| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2165 |
| Prevalence of Second Most Common Vertical Interval |
0.1977 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9135 |
| Vertical Unisons |
0.03179 |
| Vertical Minor Seconds |
0.003935 |
| Vertical Thirds |
0.3224 |
| Vertical Tritones |
0.009351 |
| Vertical Perfect Fourths |
0.07338 |
| Vertical Perfect Fifths |
0.1977 |
| Vertical Sixths |
0.1392 |
| Vertical Sevenths |
0.02192 |
| Vertical Octaves |
0.1847 |
| Perfect Vertical Intervals |
0.4876 |
| Vertical Dissonance Ratio |
0.05357 |
| Vertical Minor Third Prevalence |
0.5407 |
| Vertical Major Third Prevalence |
0.5914 |
| Chord Duration |
2.919 |
| Partial Chords |
0.2824 |
| Standard Triads |
0.5404 |
| Diminished and Augmented Triads |
0.01667 |
| Dominant Seventh Chords |
0.01197 |
| Seventh Chords |
0.03404 |
| Non-Standard Chords |
0.1432 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5975 |
| Average Number of Simultaneous Pitch Classes |
2.756 |
| Variability of Number of Simultaneous Pitch Classes |
0.58 |
| Average Number of Simultaneous Pitches |
3.606 |
| Variability of Number of Simultaneous Pitches |
0.5539 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.481 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
12.92 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1896 |
| Stepwise Motion |
0.5763 |
| Melodic Thirds |
0.2015 |
| Melodic Perfect Fourths |
0.09037 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03259 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01481 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.305 |
| Melodic Embellishments |
0.02798 |
| Direction of Melodic Motion |
0.4709 |
| Average Length of Melodic Arcs |
1.828 |
| Average Interval Spanned by Melodic Arcs |
4.985 |
| Melodic Pitch Variety |
5.078 |
| Mean Melodic Interval |
2.513 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3867 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4904 |
| Amount of Arpeggiation |
0.3333 |
| Repeated Notes |
0.08444 |
| Importance of Middle Register |
0.7452 |
| Importance of High Register |
0.09867 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.14 |
| Mean Pitch Class |
5.032 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1134 |
| Prevalence of Most Common Pitch Class |
0.2121 |
| Relative Prevalence of Top Pitches |
0.8052 |
| Relative Prevalence of Top Pitch Classes |
0.9028 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.691 |
| Pitch Class Variability |
3.395 |
| Pitch Class Variability After Folding |
4.31 |
| Pitch Skewness |
-0.528 |
| Pitch Class Skewness |
0.02863 |
| Pitch Class Skewness After Folding |
1.089 |
| Pitch Kurtosis |
5.152 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
4.659 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1561 |
| Note Density per Quarter Note |
0.9418 |
| Note Density per Quarter Note per Voice |
0.2354 |
| Note Density per Quarter Note Variability |
0.514 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02651 |
| Prevalence of Medium Rhythmic Values |
0.324 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8954 |
| Prevalence of Very Long Rhythmic Values |
0.2209 |
| Prevalence of Dotted Notes |
0.162 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.99 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3711 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5913 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.371 |
| Rhythmic Value Skewness |
-0.01304 |
| Rhythmic Value Kurtosis |
6.835 |
| Mean Rhythmic Value Run Length |
1.648 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.248 |
| Mean Rhythmic Value Offset |
0.05155 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3552 |
| Complete Rests Fraction |
0.001256 |
| Partial Rests Fraction |
0.2131 |
| Average Rest Fraction Across Voices |
0.05879 |
| Longest Complete Rest |
0.9055 |
| Longest Partial Rest |
14.61 |
| Mean Complete Rest Duration |
0.9055 |
| Mean Partial Rest Duration |
4.135 |
| Median Complete Rest Duration |
0.9055 |
| Median Partial Rest Duration |
3.653 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.117 |
| Variability Across Voices of Combined Rests |
17.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
7.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5512 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1634 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.374 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7146 |
| Rhythmic Variability - Tempo Standardized |
0.04709 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
679.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6573 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.8419 |
| Variability of Note Durations |
0.5247 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3561 |
| Strength of Second Strongest Rhythmic Pulse |
0.1987 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.792 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5548 |
| Rhythmic Variability |
0.03571 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.39 |
| Duration in Seconds |
151.8 |
| Note Density |
4.472 |
| Note Density Variability |
1.421 |
| Average Time Between Attacks |
0.5036 |
| Average Time Between Attacks for Each Voice |
0.8919 |
| Variability of Time Between Attacks |
0.3178 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.2167 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.4124 |
| Relative Note Durations of Lowest Line |
1.13 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8616 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04963 |
| Average Number of Independent Voices |
3.769 |
| Similar Motion |
0.1638 |
| Contrary Motion |
0.1873 |
| Oblique Motion |
0.5993 |
| Parallel Fifths |
0.002481 |
| Parallel Octaves |
0.007444 |
| Variability of Number of Independent Voices |
0.4651 |
| Voice Equality - Number of Notes |
12.92 |
| Voice Equality - Note Duration |
3.609 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |