| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2147 |
| Prevalence of Second Most Common Vertical Interval |
0.1652 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7692 |
| Vertical Unisons |
0.03251 |
| Vertical Minor Seconds |
0.004094 |
| Vertical Thirds |
0.2912 |
| Vertical Tritones |
0.01554 |
| Vertical Perfect Fourths |
0.08908 |
| Vertical Perfect Fifths |
0.1652 |
| Vertical Sixths |
0.1622 |
| Vertical Sevenths |
0.03384 |
| Vertical Octaves |
0.1822 |
| Perfect Vertical Intervals |
0.469 |
| Vertical Dissonance Ratio |
0.08413 |
| Vertical Minor Third Prevalence |
0.3502 |
| Vertical Major Third Prevalence |
0.3017 |
| Chord Duration |
2.064 |
| Partial Chords |
0.5579 |
| Standard Triads |
0.3118 |
| Diminished and Augmented Triads |
0.02031 |
| Dominant Seventh Chords |
0.002389 |
| Seventh Chords |
0.01075 |
| Non-Standard Chords |
0.1195 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9551 |
| Average Number of Simultaneous Pitch Classes |
2.269 |
| Variability of Number of Simultaneous Pitch Classes |
0.7145 |
| Average Number of Simultaneous Pitches |
2.776 |
| Variability of Number of Simultaneous Pitches |
0.974 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.848 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
51.78 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2154 |
| Stepwise Motion |
0.7258 |
| Melodic Thirds |
0.06106 |
| Melodic Perfect Fourths |
0.04608 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02765 |
| Melodic Sixths |
0.004608 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009217 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.524 |
| Melodic Embellishments |
0.004582 |
| Direction of Melodic Motion |
0.4124 |
| Average Length of Melodic Arcs |
2.126 |
| Average Interval Spanned by Melodic Arcs |
4.874 |
| Melodic Pitch Variety |
4.631 |
| Mean Melodic Interval |
2.017 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5104 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4221 |
| Amount of Arpeggiation |
0.2235 |
| Repeated Notes |
0.1256 |
| Importance of Middle Register |
0.7159 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.31 |
| Mean Pitch Class |
5.419 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1214 |
| Prevalence of Most Common Pitch Class |
0.197 |
| Relative Prevalence of Top Pitches |
0.8019 |
| Relative Prevalence of Top Pitch Classes |
0.75 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.034 |
| Pitch Class Variability |
3.566 |
| Pitch Class Variability After Folding |
3.46 |
| Pitch Skewness |
-0.51 |
| Pitch Class Skewness |
0.3527 |
| Pitch Class Skewness After Folding |
0.6496 |
| Pitch Kurtosis |
5.623 |
| Pitch Class Kurtosis |
4.793 |
| Pitch Class Kurtosis After Folding |
6.184 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2841 |
| Note Density per Quarter Note |
0.9009 |
| Note Density per Quarter Note per Voice |
0.2252 |
| Note Density per Quarter Note Variability |
0.4284 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004582 |
| Prevalence of Medium Rhythmic Values |
0.5212 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7239 |
| Prevalence of Very Long Rhythmic Values |
0.1168 |
| Prevalence of Dotted Notes |
0.1123 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.095 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3058 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8876 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.256 |
| Rhythmic Value Skewness |
1.457 |
| Rhythmic Value Kurtosis |
9.484 |
| Mean Rhythmic Value Run Length |
1.672 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.277 |
| Mean Rhythmic Value Offset |
0.09622 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7722 |
| Complete Rests Fraction |
0.001023 |
| Partial Rests Fraction |
0.6471 |
| Average Rest Fraction Across Voices |
0.2833 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
244.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
20.72 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.79 |
| Variability Across Voices of Combined Rests |
86.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5096 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2563 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.988 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7659 |
| Rhythmic Variability - Tempo Standardized |
0.04823 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
873.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.731 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6603 |
| Variability of Note Durations |
0.5628 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2742 |
| Strength of Second Strongest Rhythmic Pulse |
0.226 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.214 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5002 |
| Rhythmic Variability |
0.03449 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000006679 |
| Duration in Seconds |
200.5 |
| Note Density |
4.355 |
| Note Density Variability |
1.735 |
| Average Time Between Attacks |
0.3987 |
| Average Time Between Attacks for Each Voice |
0.9249 |
| Variability of Time Between Attacks |
0.2736 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.3976 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2978 |
| Relative Note Durations of Lowest Line |
1.058 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.795 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.08712 |
| Average Number of Independent Voices |
2.87 |
| Similar Motion |
0.1031 |
| Contrary Motion |
0.1485 |
| Oblique Motion |
0.6613 |
| Parallel Fifths |
0.001227 |
| Parallel Octaves |
0.001227 |
| Variability of Number of Independent Voices |
0.9608 |
| Voice Equality - Number of Notes |
51.78 |
| Voice Equality - Note Duration |
17.94 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.096 |
| Importance of Loudest Voice |
10.0 |