File

Last modified on: April 14, 2020, 1:25 a.m.

Bus3052-Quelque_pauvre_homme_II.mid


Source
RenComp7
Musical Work
Quelque pauvre homme II
File Type
Symbolic Music
File Format
.mid
File Size
4.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2698
Prevalence of Second Most Common Vertical Interval 0.2006
Prevalence Ratio of Two Most Common Vertical Intervals 0.7437
Vertical Unisons 0.03736
Vertical Minor Seconds 0.004858
Vertical Thirds 0.3407
Vertical Tritones 0.0
Vertical Perfect Fourths 0.03896
Vertical Perfect Fifths 0.1613
Vertical Sixths 0.118
Vertical Sevenths 0.02849
Vertical Octaves 0.2324
Perfect Vertical Intervals 0.47
Vertical Dissonance Ratio 0.07681
Vertical Minor Third Prevalence 0.4154
Vertical Major Third Prevalence 0.3212
Chord Duration 2.803
Partial Chords 0.5724
Standard Triads 0.2829
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.1448
Complex Chords 0.0
Minor Major Triad Ratio 0.6933
Average Number of Simultaneous Pitch Classes 2.233
Variability of Number of Simultaneous Pitch Classes 0.672
Average Number of Simultaneous Pitches 2.783
Variability of Number of Simultaneous Pitches 0.4171
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 8.349
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 10.69
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1828
Stepwise Motion 0.577
Melodic Thirds 0.1593
Melodic Perfect Fourths 0.1044
Melodic Tritones 0.0
Melodic Perfect Fifths 0.08355
Melodic Sixths 0.0
Melodic Sevenths 0.002611
Melodic Octaves 0.02089
Melodic Large Intervals 0.002611
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.588
Melodic Embellishments 0.03368
Direction of Melodic Motion 0.4148
Average Length of Melodic Arcs 1.957
Average Interval Spanned by Melodic Arcs 5.909
Melodic Pitch Variety 5.117
Mean Melodic Interval 2.914
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3943
Relative Prevalence of Most Common Melodic Intervals 0.4636
Amount of Arpeggiation 0.3159
Repeated Notes 0.04961
Importance of Middle Register 0.6736
Importance of High Register 0.1839
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 62.81
Mean Pitch Class 4.707
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1218
Prevalence of Most Common Pitch Class 0.2591
Relative Prevalence of Top Pitches 0.9362
Relative Prevalence of Top Pitch Classes 0.75
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 8.116
Pitch Class Variability 3.23
Pitch Class Variability After Folding 3.299
Pitch Skewness 0.5181
Pitch Class Skewness 0.657
Pitch Class Skewness After Folding 0.6055
Pitch Kurtosis 5.082
Pitch Class Kurtosis 4.903
Pitch Class Kurtosis After Folding 6.715
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1425
Note Density per Quarter Note 0.7409
Note Density per Quarter Note per Voice 0.247
Note Density per Quarter Note Variability 0.3529
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3834
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9093
Prevalence of Very Long Rhythmic Values 0.1995
Prevalence of Dotted Notes 0.06995
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.87
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3938
Relative Prevalence of Most Common Rhythmic Values 0.7434
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.259
Rhythmic Value Skewness -0.172
Rhythmic Value Kurtosis 6.499
Mean Rhythmic Value Run Length 1.636
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.012
Mean Rhythmic Value Offset 0.02073
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2876
Complete Rests Fraction 0.001903
Partial Rests Fraction 0.1132
Average Rest Fraction Across Voices 0.03901
Longest Complete Rest 0.9917
Longest Partial Rest 4.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 2.772
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 1.194
Variability Across Voices of Combined Rests 3.055
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7189
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1503
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.784
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8691
Rhythmic Variability - Tempo Standardized 0.05865
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 386.0
Initial Tempo 312.0
Average Variability of Time Between Attacks for Each Voice 0.507
Minimum Note Duration 0.1923
Maximum Note Duration 3.077
Average Note Duration 0.7483
Variability of Note Durations 0.4521
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 312.0
Strongest Rhythmic Pulse 78.0
Second Strongest Rhythmic Pulse 52.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3813
Strength of Second Strongest Rhythmic Pulse 0.2527
Strength Ratio of Two Strongest Rhythmic Pulses 1.509
Combined Strength of Two Strongest Rhythmic Pulses 0.634
Rhythmic Variability 0.04055
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 4.756e-10
Duration in Seconds 100.2
Note Density 3.853
Note Density Variability 1.641
Average Time Between Attacks 0.5086
Average Time Between Attacks for Each Voice 0.7734
Variability of Time Between Attacks 0.287
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.5806
Relative Range Isolation of Loudest Voice 0.6667
Relative Range of Highest Line 0.5806
Relative Note Density of Highest Line 0.5518
Relative Note Durations of Lowest Line 0.9856
Relative Size of Melodic Intervals in Lowest Line 0.4286
Voice Overlap 0.6192
Voice Separation 8.5
Variability of Voice Separation 0.7071
Parallel Motion 0.03003
Average Number of Independent Voices 2.888
Similar Motion 0.1502
Contrary Motion 0.3093
Oblique Motion 0.5105
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.3148
Voice Equality - Number of Notes 10.69
Voice Equality - Note Duration 0.5875
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 1.528
Voice Equality - Range 2.0
Importance of Loudest Voice 12.5