| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2037 |
| Prevalence of Second Most Common Vertical Interval |
0.1987 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9757 |
| Vertical Unisons |
0.06063 |
| Vertical Minor Seconds |
0.006849 |
| Vertical Thirds |
0.3605 |
| Vertical Tritones |
0.02326 |
| Vertical Perfect Fourths |
0.07176 |
| Vertical Perfect Fifths |
0.1541 |
| Vertical Sixths |
0.1323 |
| Vertical Sevenths |
0.02068 |
| Vertical Octaves |
0.143 |
| Perfect Vertical Intervals |
0.4296 |
| Vertical Dissonance Ratio |
0.08414 |
| Vertical Minor Third Prevalence |
0.5172 |
| Vertical Major Third Prevalence |
0.4389 |
| Chord Duration |
1.94 |
| Partial Chords |
0.4578 |
| Standard Triads |
0.3494 |
| Diminished and Augmented Triads |
0.05823 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02008 |
| Non-Standard Chords |
0.1727 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6415 |
| Average Number of Simultaneous Pitch Classes |
2.51 |
| Variability of Number of Simultaneous Pitch Classes |
0.661 |
| Average Number of Simultaneous Pitches |
2.969 |
| Variability of Number of Simultaneous Pitches |
0.7833 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.932 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
77.66 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2179 |
| Stepwise Motion |
0.6685 |
| Melodic Thirds |
0.1685 |
| Melodic Perfect Fourths |
0.06227 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05128 |
| Melodic Sixths |
0.001832 |
| Melodic Sevenths |
0.001832 |
| Melodic Octaves |
0.01832 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9574 |
| Melodic Embellishments |
0.02909 |
| Direction of Melodic Motion |
0.4783 |
| Average Length of Melodic Arcs |
2.027 |
| Average Interval Spanned by Melodic Arcs |
5.385 |
| Melodic Pitch Variety |
5.477 |
| Mean Melodic Interval |
2.634 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4505 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4837 |
| Amount of Arpeggiation |
0.2674 |
| Repeated Notes |
0.02747 |
| Importance of Middle Register |
0.5764 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.09 |
| Mean Pitch Class |
5.349 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1309 |
| Prevalence of Most Common Pitch Class |
0.1945 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.9159 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.701 |
| Pitch Class Variability |
3.385 |
| Pitch Class Variability After Folding |
4.195 |
| Pitch Skewness |
0.3646 |
| Pitch Class Skewness |
0.3094 |
| Pitch Class Skewness After Folding |
1.118 |
| Pitch Kurtosis |
5.731 |
| Pitch Class Kurtosis |
4.879 |
| Pitch Class Kurtosis After Folding |
4.743 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.4236 |
| Note Density per Quarter Note |
1.04 |
| Note Density per Quarter Note per Voice |
0.2599 |
| Note Density per Quarter Note Variability |
0.5175 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5018 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7691 |
| Prevalence of Very Long Rhythmic Values |
0.09273 |
| Prevalence of Dotted Notes |
0.1527 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.011 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3018 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8976 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.988 |
| Rhythmic Value Skewness |
1.525 |
| Rhythmic Value Kurtosis |
10.63 |
| Mean Rhythmic Value Run Length |
1.471 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.063 |
| Mean Rhythmic Value Offset |
0.03636 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.38 |
| Complete Rests Fraction |
0.009436 |
| Partial Rests Fraction |
0.6219 |
| Average Rest Fraction Across Voices |
0.2079 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
11.89 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
14.96 |
| Variability Across Voices of Combined Rests |
31.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5059 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2611 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.937 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.767 |
| Rhythmic Variability - Tempo Standardized |
0.04823 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
550.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7419 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.586 |
| Variability of Note Durations |
0.4192 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
78.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2527 |
| Strength of Second Strongest Rhythmic Pulse |
0.2469 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4996 |
| Rhythmic Variability |
0.03444 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004816 |
| Duration in Seconds |
101.7 |
| Note Density |
5.407 |
| Note Density Variability |
1.702 |
| Average Time Between Attacks |
0.3555 |
| Average Time Between Attacks for Each Voice |
0.6816 |
| Variability of Time Between Attacks |
0.2092 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5938 |
| Relative Range Isolation of Loudest Voice |
0.3333 |
| Relative Range of Highest Line |
0.5938 |
| Relative Note Density of Highest Line |
0.4582 |
| Relative Note Durations of Lowest Line |
0.9861 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9145 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.05829 |
| Average Number of Independent Voices |
3.198 |
| Similar Motion |
0.1621 |
| Contrary Motion |
0.1785 |
| Oblique Motion |
0.6011 |
| Parallel Fifths |
0.005464 |
| Parallel Octaves |
0.001821 |
| Variability of Number of Independent Voices |
0.7457 |
| Voice Equality - Number of Notes |
14.34 |
| Voice Equality - Note Duration |
6.004 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
15.0 |