| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2225 |
| Prevalence of Second Most Common Vertical Interval |
0.1702 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.765 |
| Vertical Unisons |
0.02171 |
| Vertical Minor Seconds |
0.004214 |
| Vertical Thirds |
0.2968 |
| Vertical Tritones |
0.01286 |
| Vertical Perfect Fourths |
0.0941 |
| Vertical Perfect Fifths |
0.1702 |
| Vertical Sixths |
0.1471 |
| Vertical Sevenths |
0.03253 |
| Vertical Octaves |
0.2008 |
| Perfect Vertical Intervals |
0.4868 |
| Vertical Dissonance Ratio |
0.07452 |
| Vertical Minor Third Prevalence |
0.386 |
| Vertical Major Third Prevalence |
0.3544 |
| Chord Duration |
2.085 |
| Partial Chords |
0.5053 |
| Standard Triads |
0.3351 |
| Diminished and Augmented Triads |
0.03053 |
| Dominant Seventh Chords |
0.003817 |
| Seventh Chords |
0.01908 |
| Non-Standard Chords |
0.1405 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.184 |
| Average Number of Simultaneous Pitch Classes |
2.414 |
| Variability of Number of Simultaneous Pitch Classes |
0.6928 |
| Average Number of Simultaneous Pitches |
3.048 |
| Variability of Number of Simultaneous Pitches |
0.8728 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.316 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
114.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2455 |
| Stepwise Motion |
0.6786 |
| Melodic Thirds |
0.1462 |
| Melodic Perfect Fourths |
0.04828 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02207 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008276 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.718 |
| Melodic Embellishments |
0.01372 |
| Direction of Melodic Motion |
0.4687 |
| Average Length of Melodic Arcs |
1.785 |
| Average Interval Spanned by Melodic Arcs |
4.117 |
| Melodic Pitch Variety |
4.632 |
| Mean Melodic Interval |
2.099 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4331 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5669 |
| Amount of Arpeggiation |
0.2731 |
| Repeated Notes |
0.09655 |
| Importance of Middle Register |
0.7819 |
| Importance of High Register |
0.004115 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.77 |
| Mean Pitch Class |
5.196 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1043 |
| Prevalence of Most Common Pitch Class |
0.1742 |
| Relative Prevalence of Top Pitches |
0.8289 |
| Relative Prevalence of Top Pitch Classes |
0.9449 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.958 |
| Pitch Class Variability |
3.351 |
| Pitch Class Variability After Folding |
3.86 |
| Pitch Skewness |
0.02602 |
| Pitch Class Skewness |
0.1756 |
| Pitch Class Skewness After Folding |
0.8242 |
| Pitch Kurtosis |
5.273 |
| Pitch Class Kurtosis |
4.757 |
| Pitch Class Kurtosis After Folding |
5.185 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.214 |
| Note Density per Quarter Note |
1.022 |
| Note Density per Quarter Note per Voice |
0.2556 |
| Note Density per Quarter Note Variability |
0.516 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002743 |
| Prevalence of Medium Rhythmic Values |
0.5501 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.749 |
| Prevalence of Very Long Rhythmic Values |
0.0823 |
| Prevalence of Dotted Notes |
0.1084 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.969 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.299 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9725 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.169 |
| Rhythmic Value Skewness |
1.341 |
| Rhythmic Value Kurtosis |
11.09 |
| Mean Rhythmic Value Run Length |
1.544 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9677 |
| Mean Rhythmic Value Offset |
0.08882 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6898 |
| Complete Rests Fraction |
0.001249 |
| Partial Rests Fraction |
0.5493 |
| Average Rest Fraction Across Voices |
0.2206 |
| Longest Complete Rest |
0.8904 |
| Longest Partial Rest |
107.0 |
| Mean Complete Rest Duration |
0.8904 |
| Mean Partial Rest Duration |
12.58 |
| Median Complete Rest Duration |
0.8904 |
| Median Partial Rest Duration |
6.688 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.6 |
| Variability Across Voices of Combined Rests |
103.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5164 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2387 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.163 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7551 |
| Rhythmic Variability - Tempo Standardized |
0.04832 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
729.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.424 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.172 |
| Average Note Duration |
0.7075 |
| Variability of Note Durations |
0.5994 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
261.6 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.477 |
| Strength of Strongest Rhythmic Pulse |
0.2861 |
| Strength of Second Strongest Rhythmic Pulse |
0.2556 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.119 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5417 |
| Rhythmic Variability |
0.03699 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.95 |
| Duration in Seconds |
165.4 |
| Note Density |
4.407 |
| Note Density Variability |
1.739 |
| Average Time Between Attacks |
0.4059 |
| Average Time Between Attacks for Each Voice |
0.8917 |
| Variability of Time Between Attacks |
0.2602 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.4113 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.3676 |
| Relative Note Durations of Lowest Line |
1.213 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7901 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.03974 |
| Average Number of Independent Voices |
3.129 |
| Similar Motion |
0.1128 |
| Contrary Motion |
0.1782 |
| Oblique Motion |
0.6692 |
| Parallel Fifths |
0.001282 |
| Parallel Octaves |
0.001282 |
| Variability of Number of Independent Voices |
0.8964 |
| Voice Equality - Number of Notes |
63.87 |
| Voice Equality - Note Duration |
24.01 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
15.0 |