| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2003 |
| Prevalence of Second Most Common Vertical Interval |
0.1698 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8478 |
| Vertical Unisons |
0.03408 |
| Vertical Minor Seconds |
0.004418 |
| Vertical Thirds |
0.3263 |
| Vertical Tritones |
0.009921 |
| Vertical Perfect Fourths |
0.08108 |
| Vertical Perfect Fifths |
0.1546 |
| Vertical Sixths |
0.167 |
| Vertical Sevenths |
0.03282 |
| Vertical Octaves |
0.1662 |
| Perfect Vertical Intervals |
0.436 |
| Vertical Dissonance Ratio |
0.07605 |
| Vertical Minor Third Prevalence |
0.3876 |
| Vertical Major Third Prevalence |
0.3431 |
| Chord Duration |
2.35 |
| Partial Chords |
0.5527 |
| Standard Triads |
0.3168 |
| Diminished and Augmented Triads |
0.01047 |
| Dominant Seventh Chords |
0.004187 |
| Seventh Chords |
0.02094 |
| Non-Standard Chords |
0.1096 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.018 |
| Average Number of Simultaneous Pitch Classes |
2.283 |
| Variability of Number of Simultaneous Pitch Classes |
0.7442 |
| Average Number of Simultaneous Pitches |
2.722 |
| Variability of Number of Simultaneous Pitches |
0.936 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.834 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
79.07 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2197 |
| Stepwise Motion |
0.7054 |
| Melodic Thirds |
0.1213 |
| Melodic Perfect Fourths |
0.04508 |
| Melodic Tritones |
0.0006349 |
| Melodic Perfect Fifths |
0.03683 |
| Melodic Sixths |
0.005714 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01143 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.984 |
| Melodic Embellishments |
0.009488 |
| Direction of Melodic Motion |
0.4517 |
| Average Length of Melodic Arcs |
1.868 |
| Average Interval Spanned by Melodic Arcs |
4.544 |
| Melodic Pitch Variety |
4.89 |
| Mean Melodic Interval |
2.266 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4857 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4523 |
| Amount of Arpeggiation |
0.2432 |
| Repeated Notes |
0.07365 |
| Importance of Middle Register |
0.8109 |
| Importance of High Register |
0.1423 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.73 |
| Mean Pitch Class |
5.148 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1031 |
| Prevalence of Most Common Pitch Class |
0.1701 |
| Relative Prevalence of Top Pitches |
0.9693 |
| Relative Prevalence of Top Pitch Classes |
0.9851 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.481 |
| Pitch Class Variability |
3.402 |
| Pitch Class Variability After Folding |
3.4 |
| Pitch Skewness |
0.1247 |
| Pitch Class Skewness |
0.1305 |
| Pitch Class Skewness After Folding |
0.6932 |
| Pitch Kurtosis |
5.381 |
| Pitch Class Kurtosis |
4.903 |
| Pitch Class Kurtosis After Folding |
6.291 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.04681 |
| Note Density per Quarter Note |
0.9496 |
| Note Density per Quarter Note per Voice |
0.2374 |
| Note Density per Quarter Note Variability |
0.4629 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6129 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7666 |
| Prevalence of Very Long Rhythmic Values |
0.1031 |
| Prevalence of Dotted Notes |
0.08792 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.92 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3795 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6233 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.148 |
| Rhythmic Value Skewness |
1.284 |
| Rhythmic Value Kurtosis |
10.33 |
| Mean Rhythmic Value Run Length |
1.687 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.125 |
| Mean Rhythmic Value Offset |
0.05313 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5202 |
| Complete Rests Fraction |
0.0005663 |
| Partial Rests Fraction |
0.6779 |
| Average Rest Fraction Across Voices |
0.296 |
| Longest Complete Rest |
0.943 |
| Longest Partial Rest |
357.5 |
| Mean Complete Rest Duration |
0.943 |
| Mean Partial Rest Duration |
21.43 |
| Median Complete Rest Duration |
0.943 |
| Median Partial Rest Duration |
3.804 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
50.94 |
| Variability Across Voices of Combined Rests |
230.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5981 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2143 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.791 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8123 |
| Rhythmic Variability - Tempo Standardized |
0.052 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1581.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.767 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6476 |
| Variability of Note Durations |
0.5365 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
278.0 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2638 |
| Strength of Second Strongest Rhythmic Pulse |
0.2523 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.046 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5161 |
| Rhythmic Variability |
0.03576 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
23.48 |
| Duration in Seconds |
362.3 |
| Note Density |
4.364 |
| Note Density Variability |
1.609 |
| Average Time Between Attacks |
0.4068 |
| Average Time Between Attacks for Each Voice |
0.9181 |
| Variability of Time Between Attacks |
0.2397 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4923 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1822 |
| Relative Note Durations of Lowest Line |
1.034 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7767 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.06829 |
| Average Number of Independent Voices |
2.815 |
| Similar Motion |
0.1512 |
| Contrary Motion |
0.1714 |
| Oblique Motion |
0.6091 |
| Parallel Fifths |
0.003484 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9491 |
| Voice Equality - Number of Notes |
79.07 |
| Voice Equality - Note Duration |
50.11 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
10.0 |