File

Last modified on: April 14, 2020, 1:21 a.m.

Bus3037-Le_monde_est_tel.mid


Source
RenComp7
Musical Work
Le monde est tel
File Type
Symbolic Music
File Format
.mid
File Size
3.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2122
Prevalence of Second Most Common Vertical Interval 0.1992
Prevalence Ratio of Two Most Common Vertical Intervals 0.939
Vertical Unisons 0.01302
Vertical Minor Seconds 0.006719
Vertical Thirds 0.3615
Vertical Tritones 0.01709
Vertical Perfect Fourths 0.02607
Vertical Perfect Fifths 0.1538
Vertical Sixths 0.1819
Vertical Sevenths 0.02649
Vertical Octaves 0.1862
Perfect Vertical Intervals 0.3791
Vertical Dissonance Ratio 0.08402
Vertical Minor Third Prevalence 0.3937
Vertical Major Third Prevalence 0.2792
Chord Duration 2.235
Partial Chords 0.6507
Standard Triads 0.2273
Diminished and Augmented Triads 0.03349
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.122
Complex Chords 0.0
Minor Major Triad Ratio 1.794
Average Number of Simultaneous Pitch Classes 2.175
Variability of Number of Simultaneous Pitch Classes 0.6346
Average Number of Simultaneous Pitches 2.542
Variability of Number of Simultaneous Pitches 0.6041
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 8.438
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 9.539
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2161
Stepwise Motion 0.6458
Melodic Thirds 0.2057
Melodic Perfect Fourths 0.02865
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05729
Melodic Sixths 0.002604
Melodic Sevenths 0.0
Melodic Octaves 0.005208
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.292
Melodic Embellishments 0.04393
Direction of Melodic Motion 0.4821
Average Length of Melodic Arcs 2.017
Average Interval Spanned by Melodic Arcs 5.017
Melodic Pitch Variety 5.218
Mean Melodic Interval 2.385
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4297
Relative Prevalence of Most Common Melodic Intervals 0.503
Amount of Arpeggiation 0.3229
Repeated Notes 0.05469
Importance of Middle Register 0.6693
Importance of High Register 0.1473
Dominant Spread 6.0
Strong Tonal Centres 3.0
Mean Pitch 62.89
Mean Pitch Class 4.889
Most Common Pitch 65.0
Most Common Pitch Class 4.0
Prevalence of Most Common Pitch 0.0801
Prevalence of Most Common Pitch Class 0.186
Relative Prevalence of Top Pitches 0.9677
Relative Prevalence of Top Pitch Classes 0.8889
Interval Between Most Prevalent Pitches 1.0
Interval Between Most Prevalent Pitch Classes 1.0
Pitch Variability 8.307
Pitch Class Variability 3.226
Pitch Class Variability After Folding 3.622
Pitch Skewness -0.1605
Pitch Class Skewness -0.1033
Pitch Class Skewness After Folding 0.8968
Pitch Kurtosis 5.133
Pitch Class Kurtosis 5.102
Pitch Class Kurtosis After Folding 5.739
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 0.0
Number of Common Pitch Classes 0.0
Range 36.0
Importance of Bass Register 0.1835
Note Density per Quarter Note 0.8046
Note Density per Quarter Note per Voice 0.2682
Note Density per Quarter Note Variability 0.3887
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4935
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.814
Prevalence of Very Long Rhythmic Values 0.1137
Prevalence of Dotted Notes 0.1085
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.178
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3256
Relative Prevalence of Most Common Rhythmic Values 0.9444
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.024
Rhythmic Value Skewness 0.2643
Rhythmic Value Kurtosis 8.678
Mean Rhythmic Value Run Length 1.518
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.068
Mean Rhythmic Value Offset 0.01034
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2033
Complete Rests Fraction 0.002062
Partial Rests Fraction 0.3721
Average Rest Fraction Across Voices 0.1448
Longest Complete Rest 0.9917
Longest Partial Rest 64.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 7.74
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 12.39
Variability Across Voices of Combined Rests 20.82
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5926
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2151
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.755
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8077
Rhythmic Variability - Tempo Standardized 0.05173
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 387.0
Initial Tempo 312.0
Average Variability of Time Between Attacks for Each Voice 0.5826
Minimum Note Duration 0.1923
Maximum Note Duration 3.077
Average Note Duration 0.6132
Variability of Note Durations 0.3997
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 312.0
Strongest Rhythmic Pulse 78.0
Second Strongest Rhythmic Pulse 52.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2743
Strength of Second Strongest Rhythmic Pulse 0.257
Strength Ratio of Two Strongest Rhythmic Pulses 1.067
Combined Strength of Two Strongest Rhythmic Pulses 0.5314
Rhythmic Variability 0.03599
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 4.424e-10
Duration in Seconds 92.5
Note Density 4.184
Note Density Variability 1.519
Average Time Between Attacks 0.4073
Average Time Between Attacks for Each Voice 0.6675
Variability of Time Between Attacks 0.233
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.5278
Relative Range Isolation of Loudest Voice 0.3529
Relative Range of Highest Line 0.5278
Relative Note Density of Highest Line 0.5581
Relative Note Durations of Lowest Line 0.9744
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.677
Voice Separation 9.0
Variability of Voice Separation 1.414
Parallel Motion 0.05932
Average Number of Independent Voices 2.571
Similar Motion 0.1554
Contrary Motion 0.1836
Oblique Motion 0.6017
Parallel Fifths 0.002825
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.6014
Voice Equality - Number of Notes 9.539
Voice Equality - Note Duration 4.003
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.155
Importance of Loudest Voice 12.5