File

Last modified on: April 19, 2024, 5:15 p.m.

F164_51__Bruhier_Impotent_suis_transJ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Impotent suis et affollé
File Type
Symbolic Music
File Format
xml
File Size
306.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2304
Prevalence of Second Most Common Vertical Interval 0.1866
Prevalence Ratio of Two Most Common Vertical Intervals 0.8101
Vertical Unisons 0.05089
Vertical Minor Seconds 0.002232
Vertical Thirds 0.2839
Vertical Tritones 0.006696
Vertical Perfect Fourths 0.1125
Vertical Perfect Fifths 0.1866
Vertical Sixths 0.1402
Vertical Sevenths 0.02545
Vertical Octaves 0.1795
Perfect Vertical Intervals 0.5295
Vertical Dissonance Ratio 0.04869
Vertical Minor Third Prevalence 0.442
Vertical Major Third Prevalence 0.2806
Chord Duration 2.453
Partial Chords 0.5719
Standard Triads 0.3154
Diminished and Augmented Triads 0.01213
Dominant Seventh Chords 0.0
Seventh Chords 0.01213
Non-Standard Chords 0.1005
Complex Chords 0.0
Minor Major Triad Ratio 1.6
Average Number of Simultaneous Pitch Classes 2.32
Variability of Number of Simultaneous Pitch Classes 0.682
Average Number of Simultaneous Pitches 2.882
Variability of Number of Simultaneous Pitches 0.9954
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.143
Stepwise Motion 0.5668
Melodic Thirds 0.09759
Melodic Perfect Fourths 0.07219
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05348
Melodic Sixths 0.002674
Melodic Sevenths 0.0
Melodic Octaves 0.004011
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 4.615
Melodic Embellishments 0.0133
Direction of Melodic Motion 0.4144
Average Length of Melodic Arcs 1.812
Average Interval Spanned by Melodic Arcs 4.754
Melodic Pitch Variety 4.285
Mean Melodic Interval 2.106
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4238
Relative Prevalence of Most Common Melodic Intervals 0.4795
Amount of Arpeggiation 0.3583
Repeated Notes 0.2032
Importance of Middle Register 0.8165
Importance of High Register 0.04654
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 61.0
Mean Pitch Class 5.136
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1343
Prevalence of Most Common Pitch Class 0.2221
Relative Prevalence of Top Pitches 0.7723
Relative Prevalence of Top Pitch Classes 0.8263
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.749
Pitch Class Variability 3.375
Pitch Class Variability After Folding 4.059
Pitch Skewness -0.266
Pitch Class Skewness 0.1206
Pitch Class Skewness After Folding 1.551
Pitch Kurtosis 5.331
Pitch Class Kurtosis 4.694
Pitch Class Kurtosis After Folding 5.03
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.005319
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005319
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.137
Note Density per Quarter Note 1.177
Note Density per Quarter Note per Voice 1.177
Note Density per Quarter Note Variability 0.7915
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7061
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8019
Prevalence of Very Long Rhythmic Values 0.04787
Prevalence of Dotted Notes 0.06516
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.537
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.508
Relative Prevalence of Most Common Rhythmic Values 0.4084
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.626
Rhythmic Value Skewness 0.9914
Rhythmic Value Kurtosis 15.68
Mean Rhythmic Value Run Length 2.066
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.093
Mean Rhythmic Value Offset 0.06649
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8763
Complete Rests Fraction 0.001565
Partial Rests Fraction 0.001565
Average Rest Fraction Across Voices 0.001565
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5838
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2117
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.758
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7954
Rhythmic Variability - Tempo Standardized 0.05131
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 3.0
Total Number of Notes 752.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2132
Minimum Note Duration 0.1875
Maximum Note Duration 4.5
Average Note Duration 0.4872
Variability of Note Durations 0.4009
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2104
Strength of Second Strongest Rhythmic Pulse 0.2042
Strength Ratio of Two Strongest Rhythmic Pulses 1.03
Combined Strength of Two Strongest Rhythmic Pulses 0.4146
Rhythmic Variability 0.03236
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 119.8
Note Density 6.276
Note Density Variability 3.689
Average Time Between Attacks 0.3849
Average Time Between Attacks for Each Voice 0.3849
Variability of Time Between Attacks 0.2132
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08112
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05476
Average Number of Independent Voices 1.0
Similar Motion 0.2118
Contrary Motion 0.3098
Oblique Motion 0.4236
Parallel Fifths 0.002882
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0