| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2256 |
| Prevalence of Second Most Common Vertical Interval |
0.1909 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8465 |
| Vertical Unisons |
0.01529 |
| Vertical Minor Seconds |
0.00305 |
| Vertical Thirds |
0.386 |
| Vertical Tritones |
0.02047 |
| Vertical Perfect Fourths |
0.05188 |
| Vertical Perfect Fifths |
0.1583 |
| Vertical Sixths |
0.1426 |
| Vertical Sevenths |
0.02882 |
| Vertical Octaves |
0.1756 |
| Perfect Vertical Intervals |
0.4011 |
| Vertical Dissonance Ratio |
0.07569 |
| Vertical Minor Third Prevalence |
0.3484 |
| Vertical Major Third Prevalence |
0.4467 |
| Chord Duration |
2.396 |
| Partial Chords |
0.5911 |
| Standard Triads |
0.2564 |
| Diminished and Augmented Triads |
0.03178 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1525 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4938 |
| Average Number of Simultaneous Pitch Classes |
2.363 |
| Variability of Number of Simultaneous Pitch Classes |
0.5447 |
| Average Number of Simultaneous Pitches |
2.834 |
| Variability of Number of Simultaneous Pitches |
0.3721 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.603 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
13.53 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2182 |
| Stepwise Motion |
0.6787 |
| Melodic Thirds |
0.1679 |
| Melodic Perfect Fourths |
0.03837 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03597 |
| Melodic Sixths |
0.004796 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01199 |
| Melodic Large Intervals |
0.002398 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9444 |
| Melodic Embellishments |
0.03095 |
| Direction of Melodic Motion |
0.4617 |
| Average Length of Melodic Arcs |
1.876 |
| Average Interval Spanned by Melodic Arcs |
4.703 |
| Melodic Pitch Variety |
4.617 |
| Mean Melodic Interval |
2.398 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4604 |
| Relative Prevalence of Most Common Melodic Intervals |
0.474 |
| Amount of Arpeggiation |
0.2782 |
| Repeated Notes |
0.05995 |
| Importance of Middle Register |
0.7714 |
| Importance of High Register |
0.0381 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.12 |
| Mean Pitch Class |
4.845 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09524 |
| Prevalence of Most Common Pitch Class |
0.1929 |
| Relative Prevalence of Top Pitches |
0.95 |
| Relative Prevalence of Top Pitch Classes |
0.8272 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.152 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
3.696 |
| Pitch Skewness |
-0.2447 |
| Pitch Class Skewness |
-0.1337 |
| Pitch Class Skewness After Folding |
0.5817 |
| Pitch Kurtosis |
5.211 |
| Pitch Class Kurtosis |
4.971 |
| Pitch Class Kurtosis After Folding |
5.901 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1905 |
| Note Density per Quarter Note |
0.8589 |
| Note Density per Quarter Note per Voice |
0.2863 |
| Note Density per Quarter Note Variability |
0.4036 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4714 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8214 |
| Prevalence of Very Long Rhythmic Values |
0.1262 |
| Prevalence of Dotted Notes |
0.1071 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.295 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3476 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8425 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.11 |
| Rhythmic Value Skewness |
0.4198 |
| Rhythmic Value Kurtosis |
8.796 |
| Mean Rhythmic Value Run Length |
1.597 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.118 |
| Mean Rhythmic Value Offset |
0.04762 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4343 |
| Complete Rests Fraction |
0.002028 |
| Partial Rests Fraction |
0.1247 |
| Average Rest Fraction Across Voices |
0.04293 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.198 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.49 |
| Variability Across Voices of Combined Rests |
10.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.577 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2206 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.615 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7976 |
| Rhythmic Variability - Tempo Standardized |
0.05101 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
420.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5454 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6429 |
| Variability of Note Durations |
0.4498 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2942 |
| Strength of Second Strongest Rhythmic Pulse |
0.2511 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.172 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5453 |
| Rhythmic Variability |
0.0362 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004495 |
| Duration in Seconds |
94.04 |
| Note Density |
4.466 |
| Note Density Variability |
1.516 |
| Average Time Between Attacks |
0.4338 |
| Average Time Between Attacks for Each Voice |
0.6667 |
| Variability of Time Between Attacks |
0.3108 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3831 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4857 |
| Relative Note Durations of Lowest Line |
1.123 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.781 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.03373 |
| Average Number of Independent Voices |
2.877 |
| Similar Motion |
0.1783 |
| Contrary Motion |
0.253 |
| Oblique Motion |
0.5349 |
| Parallel Fifths |
0.00241 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3284 |
| Voice Equality - Number of Notes |
13.53 |
| Voice Equality - Note Duration |
2.035 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |