| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2261 |
| Prevalence of Second Most Common Vertical Interval |
0.1858 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.822 |
| Vertical Unisons |
0.03287 |
| Vertical Minor Seconds |
0.005537 |
| Vertical Thirds |
0.273 |
| Vertical Tritones |
0.008454 |
| Vertical Perfect Fourths |
0.1138 |
| Vertical Perfect Fifths |
0.1858 |
| Vertical Sixths |
0.1433 |
| Vertical Sevenths |
0.0244 |
| Vertical Octaves |
0.1932 |
| Perfect Vertical Intervals |
0.5257 |
| Vertical Dissonance Ratio |
0.06164 |
| Vertical Minor Third Prevalence |
0.5909 |
| Vertical Major Third Prevalence |
0.4793 |
| Chord Duration |
2.222 |
| Partial Chords |
0.2465 |
| Standard Triads |
0.5481 |
| Diminished and Augmented Triads |
0.01596 |
| Dominant Seventh Chords |
0.002281 |
| Seventh Chords |
0.04675 |
| Non-Standard Chords |
0.1587 |
| Complex Chords |
0.003421 |
| Minor Major Triad Ratio |
1.517 |
| Average Number of Simultaneous Pitch Classes |
2.775 |
| Variability of Number of Simultaneous Pitch Classes |
0.6935 |
| Average Number of Simultaneous Pitches |
3.804 |
| Variability of Number of Simultaneous Pitches |
1.001 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.176 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
62.25 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2115 |
| Stepwise Motion |
0.6213 |
| Melodic Thirds |
0.1341 |
| Melodic Perfect Fourths |
0.05288 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05571 |
| Melodic Sixths |
0.0009443 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.001889 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.784 |
| Melodic Embellishments |
0.01221 |
| Direction of Melodic Motion |
0.4553 |
| Average Length of Melodic Arcs |
1.921 |
| Average Interval Spanned by Melodic Arcs |
4.749 |
| Melodic Pitch Variety |
4.649 |
| Mean Melodic Interval |
2.166 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4098 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5161 |
| Amount of Arpeggiation |
0.3248 |
| Repeated Notes |
0.1331 |
| Importance of Middle Register |
0.6347 |
| Importance of High Register |
0.003756 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.1 |
| Mean Pitch Class |
5.347 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1023 |
| Prevalence of Most Common Pitch Class |
0.2066 |
| Relative Prevalence of Top Pitches |
0.7523 |
| Relative Prevalence of Top Pitch Classes |
0.7364 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.653 |
| Pitch Class Variability |
3.507 |
| Pitch Class Variability After Folding |
3.238 |
| Pitch Skewness |
0.1759 |
| Pitch Class Skewness |
0.2972 |
| Pitch Class Skewness After Folding |
0.5619 |
| Pitch Kurtosis |
5.205 |
| Pitch Class Kurtosis |
4.789 |
| Pitch Class Kurtosis After Folding |
6.729 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3615 |
| Note Density per Quarter Note |
1.156 |
| Note Density per Quarter Note per Voice |
0.2313 |
| Note Density per Quarter Note Variability |
0.5111 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001878 |
| Prevalence of Medium Rhythmic Values |
0.493 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7775 |
| Prevalence of Very Long Rhythmic Values |
0.1239 |
| Prevalence of Dotted Notes |
0.1136 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.304 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3155 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8571 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.408 |
| Rhythmic Value Skewness |
0.3791 |
| Rhythmic Value Kurtosis |
9.124 |
| Mean Rhythmic Value Run Length |
1.564 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9575 |
| Mean Rhythmic Value Offset |
0.17 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.436 |
| Complete Rests Fraction |
0.0009967 |
| Partial Rests Fraction |
0.6291 |
| Average Rest Fraction Across Voices |
0.1935 |
| Longest Complete Rest |
0.9179 |
| Longest Partial Rest |
61.09 |
| Mean Complete Rest Duration |
0.9179 |
| Mean Partial Rest Duration |
11.14 |
| Median Complete Rest Duration |
0.9179 |
| Median Partial Rest Duration |
7.405 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.41 |
| Variability Across Voices of Combined Rests |
32.76 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5402 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2258 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.392 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.766 |
| Rhythmic Variability - Tempo Standardized |
0.04915 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1065.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.399 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
10.34 |
| Average Note Duration |
0.7803 |
| Variability of Note Durations |
0.7525 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
271.4 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3051 |
| Strength of Second Strongest Rhythmic Pulse |
0.2558 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.193 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5609 |
| Rhythmic Variability |
0.03765 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
27.09 |
| Duration in Seconds |
205.9 |
| Note Density |
5.173 |
| Note Density Variability |
1.706 |
| Average Time Between Attacks |
0.3889 |
| Average Time Between Attacks for Each Voice |
1.004 |
| Variability of Time Between Attacks |
0.2193 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.4085 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.3099 |
| Relative Note Durations of Lowest Line |
1.103 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8648 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.5 |
| Parallel Motion |
0.03776 |
| Average Number of Independent Voices |
4.015 |
| Similar Motion |
0.08932 |
| Contrary Motion |
0.1264 |
| Oblique Motion |
0.7466 |
| Parallel Fifths |
0.0007262 |
| Parallel Octaves |
0.001452 |
| Variability of Number of Independent Voices |
0.9857 |
| Voice Equality - Number of Notes |
56.44 |
| Voice Equality - Note Duration |
7.322 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
12.5 |