| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2294 |
| Prevalence of Second Most Common Vertical Interval |
0.1944 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8477 |
| Vertical Unisons |
0.02737 |
| Vertical Minor Seconds |
0.00413 |
| Vertical Thirds |
0.2669 |
| Vertical Tritones |
0.005679 |
| Vertical Perfect Fourths |
0.1143 |
| Vertical Perfect Fifths |
0.1944 |
| Vertical Sixths |
0.1403 |
| Vertical Sevenths |
0.02269 |
| Vertical Octaves |
0.202 |
| Perfect Vertical Intervals |
0.538 |
| Vertical Dissonance Ratio |
0.05787 |
| Vertical Minor Third Prevalence |
0.4367 |
| Vertical Major Third Prevalence |
0.412 |
| Chord Duration |
2.383 |
| Partial Chords |
0.4479 |
| Standard Triads |
0.3988 |
| Diminished and Augmented Triads |
0.01729 |
| Dominant Seventh Chords |
0.003346 |
| Seventh Chords |
0.01004 |
| Non-Standard Chords |
0.1433 |
| Complex Chords |
0.002789 |
| Minor Major Triad Ratio |
0.9751 |
| Average Number of Simultaneous Pitch Classes |
2.475 |
| Variability of Number of Simultaneous Pitch Classes |
0.7045 |
| Average Number of Simultaneous Pitches |
3.335 |
| Variability of Number of Simultaneous Pitches |
1.203 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.932 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
189.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2149 |
| Stepwise Motion |
0.6592 |
| Melodic Thirds |
0.1192 |
| Melodic Perfect Fourths |
0.06141 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03327 |
| Melodic Sixths |
0.003582 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004606 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.912 |
| Melodic Embellishments |
0.01531 |
| Direction of Melodic Motion |
0.4855 |
| Average Length of Melodic Arcs |
1.87 |
| Average Interval Spanned by Melodic Arcs |
4.492 |
| Melodic Pitch Variety |
4.757 |
| Mean Melodic Interval |
2.127 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4442 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4839 |
| Amount of Arpeggiation |
0.2758 |
| Repeated Notes |
0.1187 |
| Importance of Middle Register |
0.6314 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.02 |
| Mean Pitch Class |
5.433 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.08729 |
| Prevalence of Most Common Pitch Class |
0.1628 |
| Relative Prevalence of Top Pitches |
0.9825 |
| Relative Prevalence of Top Pitch Classes |
0.9749 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.263 |
| Pitch Class Variability |
3.56 |
| Pitch Class Variability After Folding |
3.015 |
| Pitch Skewness |
-0.1855 |
| Pitch Class Skewness |
0.3648 |
| Pitch Class Skewness After Folding |
0.3637 |
| Pitch Kurtosis |
5.397 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
7.376 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3686 |
| Note Density per Quarter Note |
1.007 |
| Note Density per Quarter Note per Voice |
0.2014 |
| Note Density per Quarter Note Variability |
0.5172 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5217 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7499 |
| Prevalence of Very Long Rhythmic Values |
0.1455 |
| Prevalence of Dotted Notes |
0.1388 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.315 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2716 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9511 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.608 |
| Rhythmic Value Skewness |
1.513 |
| Rhythmic Value Kurtosis |
8.787 |
| Mean Rhythmic Value Run Length |
1.494 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.961 |
| Mean Rhythmic Value Offset |
0.1286 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8033 |
| Complete Rests Fraction |
0.000483 |
| Partial Rests Fraction |
0.6992 |
| Average Rest Fraction Across Voices |
0.3064 |
| Longest Complete Rest |
0.9395 |
| Longest Partial Rest |
432.0 |
| Mean Complete Rest Duration |
0.9395 |
| Mean Partial Rest Duration |
23.28 |
| Median Complete Rest Duration |
0.9395 |
| Median Partial Rest Duration |
4.737 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.74 |
| Variability Across Voices of Combined Rests |
145.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5267 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2367 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.226 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7634 |
| Rhythmic Variability - Tempo Standardized |
0.04894 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1959.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.397 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7519 |
| Variability of Note Durations |
0.6739 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
277.1 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2584 |
| Strength of Second Strongest Rhythmic Pulse |
0.2368 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.091 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4952 |
| Rhythmic Variability |
0.03457 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
24.11 |
| Duration in Seconds |
424.8 |
| Note Density |
4.612 |
| Note Density Variability |
1.558 |
| Average Time Between Attacks |
0.4029 |
| Average Time Between Attacks for Each Voice |
1.095 |
| Variability of Time Between Attacks |
0.27 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.471 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1659 |
| Relative Note Durations of Lowest Line |
1.105 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8494 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.217 |
| Parallel Motion |
0.04729 |
| Average Number of Independent Voices |
3.47 |
| Similar Motion |
0.1268 |
| Contrary Motion |
0.1322 |
| Oblique Motion |
0.6937 |
| Parallel Fifths |
0.001612 |
| Parallel Octaves |
0.003224 |
| Variability of Number of Independent Voices |
1.238 |
| Voice Equality - Number of Notes |
112.9 |
| Voice Equality - Note Duration |
31.78 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.095 |
| Importance of Loudest Voice |
8.75 |