| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1962 |
| Prevalence of Second Most Common Vertical Interval |
0.174 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8868 |
| Vertical Unisons |
0.02863 |
| Vertical Minor Seconds |
0.01094 |
| Vertical Thirds |
0.304 |
| Vertical Tritones |
0.01293 |
| Vertical Perfect Fourths |
0.0866 |
| Vertical Perfect Fifths |
0.1696 |
| Vertical Sixths |
0.1655 |
| Vertical Sevenths |
0.03182 |
| Vertical Octaves |
0.1676 |
| Perfect Vertical Intervals |
0.4524 |
| Vertical Dissonance Ratio |
0.08468 |
| Vertical Minor Third Prevalence |
0.3783 |
| Vertical Major Third Prevalence |
0.3116 |
| Chord Duration |
2.293 |
| Partial Chords |
0.5551 |
| Standard Triads |
0.3022 |
| Diminished and Augmented Triads |
0.01233 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003524 |
| Non-Standard Chords |
0.1392 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.209 |
| Average Number of Simultaneous Pitch Classes |
2.307 |
| Variability of Number of Simultaneous Pitch Classes |
0.7053 |
| Average Number of Simultaneous Pitches |
2.762 |
| Variability of Number of Simultaneous Pitches |
0.8844 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.395 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
45.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1891 |
| Stepwise Motion |
0.5891 |
| Melodic Thirds |
0.1602 |
| Melodic Perfect Fourths |
0.05469 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04531 |
| Melodic Sixths |
0.0125 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01016 |
| Melodic Large Intervals |
0.001563 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.106 |
| Melodic Embellishments |
0.01869 |
| Direction of Melodic Motion |
0.4454 |
| Average Length of Melodic Arcs |
1.931 |
| Average Interval Spanned by Melodic Arcs |
5.193 |
| Melodic Pitch Variety |
5.031 |
| Mean Melodic Interval |
2.359 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4727 |
| Amount of Arpeggiation |
0.343 |
| Repeated Notes |
0.1266 |
| Importance of Middle Register |
0.7648 |
| Importance of High Register |
0.007009 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.43 |
| Mean Pitch Class |
5.868 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1121 |
| Prevalence of Most Common Pitch Class |
0.2103 |
| Relative Prevalence of Top Pitches |
0.9583 |
| Relative Prevalence of Top Pitch Classes |
0.863 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.937 |
| Pitch Class Variability |
3.655 |
| Pitch Class Variability After Folding |
2.701 |
| Pitch Skewness |
0.3715 |
| Pitch Class Skewness |
0.7127 |
| Pitch Class Skewness After Folding |
0.5233 |
| Pitch Kurtosis |
5.293 |
| Pitch Class Kurtosis |
4.795 |
| Pitch Class Kurtosis After Folding |
7.893 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2282 |
| Note Density per Quarter Note |
0.9992 |
| Note Density per Quarter Note per Voice |
0.2498 |
| Note Density per Quarter Note Variability |
0.476 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01636 |
| Prevalence of Medium Rhythmic Values |
0.6098 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.803 |
| Prevalence of Very Long Rhythmic Values |
0.0771 |
| Prevalence of Dotted Notes |
0.1137 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.829 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4128 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5717 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.98 |
| Rhythmic Value Skewness |
1.255 |
| Rhythmic Value Kurtosis |
12.48 |
| Mean Rhythmic Value Run Length |
1.613 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.121 |
| Mean Rhythmic Value Offset |
0.01558 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.37 |
| Complete Rests Fraction |
0.002122 |
| Partial Rests Fraction |
0.7243 |
| Average Rest Fraction Across Voices |
0.2938 |
| Longest Complete Rest |
1.823 |
| Longest Partial Rest |
102.1 |
| Mean Complete Rest Duration |
1.364 |
| Mean Partial Rest Duration |
15.41 |
| Median Complete Rest Duration |
1.823 |
| Median Partial Rest Duration |
4.527 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.65 |
| Variability of Partial Rest Durations |
21.79 |
| Variability Across Voices of Combined Rests |
93.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5667 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2119 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.675 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7786 |
| Rhythmic Variability - Tempo Standardized |
0.04995 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1284.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.751 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.646 |
| Variability of Note Durations |
0.4579 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
265.5 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2695 |
| Strength of Second Strongest Rhythmic Pulse |
0.2637 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5333 |
| Rhythmic Variability |
0.03688 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.45 |
| Duration in Seconds |
293.7 |
| Note Density |
4.372 |
| Note Density Variability |
1.331 |
| Average Time Between Attacks |
0.4203 |
| Average Time Between Attacks for Each Voice |
0.8873 |
| Variability of Time Between Attacks |
0.2277 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5445 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2087 |
| Relative Note Durations of Lowest Line |
1.034 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.785 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.06244 |
| Average Number of Independent Voices |
2.849 |
| Similar Motion |
0.1454 |
| Contrary Motion |
0.1612 |
| Oblique Motion |
0.6309 |
| Parallel Fifths |
0.006524 |
| Parallel Octaves |
0.000932 |
| Variability of Number of Independent Voices |
0.8905 |
| Voice Equality - Number of Notes |
45.48 |
| Voice Equality - Note Duration |
21.39 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
11.67 |