File

Last modified on: April 14, 2020, 1:30 a.m.

Bus3057-Une_filleresse_destouppes__Sil_y_a_compagnon__Vostre_amour.mid


Source
RenComp7
Musical Work
Une filleresse destouppes Sil y a compagnon Vostre amour
File Type
Symbolic Music
File Format
.mid
File Size
4.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1974
Prevalence of Second Most Common Vertical Interval 0.1787
Prevalence Ratio of Two Most Common Vertical Intervals 0.9057
Vertical Unisons 0.04598
Vertical Minor Seconds 0.005101
Vertical Thirds 0.3181
Vertical Tritones 0.01767
Vertical Perfect Fourths 0.1109
Vertical Perfect Fifths 0.166
Vertical Sixths 0.1409
Vertical Sevenths 0.02313
Vertical Octaves 0.1514
Perfect Vertical Intervals 0.4742
Vertical Dissonance Ratio 0.07152
Vertical Minor Third Prevalence 0.5093
Vertical Major Third Prevalence 0.4444
Chord Duration 2.548
Partial Chords 0.3617
Standard Triads 0.4417
Diminished and Augmented Triads 0.04854
Dominant Seventh Chords 0.004854
Seventh Chords 0.009709
Non-Standard Chords 0.1869
Complex Chords 0.0
Minor Major Triad Ratio 2.085
Average Number of Simultaneous Pitch Classes 2.583
Variability of Number of Simultaneous Pitch Classes 0.6143
Average Number of Simultaneous Pitches 3.109
Variability of Number of Simultaneous Pitches 0.6271
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 9.557
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 77.07
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 2.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2244
Stepwise Motion 0.6787
Melodic Thirds 0.1357
Melodic Perfect Fourths 0.06094
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03047
Melodic Sixths 0.00277
Melodic Sevenths 0.0
Melodic Octaves 0.00831
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.267
Melodic Embellishments 0.0137
Direction of Melodic Motion 0.4562
Average Length of Melodic Arcs 1.902
Average Interval Spanned by Melodic Arcs 4.483
Melodic Pitch Variety 4.993
Mean Melodic Interval 2.222
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4543
Relative Prevalence of Most Common Melodic Intervals 0.4939
Amount of Arpeggiation 0.2576
Repeated Notes 0.0831
Importance of Middle Register 0.8164
Importance of High Register 0.1507
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 65.34
Mean Pitch Class 5.022
Most Common Pitch 69.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1342
Prevalence of Most Common Pitch Class 0.1973
Relative Prevalence of Top Pitches 0.7551
Relative Prevalence of Top Pitch Classes 0.9306
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.264
Pitch Class Variability 3.536
Pitch Class Variability After Folding 3.524
Pitch Skewness -0.5065
Pitch Class Skewness 0.01859
Pitch Class Skewness After Folding 0.7557
Pitch Kurtosis 5.286
Pitch Class Kurtosis 4.697
Pitch Class Kurtosis After Folding 5.85
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 12.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 27.0
Importance of Bass Register 0.03288
Note Density per Quarter Note 0.843
Note Density per Quarter Note per Voice 0.2107
Note Density per Quarter Note Variability 0.3559
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3616
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8548
Prevalence of Very Long Rhythmic Values 0.211
Prevalence of Dotted Notes 0.09589
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.852
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3918
Relative Prevalence of Most Common Rhythmic Values 0.5524
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.276
Rhythmic Value Skewness -0.195
Rhythmic Value Kurtosis 6.142
Mean Rhythmic Value Run Length 1.667
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.235
Mean Rhythmic Value Offset 0.03288
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6281
Complete Rests Fraction 0.00229
Partial Rests Fraction 0.6767
Average Rest Fraction Across Voices 0.1813
Longest Complete Rest 0.9917
Longest Partial Rest 96.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 11.63
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 19.76
Variability Across Voices of Combined Rests 78.3
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6279
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2075
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.026
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8354
Rhythmic Variability - Tempo Standardized 0.05351
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 365.0
Initial Tempo 312.0
Average Variability of Time Between Attacks for Each Voice 1.228
Minimum Note Duration 0.1923
Maximum Note Duration 4.615
Average Note Duration 0.7471
Variability of Note Durations 0.4755
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 312.0
Strongest Rhythmic Pulse 78.0
Second Strongest Rhythmic Pulse 52.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3332
Strength of Second Strongest Rhythmic Pulse 0.2526
Strength Ratio of Two Strongest Rhythmic Pulses 1.319
Combined Strength of Two Strongest Rhythmic Pulses 0.5858
Rhythmic Variability 0.03802
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 3.946e-10
Duration in Seconds 83.27
Note Density 4.383
Note Density Variability 1.234
Average Time Between Attacks 0.4565
Average Time Between Attacks for Each Voice 0.9759
Variability of Time Between Attacks 0.2634
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6296
Relative Range Isolation of Loudest Voice 0.4297
Relative Range of Highest Line 0.6296
Relative Note Density of Highest Line 0.7781
Relative Note Durations of Lowest Line 0.926
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.6849
Voice Separation 4.333
Variability of Voice Separation 1.528
Parallel Motion 0.0649
Average Number of Independent Voices 3.282
Similar Motion 0.1711
Contrary Motion 0.1947
Oblique Motion 0.5693
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.5348
Voice Equality - Number of Notes 33.95
Voice Equality - Note Duration 15.06
Voice Equality - Dynamics 10.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 4.425
Importance of Loudest Voice 20.0