| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2249 |
| Prevalence of Second Most Common Vertical Interval |
0.1955 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.869 |
| Vertical Unisons |
0.04363 |
| Vertical Minor Seconds |
0.003445 |
| Vertical Thirds |
0.3342 |
| Vertical Tritones |
0.00544 |
| Vertical Perfect Fourths |
0.06397 |
| Vertical Perfect Fifths |
0.1955 |
| Vertical Sixths |
0.1263 |
| Vertical Sevenths |
0.02296 |
| Vertical Octaves |
0.1813 |
| Perfect Vertical Intervals |
0.4844 |
| Vertical Dissonance Ratio |
0.05841 |
| Vertical Minor Third Prevalence |
0.5312 |
| Vertical Major Third Prevalence |
0.5323 |
| Chord Duration |
3.228 |
| Partial Chords |
0.4118 |
| Standard Triads |
0.4486 |
| Diminished and Augmented Triads |
0.01244 |
| Dominant Seventh Chords |
0.002704 |
| Seventh Chords |
0.01785 |
| Non-Standard Chords |
0.1217 |
| Complex Chords |
0.002704 |
| Minor Major Triad Ratio |
0.463 |
| Average Number of Simultaneous Pitch Classes |
2.576 |
| Variability of Number of Simultaneous Pitch Classes |
0.6447 |
| Average Number of Simultaneous Pitches |
3.321 |
| Variability of Number of Simultaneous Pitches |
0.9884 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.704 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
86.43 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2008 |
| Stepwise Motion |
0.6789 |
| Melodic Thirds |
0.1631 |
| Melodic Perfect Fourths |
0.04387 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04949 |
| Melodic Sixths |
0.001687 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009561 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.762 |
| Melodic Embellishments |
0.03477 |
| Direction of Melodic Motion |
0.5187 |
| Average Length of Melodic Arcs |
1.876 |
| Average Interval Spanned by Melodic Arcs |
4.74 |
| Melodic Pitch Variety |
4.902 |
| Mean Melodic Interval |
2.399 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4781 |
| Relative Prevalence of Most Common Melodic Intervals |
0.42 |
| Amount of Arpeggiation |
0.2756 |
| Repeated Notes |
0.05343 |
| Importance of Middle Register |
0.7499 |
| Importance of High Register |
0.1655 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.78 |
| Mean Pitch Class |
4.86 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1043 |
| Prevalence of Most Common Pitch Class |
0.1823 |
| Relative Prevalence of Top Pitches |
0.7581 |
| Relative Prevalence of Top Pitch Classes |
0.9877 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.586 |
| Pitch Class Variability |
3.364 |
| Pitch Class Variability After Folding |
3.915 |
| Pitch Skewness |
-0.02617 |
| Pitch Class Skewness |
-0.125 |
| Pitch Class Skewness After Folding |
1.436 |
| Pitch Kurtosis |
5.302 |
| Pitch Class Kurtosis |
4.851 |
| Pitch Class Kurtosis After Folding |
5.328 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.08469 |
| Note Density per Quarter Note |
0.9282 |
| Note Density per Quarter Note per Voice |
0.1856 |
| Note Density per Quarter Note Variability |
0.5367 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002243 |
| Prevalence of Medium Rhythmic Values |
0.3999 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8413 |
| Prevalence of Very Long Rhythmic Values |
0.1812 |
| Prevalence of Dotted Notes |
0.1604 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.669 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3421 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7049 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.397 |
| Rhythmic Value Skewness |
-0.4141 |
| Rhythmic Value Kurtosis |
8.02 |
| Mean Rhythmic Value Run Length |
1.583 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.371 |
| Mean Rhythmic Value Offset |
0.1413 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.286 |
| Complete Rests Fraction |
0.000376 |
| Partial Rests Fraction |
0.7824 |
| Average Rest Fraction Across Voices |
0.2879 |
| Longest Complete Rest |
0.7223 |
| Longest Partial Rest |
159.9 |
| Mean Complete Rest Duration |
0.7223 |
| Mean Partial Rest Duration |
23.43 |
| Median Complete Rest Duration |
0.7223 |
| Median Partial Rest Duration |
20.39 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.75 |
| Variability Across Voices of Combined Rests |
204.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5397 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.242 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.23 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7816 |
| Rhythmic Variability - Tempo Standardized |
0.04943 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1783.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.998 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
15.52 |
| Average Note Duration |
0.7199 |
| Variability of Note Durations |
0.7158 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
342.2 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.254 |
| Strength of Second Strongest Rhythmic Pulse |
0.2498 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5038 |
| Rhythmic Variability |
0.03348 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
87.8 |
| Duration in Seconds |
360.5 |
| Note Density |
4.946 |
| Note Density Variability |
1.533 |
| Average Time Between Attacks |
0.4218 |
| Average Time Between Attacks for Each Voice |
1.048 |
| Variability of Time Between Attacks |
0.2632 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.4186 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.2075 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8116 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.826 |
| Parallel Motion |
0.05003 |
| Average Number of Independent Voices |
3.539 |
| Similar Motion |
0.1426 |
| Contrary Motion |
0.206 |
| Oblique Motion |
0.6014 |
| Parallel Fifths |
0.003193 |
| Parallel Octaves |
0.0005322 |
| Variability of Number of Independent Voices |
1.03 |
| Voice Equality - Number of Notes |
97.11 |
| Voice Equality - Note Duration |
38.31 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.074 |
| Importance of Loudest Voice |
13.75 |