File

Last modified on: April 14, 2020, 1:40 a.m.

Rue1016a-Missa_Incessament-Kyrie.mid


Source
RenComp7
Musical Work
Missa Incessament
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
9.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.221
Prevalence of Second Most Common Vertical Interval 0.167
Prevalence Ratio of Two Most Common Vertical Intervals 0.7558
Vertical Unisons 0.06036
Vertical Minor Seconds 0.005231
Vertical Thirds 0.2877
Vertical Tritones 0.01606
Vertical Perfect Fourths 0.1052
Vertical Perfect Fifths 0.167
Vertical Sixths 0.1307
Vertical Sevenths 0.03572
Vertical Octaves 0.1606
Perfect Vertical Intervals 0.4932
Vertical Dissonance Ratio 0.09699
Vertical Minor Third Prevalence 0.4963
Vertical Major Third Prevalence 0.4012
Chord Duration 1.845
Partial Chords 0.3722
Standard Triads 0.3628
Diminished and Augmented Triads 0.04685
Dominant Seventh Chords 0.002677
Seventh Chords 0.01473
Non-Standard Chords 0.2503
Complex Chords 0.0
Minor Major Triad Ratio 0.4492
Average Number of Simultaneous Pitch Classes 2.581
Variability of Number of Simultaneous Pitch Classes 0.706
Average Number of Simultaneous Pitches 3.224
Variability of Number of Simultaneous Pitches 0.9702
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.084
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 30.76
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2375
Stepwise Motion 0.667
Melodic Thirds 0.175
Melodic Perfect Fourths 0.06681
Melodic Tritones 0.00106
Melodic Perfect Fifths 0.03075
Melodic Sixths 0.00106
Melodic Sevenths 0.0
Melodic Octaves 0.01485
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.797
Melodic Embellishments 0.03059
Direction of Melodic Motion 0.48
Average Length of Melodic Arcs 1.891
Average Interval Spanned by Melodic Arcs 4.748
Melodic Pitch Variety 5.306
Mean Melodic Interval 2.426
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4295
Relative Prevalence of Most Common Melodic Intervals 0.5531
Amount of Arpeggiation 0.2641
Repeated Notes 0.04348
Importance of Middle Register 0.7532
Importance of High Register 0.01477
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.83
Mean Pitch Class 5.284
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1192
Prevalence of Most Common Pitch Class 0.1951
Relative Prevalence of Top Pitches 0.7788
Relative Prevalence of Top Pitch Classes 0.8486
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.933
Pitch Class Variability 3.507
Pitch Class Variability After Folding 3.242
Pitch Skewness 0.1228
Pitch Class Skewness 0.2428
Pitch Class Skewness After Folding 1.288
Pitch Kurtosis 5.453
Pitch Class Kurtosis 4.881
Pitch Class Kurtosis After Folding 6.866
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.2321
Note Density per Quarter Note 1.184
Note Density per Quarter Note per Voice 0.2367
Note Density per Quarter Note Variability 0.6065
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.596
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7321
Prevalence of Very Long Rhythmic Values 0.08017
Prevalence of Dotted Notes 0.1108
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.85
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3281
Relative Prevalence of Most Common Rhythmic Values 0.8167
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.178
Rhythmic Value Skewness 1.171
Rhythmic Value Kurtosis 11.36
Mean Rhythmic Value Run Length 1.618
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.208
Mean Rhythmic Value Offset 0.1139
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9212
Complete Rests Fraction 0.001331
Partial Rests Fraction 0.8212
Average Rest Fraction Across Voices 0.299
Longest Complete Rest 1.066
Longest Partial Rest 83.86
Mean Complete Rest Duration 1.066
Mean Partial Rest Duration 17.35
Median Complete Rest Duration 1.066
Median Partial Rest Duration 10.75
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 19.18
Variability Across Voices of Combined Rests 105.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5088
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2507
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.029
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7595
Rhythmic Variability - Tempo Standardized 0.04831
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 948.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.898
Minimum Note Duration 0.2069
Maximum Note Duration 6.207
Average Note Duration 0.7124
Variability of Note Durations 0.6576
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 252.3
Strongest Rhythmic Pulse 42.0
Second Strongest Rhythmic Pulse 63.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2621
Strength of Second Strongest Rhythmic Pulse 0.2607
Strength Ratio of Two Strongest Rhythmic Pulses 1.006
Combined Strength of Two Strongest Rhythmic Pulses 0.5228
Rhythmic Variability 0.03678
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 27.66
Duration in Seconds 192.7
Note Density 4.92
Note Density Variability 1.822
Average Time Between Attacks 0.3888
Average Time Between Attacks for Each Voice 1.021
Variability of Time Between Attacks 0.2318
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.4681
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.3534
Relative Note Durations of Lowest Line 1.098
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8713
Voice Separation 4.25
Variability of Voice Separation 2.217
Parallel Motion 0.04158
Average Number of Independent Voices 3.513
Similar Motion 0.1166
Contrary Motion 0.1613
Oblique Motion 0.6805
Parallel Fifths 0.002028
Parallel Octaves 0.001014
Variability of Number of Independent Voices 1.02
Voice Equality - Number of Notes 48.72
Voice Equality - Note Duration 25.36
Voice Equality - Dynamics 7.583
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.168
Importance of Loudest Voice 10.0