File

Last modified on: April 14, 2020, 1:28 a.m.

Bus3002-Advegne_que_venir_pourra.mid


Source
RenComp7
Musical Work
Advegne que venir pourra
File Type
Symbolic Music
File Format
.mid
File Size
3.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2318
Prevalence of Second Most Common Vertical Interval 0.1916
Prevalence Ratio of Two Most Common Vertical Intervals 0.8265
Vertical Unisons 0.0244
Vertical Minor Seconds 0.004246
Vertical Thirds 0.3413
Vertical Tritones 0.00289
Vertical Perfect Fourths 0.036
Vertical Perfect Fifths 0.171
Vertical Sixths 0.148
Vertical Sevenths 0.04539
Vertical Octaves 0.2074
Perfect Vertical Intervals 0.4388
Vertical Dissonance Ratio 0.07746
Vertical Minor Third Prevalence 0.4375
Vertical Major Third Prevalence 0.373
Chord Duration 3.095
Partial Chords 0.4568
Standard Triads 0.3659
Diminished and Augmented Triads 0.002273
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.1773
Complex Chords 0.0
Minor Major Triad Ratio 0.6771
Average Number of Simultaneous Pitch Classes 2.326
Variability of Number of Simultaneous Pitch Classes 0.7078
Average Number of Simultaneous Pitches 2.799
Variability of Number of Simultaneous Pitches 0.4381
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 8.235
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 19.01
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1931
Stepwise Motion 0.611
Melodic Thirds 0.1095
Melodic Perfect Fourths 0.0951
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06916
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.02017
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.375
Melodic Embellishments 0.02
Direction of Melodic Motion 0.3917
Average Length of Melodic Arcs 2.107
Average Interval Spanned by Melodic Arcs 5.913
Melodic Pitch Variety 5.351
Mean Melodic Interval 2.605
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4179
Relative Prevalence of Most Common Melodic Intervals 0.4621
Amount of Arpeggiation 0.2939
Repeated Notes 0.0951
Importance of Middle Register 0.7057
Importance of High Register 0.0
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 58.18
Mean Pitch Class 5.569
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1
Prevalence of Most Common Pitch Class 0.2286
Relative Prevalence of Top Pitches 0.9429
Relative Prevalence of Top Pitch Classes 0.8375
Interval Between Most Prevalent Pitches 10.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 7.716
Pitch Class Variability 3.054
Pitch Class Variability After Folding 4.224
Pitch Skewness 0.1833
Pitch Class Skewness 0.5585
Pitch Class Skewness After Folding 1.203
Pitch Kurtosis 5.251
Pitch Class Kurtosis 5.078
Pitch Class Kurtosis After Folding 4.611
Major or Minor 0.0
First Pitch 43.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2943
Note Density per Quarter Note 0.6823
Note Density per Quarter Note per Voice 0.2274
Note Density per Quarter Note Variability 0.2842
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3343
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9029
Prevalence of Very Long Rhythmic Values 0.2743
Prevalence of Dotted Notes 0.1171
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 4.16
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.38
Relative Prevalence of Most Common Rhythmic Values 0.6241
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.336
Rhythmic Value Skewness 0.2054
Rhythmic Value Kurtosis 5.937
Mean Rhythmic Value Run Length 1.477
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.8211
Mean Rhythmic Value Offset 0.03429
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3693
Complete Rests Fraction 0.001933
Partial Rests Fraction 0.1267
Average Rest Fraction Across Voices 0.04612
Longest Complete Rest 0.9917
Longest Partial Rest 4.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 3.226
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 1.195
Variability Across Voices of Combined Rests 8.327
Number of Strong Rhythmic Pulses - Tempo Standardized 2.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7184
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1888
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.806
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9071
Rhythmic Variability - Tempo Standardized 0.05885
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 350.0
Initial Tempo 312.0
Average Variability of Time Between Attacks for Each Voice 0.5508
Minimum Note Duration 0.1923
Maximum Note Duration 3.077
Average Note Duration 0.8066
Variability of Note Durations 0.4763
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 312.0
Strongest Rhythmic Pulse 78.0
Second Strongest Rhythmic Pulse 52.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3871
Strength of Second Strongest Rhythmic Pulse 0.2608
Strength Ratio of Two Strongest Rhythmic Pulses 1.484
Combined Strength of Two Strongest Rhythmic Pulses 0.6479
Rhythmic Variability 0.041
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 4.694e-10
Duration in Seconds 98.65
Note Density 3.548
Note Density Variability 0.9514
Average Time Between Attacks 0.5309
Average Time Between Attacks for Each Voice 0.8517
Variability of Time Between Attacks 0.2621
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.3871
Relative Range Isolation of Loudest Voice 0.5294
Relative Range of Highest Line 0.3871
Relative Note Density of Highest Line 0.5657
Relative Note Durations of Lowest Line 0.9879
Relative Size of Melodic Intervals in Lowest Line 0.4286
Voice Overlap 0.6771
Voice Separation 8.0
Variability of Voice Separation 1.414
Parallel Motion 0.04375
Average Number of Independent Voices 2.867
Similar Motion 0.1812
Contrary Motion 0.2594
Oblique Motion 0.5156
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.3617
Voice Equality - Number of Notes 19.01
Voice Equality - Note Duration 1.601
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 1.528
Voice Equality - Range 2.517
Importance of Loudest Voice 12.5