| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2176 |
| Prevalence of Second Most Common Vertical Interval |
0.2122 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.975 |
| Vertical Unisons |
0.04346 |
| Vertical Minor Seconds |
0.003767 |
| Vertical Thirds |
0.3987 |
| Vertical Tritones |
0.01173 |
| Vertical Perfect Fourths |
0.02021 |
| Vertical Perfect Fifths |
0.1763 |
| Vertical Sixths |
0.1424 |
| Vertical Sevenths |
0.01503 |
| Vertical Octaves |
0.1742 |
| Perfect Vertical Intervals |
0.4141 |
| Vertical Dissonance Ratio |
0.04686 |
| Vertical Minor Third Prevalence |
0.3654 |
| Vertical Major Third Prevalence |
0.4471 |
| Chord Duration |
2.667 |
| Partial Chords |
0.5462 |
| Standard Triads |
0.3578 |
| Diminished and Augmented Triads |
0.01268 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09601 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4107 |
| Average Number of Simultaneous Pitch Classes |
2.286 |
| Variability of Number of Simultaneous Pitch Classes |
0.6595 |
| Average Number of Simultaneous Pitches |
2.688 |
| Variability of Number of Simultaneous Pitches |
0.5096 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.542 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
109.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2039 |
| Stepwise Motion |
0.6843 |
| Melodic Thirds |
0.1706 |
| Melodic Perfect Fourths |
0.03725 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04314 |
| Melodic Sixths |
0.001961 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009804 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7755 |
| Melodic Embellishments |
0.02924 |
| Direction of Melodic Motion |
0.4845 |
| Average Length of Melodic Arcs |
2.073 |
| Average Interval Spanned by Melodic Arcs |
5.163 |
| Melodic Pitch Variety |
5.254 |
| Mean Melodic Interval |
2.396 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4804 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4245 |
| Amount of Arpeggiation |
0.2765 |
| Repeated Notes |
0.05294 |
| Importance of Middle Register |
0.575 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.19 |
| Mean Pitch Class |
4.803 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1053 |
| Prevalence of Most Common Pitch Class |
0.1969 |
| Relative Prevalence of Top Pitches |
0.963 |
| Relative Prevalence of Top Pitch Classes |
0.9802 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.84 |
| Pitch Class Variability |
3.403 |
| Pitch Class Variability After Folding |
4.209 |
| Pitch Skewness |
-0.4967 |
| Pitch Class Skewness |
-0.1736 |
| Pitch Class Skewness After Folding |
1.018 |
| Pitch Kurtosis |
5.139 |
| Pitch Class Kurtosis |
4.859 |
| Pitch Class Kurtosis After Folding |
4.798 |
| Major or Minor |
0.0 |
| First Pitch |
41.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.425 |
| Note Density per Quarter Note |
0.8208 |
| Note Density per Quarter Note per Voice |
0.2736 |
| Note Density per Quarter Note Variability |
0.3679 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007797 |
| Prevalence of Medium Rhythmic Values |
0.4347 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8499 |
| Prevalence of Very Long Rhythmic Values |
0.1267 |
| Prevalence of Dotted Notes |
0.1267 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.388 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3626 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7849 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.112 |
| Rhythmic Value Skewness |
0.5509 |
| Rhythmic Value Kurtosis |
8.997 |
| Mean Rhythmic Value Run Length |
1.457 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8563 |
| Mean Rhythmic Value Offset |
0.01559 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2495 |
| Complete Rests Fraction |
0.001418 |
| Partial Rests Fraction |
0.2054 |
| Average Rest Fraction Across Voices |
0.06942 |
| Longest Complete Rest |
0.8863 |
| Longest Partial Rest |
13.28 |
| Mean Complete Rest Duration |
0.8863 |
| Mean Partial Rest Duration |
4.339 |
| Median Complete Rest Duration |
0.8863 |
| Median Partial Rest Duration |
3.575 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.991 |
| Variability Across Voices of Combined Rests |
7.893 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5904 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2089 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.827 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7993 |
| Rhythmic Variability - Tempo Standardized |
0.05144 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
513.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6085 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7318 |
| Variability of Note Durations |
0.4652 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
282.0 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2881 |
| Strength of Second Strongest Rhythmic Pulse |
0.2688 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.072 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5569 |
| Rhythmic Variability |
0.03636 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
134.5 |
| Note Density |
3.815 |
| Note Density Variability |
0.9302 |
| Average Time Between Attacks |
0.4917 |
| Average Time Between Attacks for Each Voice |
0.7849 |
| Variability of Time Between Attacks |
0.3108 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5714 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5714 |
| Relative Note Density of Highest Line |
0.3567 |
| Relative Note Durations of Lowest Line |
0.9219 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7992 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.04072 |
| Average Number of Independent Voices |
2.798 |
| Similar Motion |
0.1697 |
| Contrary Motion |
0.2262 |
| Oblique Motion |
0.5633 |
| Parallel Fifths |
0.002262 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4014 |
| Voice Equality - Number of Notes |
17.44 |
| Voice Equality - Note Duration |
1.698 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
20.0 |