaneous Pitch Classes |
0.6953 |
| Average Number of Simultaneous Pitches |
2.9 |
| Variability of Number of Simultaneous Pitches |
0.7975 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.5 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
141.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2247 |
| Stepwise Motion |
0.6472 |
| Melodic Thirds |
0.1472 |
| Melodic Perfect Fourths |
0.06646 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05696 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007911 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.577 |
| Melodic Embellishments |
0.02044 |
| Direction of Melodic Motion |
0.4581 |
| Average Length of Melodic Arcs |
1.893 |
| Average Interval Spanned by Melodic Arcs |
4.799 |
| Melodic Pitch Variety |
5.164 |
| Mean Melodic Interval |
2.378 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4225 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5318 |
| Amount of Arpeggiation |
0.2864 |
| Repeated Notes |
0.07437 |
| Importance of Middle Register |
0.8601 |
| Importance of High Register |
0.02044 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.2 |
| Mean Pitch Class |
5.838 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1415 |
| Prevalence of Most Common Pitch Class |
0.2752 |
| Relative Prevalence of Top Pitches |
0.9444 |
| Relative Prevalence of Top Pitch Classes |
0.5314 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.477 |
| Pitch Class Variability |
3.19 |
| Pitch Class Variability After Folding |
3.902 |
| Pitch Skewness |
-0.2148 |
| Pitch Class Skewness |
-1.093 |
| Pitch Class Skewness After Folding |
1.566 |
| Pitch Kurtosis |
4.955 |
| Pitch Class Kurtosis |
5.012 |
| Pitch Class Kurtosis After Folding |
5.059 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1195 |
| Note Density per Quarter Note |
0.9507 |
| Note Density per Quarter Note per Voice |
0.2377 |
| Note Density per Quarter Note Variability |
0.5391 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01258 |
| Prevalence of Medium Rhythmic Values |
0.5094 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8506 |
| Prevalence of Very Long Rhythmic Values |
0.1132 |
| Prevalence of Dotted Notes |
0.1258 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.208 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3601 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8341 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.132 |
| Rhythmic Value Skewness |
1.699 |
| Rhythmic Value Kurtosis |
10.06 |
| Mean Rhythmic Value Run Length |
1.544 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.105 |
| Mean Rhythmic Value Offset |
0.06289 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8376 |
| Complete Rests Fraction |
0.001375 |
| Partial Rests Fraction |
0.5854 |
| Average Rest Fraction Across Voices |
0.2171 |
| Longest Complete Rest |
0.9197 |
| Longest Partial Rest |
197.5 |
| Mean Complete Rest Duration |
0.9197 |
| Mean Partial Rest Duration |
12.36 |
| Median Complete Rest Duration |
0.9197 |
| Median Partial Rest Duration |
3.71 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
30.59 |
| Variability Across Voices of Combined Rests |
113.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5832 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2264 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.576 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8096 |
| Rhythmic Variability - Tempo Standardized |
0.05102 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
636.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.081 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.6831 |
| Variability of Note Durations |
0.5305 |
| Amount of Staccato |
0.009434 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
292.4 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2696 |
| Strength of Second Strongest Rhythmic Pulse |
0.2461 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.095 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5158 |
| Rhythmic Variability |
0.03515 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
29.11 |
| Duration in Seconds |
138.7 |
| Note Density |
4.585 |
| Note Density Variability |
1.986 |
| Average Time Between Attacks |
0.4086 |
| Average Time Between Attacks for Each Voice |
1.059 |
| Variability of Time Between Attacks |
0.2697 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4815 |
| Relative Range Isolation of Loudest Voice |
0.344 |
| Relative Range of Highest Line |
0.4815 |
| Relative Note Density of Highest Line |
0.4277 |
| Relative Note Durations of Lowest Line |
0.9383 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8082 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.03193 |
| Average Number of Independent Voices |
3.114 |
| Similar Motion |
0.1462 |
| Contrary Motion |
0.1664 |
| Oblique Motion |
0.6555 |
| Parallel Fifths |
0.005042 |
| Parallel Octaves |
0.001681 |
| Variability of Number of Independent Voices |
0.8471 |
| Voice Equality - Number of Notes |
69.3 |
| Voice Equality - Note Duration |
23.45 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
20.0 |