File

Last modified on: April 14, 2020, 1:33 a.m.

Bus3049-Quant_jay_au_cueur.mid


Source
RenComp7
Musical Work
Quant jay au cueur
File Type
Symbolic Music
File Format
.mid
File Size
3.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2363
Prevalence of Second Most Common Vertical Interval 0.2126
Prevalence Ratio of Two Most Common Vertical Intervals 0.8998
Vertical Unisons 0.006459
Vertical Minor Seconds 0.0
Vertical Thirds 0.3184
Vertical Tritones 0.01027
Vertical Perfect Fourths 0.03174
Vertical Perfect Fifths 0.2126
Vertical Sixths 0.1376
Vertical Sevenths 0.0284
Vertical Octaves 0.2298
Perfect Vertical Intervals 0.4806
Vertical Dissonance Ratio 0.06767
Vertical Minor Third Prevalence 0.45
Vertical Major Third Prevalence 0.2763
Chord Duration 1.901
Partial Chords 0.5103
Standard Triads 0.3569
Diminished and Augmented Triads 0.0236
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.1327
Complex Chords 0.0
Minor Major Triad Ratio 2.27
Average Number of Simultaneous Pitch Classes 2.329
Variability of Number of Simultaneous Pitch Classes 0.6607
Average Number of Simultaneous Pitches 2.882
Variability of Number of Simultaneous Pitches 0.3231
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 8.57
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 18.73
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1933
Stepwise Motion 0.5798
Melodic Thirds 0.1793
Melodic Perfect Fourths 0.09524
Melodic Tritones 0.0
Melodic Perfect Fifths 0.07003
Melodic Sixths 0.005602
Melodic Sevenths 0.0
Melodic Octaves 0.0112
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.368
Melodic Embellishments 0.03889
Direction of Melodic Motion 0.4435
Average Length of Melodic Arcs 1.806
Average Interval Spanned by Melodic Arcs 5.108
Melodic Pitch Variety 5.306
Mean Melodic Interval 2.703
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3866
Relative Prevalence of Most Common Melodic Intervals 0.5
Amount of Arpeggiation 0.3193
Repeated Notes 0.05882
Importance of Middle Register 0.7056
Importance of High Register 0.1806
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.8
Mean Pitch Class 4.747
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1139
Prevalence of Most Common Pitch Class 0.2583
Relative Prevalence of Top Pitches 0.7805
Relative Prevalence of Top Pitch Classes 0.6559
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.607
Pitch Class Variability 3.278
Pitch Class Variability After Folding 3.237
Pitch Skewness 0.1895
Pitch Class Skewness 0.6838
Pitch Class Skewness After Folding 0.6461
Pitch Kurtosis 5.123
Pitch Class Kurtosis 5.018
Pitch Class Kurtosis After Folding 6.826
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 27.0
Importance of Bass Register 0.1139
Note Density per Quarter Note 0.9351
Note Density per Quarter Note per Voice 0.3117
Note Density per Quarter Note Variability 0.4137
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01667
Prevalence of Medium Rhythmic Values 0.5139
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8222
Prevalence of Very Long Rhythmic Values 0.08889
Prevalence of Dotted Notes 0.1444
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.061
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3361
Relative Prevalence of Most Common Rhythmic Values 0.9091
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.044
Rhythmic Value Skewness 1.558
Rhythmic Value Kurtosis 11.94
Mean Rhythmic Value Run Length 1.385
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.7598
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.01297
Partial Rests Fraction 0.1117
Average Rest Fraction Across Voices 0.04587
Longest Complete Rest 4.0
Longest Partial Rest 14.0
Mean Complete Rest Duration 2.496
Mean Partial Rest Duration 2.943
Median Complete Rest Duration 4.0
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 2.127
Variability of Partial Rest Durations 2.941
Variability Across Voices of Combined Rests 8.327
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.556
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2259
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.461
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7819
Rhythmic Variability - Tempo Standardized 0.04976
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 360.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 0.5432
Minimum Note Duration 0.119
Maximum Note Duration 2.857
Average Note Duration 0.7288
Variability of Note Durations 0.4865
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 42.0
Second Strongest Rhythmic Pulse 63.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2717
Strength of Second Strongest Rhythmic Pulse 0.2714
Strength Ratio of Two Strongest Rhythmic Pulses 1.001
Combined Strength of Two Strongest Rhythmic Pulses 0.5431
Rhythmic Variability 0.0373
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 1.044e-10
Duration in Seconds 91.66
Note Density 3.927
Note Density Variability 1.177
Average Time Between Attacks 0.428
Average Time Between Attacks for Each Voice 0.7541
Variability of Time Between Attacks 0.2874
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.5556
Relative Range Isolation of Loudest Voice 0.7163
Relative Range of Highest Line 0.5556
Relative Note Density of Highest Line 0.5917
Relative Note Durations of Lowest Line 1.112
Relative Size of Melodic Intervals in Lowest Line 0.8571
Voice Overlap 0.6056
Voice Separation 8.0
Variability of Voice Separation 0.0
Parallel Motion 0.02817
Average Number of Independent Voices 2.9
Similar Motion 0.1315
Contrary Motion 0.2136
Oblique Motion 0.6268
Parallel Fifths 0.002347
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.3
Voice Equality - Number of Notes 18.73
Voice Equality - Note Duration 1.983
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 1.528
Importance of Loudest Voice 12.5