File

Last modified on: April 14, 2020, 1:46 a.m.

Rue1007a-Missa_Cum_iocunditate-Kyrie.mid


Source
RenComp7
Musical Work
Missa Cum iocunditate
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
6.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2086
Prevalence of Second Most Common Vertical Interval 0.1948
Prevalence Ratio of Two Most Common Vertical Intervals 0.9338
Vertical Unisons 0.03151
Vertical Minor Seconds 0.004513
Vertical Thirds 0.3052
Vertical Tritones 0.003207
Vertical Perfect Fourths 0.1048
Vertical Perfect Fifths 0.1948
Vertical Sixths 0.1398
Vertical Sevenths 0.02067
Vertical Octaves 0.1771
Perfect Vertical Intervals 0.5083
Vertical Dissonance Ratio 0.04905
Vertical Minor Third Prevalence 0.3979
Vertical Major Third Prevalence 0.5155
Chord Duration 2.164
Partial Chords 0.3824
Standard Triads 0.4829
Diminished and Augmented Triads 0.008865
Dominant Seventh Chords 0.001773
Seventh Chords 0.0133
Non-Standard Chords 0.1215
Complex Chords 0.0
Minor Major Triad Ratio 0.5444
Average Number of Simultaneous Pitch Classes 2.552
Variability of Number of Simultaneous Pitch Classes 0.6801
Average Number of Simultaneous Pitches 3.236
Variability of Number of Simultaneous Pitches 0.793
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.662
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 52.74
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1325
Stepwise Motion 0.5239
Melodic Thirds 0.2049
Melodic Perfect Fourths 0.05239
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05085
Melodic Sixths 0.001541
Melodic Sevenths 0.0
Melodic Octaves 0.009245
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.325
Melodic Embellishments 0.03063
Direction of Melodic Motion 0.4771
Average Length of Melodic Arcs 1.961
Average Interval Spanned by Melodic Arcs 5.384
Melodic Pitch Variety 4.388
Mean Melodic Interval 2.333
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3914
Relative Prevalence of Most Common Melodic Intervals 0.4016
Amount of Arpeggiation 0.4222
Repeated Notes 0.1572
Importance of Middle Register 0.8162
Importance of High Register 0.01991
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.78
Mean Pitch Class 5.585
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1562
Prevalence of Most Common Pitch Class 0.2772
Relative Prevalence of Top Pitches 0.7843
Relative Prevalence of Top Pitch Classes 0.6188
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.876
Pitch Class Variability 3.492
Pitch Class Variability After Folding 2.676
Pitch Skewness 0.1356
Pitch Class Skewness -1.216
Pitch Class Skewness After Folding 0.898
Pitch Kurtosis 5.439
Pitch Class Kurtosis 4.919
Pitch Class Kurtosis After Folding 9.029
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1639
Note Density per Quarter Note 1.079
Note Density per Quarter Note per Voice 0.2698
Note Density per Quarter Note Variability 0.5714
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.04441
Prevalence of Medium Rhythmic Values 0.5697
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7642
Prevalence of Very Long Rhythmic Values 0.1286
Prevalence of Dotted Notes 0.1822
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.07
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3338
Relative Prevalence of Most Common Rhythmic Values 0.6055
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.447
Rhythmic Value Skewness 1.311
Rhythmic Value Kurtosis 10.18
Mean Rhythmic Value Run Length 1.423
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.8254
Mean Rhythmic Value Offset 0.04977
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.493
Complete Rests Fraction 0.001472
Partial Rests Fraction 0.4605
Average Rest Fraction Across Voices 0.1599
Longest Complete Rest 0.8905
Longest Partial Rest 42.36
Mean Complete Rest Duration 0.8905
Mean Partial Rest Duration 5.862
Median Complete Rest Duration 0.8905
Median Partial Rest Duration 2.353
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 8.214
Variability Across Voices of Combined Rests 62.29
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4838
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2592
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.866
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.743
Rhythmic Variability - Tempo Standardized 0.04644
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 653.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 0.8994
Minimum Note Duration 0.09868
Maximum Note Duration 4.138
Average Note Duration 0.6843
Variability of Note Durations 0.5964
Amount of Staccato 0.03828
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 276.4
Strongest Rhythmic Pulse 69.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2477
Strength of Second Strongest Rhythmic Pulse 0.2448
Strength Ratio of Two Strongest Rhythmic Pulses 1.012
Combined Strength of Two Strongest Rhythmic Pulses 0.4925
Rhythmic Variability 0.03462
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 29.68
Duration in Seconds 133.0
Note Density 4.911
Note Density Variability 2.259
Average Time Between Attacks 0.3751
Average Time Between Attacks for Each Voice 0.8503
Variability of Time Between Attacks 0.2871
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4839
Relative Range Isolation of Loudest Voice 0.4408
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.4104
Relative Note Durations of Lowest Line 1.048
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8025
Voice Separation 5.333
Variability of Voice Separation 4.619
Parallel Motion 0.03091
Average Number of Independent Voices 3.371
Similar Motion 0.1159
Contrary Motion 0.1345
Oblique Motion 0.7187
Parallel Fifths 0.001546
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.7942
Voice Equality - Number of Notes 52.74
Voice Equality - Note Duration 13.69
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.363
Importance of Loudest Voice 11.67