| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2465 |
| Prevalence of Second Most Common Vertical Interval |
0.199 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8075 |
| Vertical Unisons |
0.02777 |
| Vertical Minor Seconds |
0.00208 |
| Vertical Thirds |
0.3072 |
| Vertical Tritones |
0.004307 |
| Vertical Perfect Fourths |
0.08236 |
| Vertical Perfect Fifths |
0.199 |
| Vertical Sixths |
0.1479 |
| Vertical Sevenths |
0.006809 |
| Vertical Octaves |
0.2187 |
| Perfect Vertical Intervals |
0.5279 |
| Vertical Dissonance Ratio |
0.0173 |
| Vertical Minor Third Prevalence |
0.4918 |
| Vertical Major Third Prevalence |
0.3533 |
| Chord Duration |
2.738 |
| Partial Chords |
0.5201 |
| Standard Triads |
0.4253 |
| Diminished and Augmented Triads |
0.01724 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0546 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.846 |
| Average Number of Simultaneous Pitch Classes |
2.405 |
| Variability of Number of Simultaneous Pitch Classes |
0.6004 |
| Average Number of Simultaneous Pitches |
3.204 |
| Variability of Number of Simultaneous Pitches |
0.7367 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.422 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
28.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1348 |
| Stepwise Motion |
0.3747 |
| Melodic Thirds |
0.1887 |
| Melodic Perfect Fourths |
0.07008 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02965 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01617 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.02133 |
| Direction of Melodic Motion |
0.4881 |
| Average Length of Melodic Arcs |
1.775 |
| Average Interval Spanned by Melodic Arcs |
5.169 |
| Melodic Pitch Variety |
4.08 |
| Mean Melodic Interval |
2.008 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3208 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7479 |
| Amount of Arpeggiation |
0.5553 |
| Repeated Notes |
0.3208 |
| Importance of Middle Register |
0.6453 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.32 |
| Mean Pitch Class |
5.248 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1173 |
| Prevalence of Most Common Pitch Class |
0.2533 |
| Relative Prevalence of Top Pitches |
0.8636 |
| Relative Prevalence of Top Pitch Classes |
0.8211 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.833 |
| Pitch Class Variability |
3.466 |
| Pitch Class Variability After Folding |
3.728 |
| Pitch Skewness |
-0.006128 |
| Pitch Class Skewness |
0.2146 |
| Pitch Class Skewness After Folding |
0.8047 |
| Pitch Kurtosis |
5.008 |
| Pitch Class Kurtosis |
4.626 |
| Pitch Class Kurtosis After Folding |
5.599 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3547 |
| Note Density per Quarter Note |
1.016 |
| Note Density per Quarter Note per Voice |
0.2541 |
| Note Density per Quarter Note Variability |
0.4285 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6293 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9013 |
| Prevalence of Very Long Rhythmic Values |
0.1147 |
| Prevalence of Dotted Notes |
0.06133 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.147 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5307 |
| Relative Prevalence of Most Common Rhythmic Values |
0.407 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.279 |
| Rhythmic Value Skewness |
1.509 |
| Rhythmic Value Kurtosis |
10.05 |
| Mean Rhythmic Value Run Length |
2.18 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.374 |
| Mean Rhythmic Value Offset |
0.1067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8204 |
| Complete Rests Fraction |
0.002688 |
| Partial Rests Fraction |
0.523 |
| Average Rest Fraction Across Voices |
0.1734 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.826 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.912 |
| Variability Across Voices of Combined Rests |
49.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7569 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1235 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.131 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8804 |
| Rhythmic Variability - Tempo Standardized |
0.06105 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
375.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9037 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6778 |
| Variability of Note Durations |
0.5804 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3165 |
| Strength of Second Strongest Rhythmic Pulse |
0.2775 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5941 |
| Rhythmic Variability |
0.03964 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002968 |
| Duration in Seconds |
76.87 |
| Note Density |
4.878 |
| Note Density Variability |
1.603 |
| Average Time Between Attacks |
0.4037 |
| Average Time Between Attacks for Each Voice |
0.8639 |
| Variability of Time Between Attacks |
0.1693 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.6018 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.704 |
| Relative Note Durations of Lowest Line |
0.8894 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.712 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.02756 |
| Average Number of Independent Voices |
3.315 |
| Similar Motion |
0.1811 |
| Contrary Motion |
0.1417 |
| Oblique Motion |
0.6496 |
| Parallel Fifths |
0.007874 |
| Parallel Octaves |
0.003937 |
| Variability of Number of Independent Voices |
0.7362 |
| Voice Equality - Number of Notes |
28.02 |
| Voice Equality - Note Duration |
10.25 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
10.0 |