File

Last modified on: April 14, 2020, 1:18 a.m.

Jos0602b-Missa_Lhomme_arme_sexti_toni-Gloria.mid


Source
RenComp7
Musical Work
Missa Lhomme arme sexti toni
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
12.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2167
Prevalence of Second Most Common Vertical Interval 0.1798
Prevalence Ratio of Two Most Common Vertical Intervals 0.8299
Vertical Unisons 0.0414
Vertical Minor Seconds 0.005877
Vertical Thirds 0.3226
Vertical Tritones 0.009793
Vertical Perfect Fourths 0.08382
Vertical Perfect Fifths 0.1798
Vertical Sixths 0.1287
Vertical Sevenths 0.02557
Vertical Octaves 0.1753
Perfect Vertical Intervals 0.4804
Vertical Dissonance Ratio 0.07328
Vertical Minor Third Prevalence 0.3988
Vertical Major Third Prevalence 0.3971
Chord Duration 2.187
Partial Chords 0.5382
Standard Triads 0.3411
Diminished and Augmented Triads 0.01709
Dominant Seventh Chords 0.003798
Seventh Chords 0.01291
Non-Standard Chords 0.1079
Complex Chords 0.0
Minor Major Triad Ratio 0.4917
Average Number of Simultaneous Pitch Classes 2.366
Variability of Number of Simultaneous Pitch Classes 0.6983
Average Number of Simultaneous Pitches 2.906
Variability of Number of Simultaneous Pitches 0.9596
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.833
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 123.5
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2167
Stepwise Motion 0.6551
Melodic Thirds 0.112
Melodic Perfect Fourths 0.05011
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05822
Melodic Sixths 0.004422
Melodic Sevenths 0.0
Melodic Octaves 0.01916
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.667
Melodic Embellishments 0.01176
Direction of Melodic Motion 0.4607
Average Length of Melodic Arcs 1.958
Average Interval Spanned by Melodic Arcs 5.199
Melodic Pitch Variety 5.279
Mean Melodic Interval 2.396
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4385
Relative Prevalence of Most Common Melodic Intervals 0.4941
Amount of Arpeggiation 0.2903
Repeated Notes 0.101
Importance of Middle Register 0.6003
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 55.55
Mean Pitch Class 5.12
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1176
Prevalence of Most Common Pitch Class 0.1999
Relative Prevalence of Top Pitches 0.9187
Relative Prevalence of Top Pitch Classes 0.8713
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.883
Pitch Class Variability 3.49
Pitch Class Variability After Folding 4.26
Pitch Skewness -0.4576
Pitch Class Skewness 0.103
Pitch Class Skewness After Folding 0.996
Pitch Kurtosis 5.599
Pitch Class Kurtosis 4.733
Pitch Class Kurtosis After Folding 4.69
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.3997
Note Density per Quarter Note 0.929
Note Density per Quarter Note per Voice 0.2323
Note Density per Quarter Note Variability 0.4893
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007348
Prevalence of Medium Rhythmic Values 0.5393
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7223
Prevalence of Very Long Rhythmic Values 0.1345
Prevalence of Dotted Notes 0.144
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.101
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.2704
Relative Prevalence of Most Common Rhythmic Values 0.9674
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.352
Rhythmic Value Skewness 1.404
Rhythmic Value Kurtosis 9.155
Mean Rhythmic Value Run Length 1.638
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.197
Mean Rhythmic Value Offset 0.1499
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.306
Complete Rests Fraction 0.01052
Partial Rests Fraction 0.5405
Average Rest Fraction Across Voices 0.2429
Longest Complete Rest 3.627
Longest Partial Rest 108.1
Mean Complete Rest Duration 2.568
Mean Partial Rest Duration 14.98
Median Complete Rest Duration 3.627
Median Partial Rest Duration 3.627
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.207
Variability of Partial Rest Durations 22.18
Variability Across Voices of Combined Rests 193.8
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5095
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2473
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.061
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7568
Rhythmic Variability - Tempo Standardized 0.04811
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1361.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.763
Minimum Note Duration 0.1293
Maximum Note Duration 9.31
Average Note Duration 0.749
Variability of Note Durations 0.7554
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 264.1
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2758
Strength of Second Strongest Rhythmic Pulse 0.2584
Strength Ratio of Two Strongest Rhythmic Pulses 1.067
Combined Strength of Two Strongest Rhythmic Pulses 0.5342
Rhythmic Variability 0.03673
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 27.69
Duration in Seconds 336.6
Note Density 4.044
Note Density Variability 1.35
Average Time Between Attacks 0.4223
Average Time Between Attacks for Each Voice 1.031
Variability of Time Between Attacks 0.3047
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6061
Relative Range Isolation of Loudest Voice 0.419
Relative Range of Highest Line 0.6061
Relative Note Density of Highest Line 0.1822
Relative Note Durations of Lowest Line 1.155
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7987
Voice Separation 5.333
Variability of Voice Separation 4.726
Parallel Motion 0.03361
Average Number of Independent Voices 3.055
Similar Motion 0.1429
Contrary Motion 0.1597
Oblique Motion 0.6639
Parallel Fifths 0.001528
Parallel Octaves 0.002292
Variability of Number of Independent Voices 0.9488
Voice Equality - Number of Notes 123.5
Voice Equality - Note Duration 44.52
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.258
Importance of Loudest Voice 11.67