File

Last modified on: April 14, 2020, 1:19 a.m.

Jos0602d-Missa_Lhomme_arme_sexti_toni-Sanctus.mid


Source
RenComp7
Musical Work
Missa Lhomme arme sexti toni
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
9.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2273
Prevalence of Second Most Common Vertical Interval 0.1864
Prevalence Ratio of Two Most Common Vertical Intervals 0.8199
Vertical Unisons 0.04443
Vertical Minor Seconds 0.002479
Vertical Thirds 0.3113
Vertical Tritones 0.00786
Vertical Perfect Fourths 0.09587
Vertical Perfect Fifths 0.177
Vertical Sixths 0.1259
Vertical Sevenths 0.02182
Vertical Octaves 0.1829
Perfect Vertical Intervals 0.5001
Vertical Dissonance Ratio 0.06686
Vertical Minor Third Prevalence 0.2831
Vertical Major Third Prevalence 0.3593
Chord Duration 2.655
Partial Chords 0.573
Standard Triads 0.3015
Diminished and Augmented Triads 0.01288
Dominant Seventh Chords 0.0
Seventh Chords 0.008584
Non-Standard Chords 0.117
Complex Chords 0.0
Minor Major Triad Ratio 0.4264
Average Number of Simultaneous Pitch Classes 2.142
Variability of Number of Simultaneous Pitch Classes 0.7554
Average Number of Simultaneous Pitches 2.587
Variability of Number of Simultaneous Pitches 1.04
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 7.195
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 48.46
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2173
Stepwise Motion 0.7005
Melodic Thirds 0.1286
Melodic Perfect Fourths 0.03459
Melodic Tritones 0.0
Melodic Perfect Fifths 0.07568
Melodic Sixths 0.001081
Melodic Sevenths 0.004324
Melodic Octaves 0.006486
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.587
Melodic Embellishments 0.01292
Direction of Melodic Motion 0.4852
Average Length of Melodic Arcs 1.956
Average Interval Spanned by Melodic Arcs 5.004
Melodic Pitch Variety 5.44
Mean Melodic Interval 2.453
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4832
Relative Prevalence of Most Common Melodic Intervals 0.4497
Amount of Arpeggiation 0.2638
Repeated Notes 0.04865
Importance of Middle Register 0.6577
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 56.88
Mean Pitch Class 5.198
Most Common Pitch 53.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1119
Prevalence of Most Common Pitch Class 0.2013
Relative Prevalence of Top Pitches 0.9327
Relative Prevalence of Top Pitch Classes 0.8289
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.188
Pitch Class Variability 3.344
Pitch Class Variability After Folding 4.316
Pitch Skewness 0.1114
Pitch Class Skewness 0.1777
Pitch Class Skewness After Folding 1.191
Pitch Kurtosis 5.521
Pitch Class Kurtosis 4.86
Pitch Class Kurtosis After Folding 4.55
Major or Minor 0.0
First Pitch 41.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.3423
Note Density per Quarter Note 0.7866
Note Density per Quarter Note per Voice 0.1967
Note Density per Quarter Note Variability 0.4744
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4747
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8052
Prevalence of Very Long Rhythmic Values 0.1399
Prevalence of Dotted Notes 0.1173
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.393
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3412
Relative Prevalence of Most Common Rhythmic Values 0.8202
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.365
Rhythmic Value Skewness 0.4983
Rhythmic Value Kurtosis 9.231
Mean Rhythmic Value Run Length 1.708
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.185
Mean Rhythmic Value Offset 0.05597
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7522
Complete Rests Fraction 0.0007744
Partial Rests Fraction 0.6658
Average Rest Fraction Across Voices 0.3182
Longest Complete Rest 0.9145
Longest Partial Rest 163.5
Mean Complete Rest Duration 0.9145
Mean Partial Rest Duration 18.33
Median Complete Rest Duration 0.9145
Median Partial Rest Duration 3.894
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 36.94
Variability Across Voices of Combined Rests 62.17
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6173
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1953
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.161
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8125
Rhythmic Variability - Tempo Standardized 0.05292
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 929.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.858
Minimum Note Duration 0.1974
Maximum Note Duration 6.207
Average Note Duration 0.742
Variability of Note Durations 0.6046
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 283.1
Strongest Rhythmic Pulse 70.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.2877
Strength of Second Strongest Rhythmic Pulse 0.252
Strength Ratio of Two Strongest Rhythmic Pulses 1.142
Combined Strength of Two Strongest Rhythmic Pulses 0.5397
Rhythmic Variability 0.03645
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 25.98
Duration in Seconds 252.8
Note Density 3.675
Note Density Variability 1.665
Average Time Between Attacks 0.4466
Average Time Between Attacks for Each Voice 1.098
Variability of Time Between Attacks 0.3141
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.6127
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.2799
Relative Note Durations of Lowest Line 1.148
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7298
Voice Separation 5.667
Variability of Voice Separation 4.163
Parallel Motion 0.05774
Average Number of Independent Voices 2.715
Similar Motion 0.1286
Contrary Motion 0.1457
Oblique Motion 0.668
Parallel Fifths 0.002625
Parallel Octaves 0.003937
Variability of Number of Independent Voices 1.048
Voice Equality - Number of Notes 48.46
Voice Equality - Note Duration 13.3
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.826
Importance of Loudest Voice 11.67