File

Last modified on: April 19, 2024, 5:18 p.m.

F164_53_Ninot_Et_la_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Et la la la la la la
File Type
Symbolic Music
File Format
xml
File Size
246.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1682
Prevalence of Second Most Common Vertical Interval 0.1602
Prevalence Ratio of Two Most Common Vertical Intervals 0.9525
Vertical Unisons 0.03195
Vertical Minor Seconds 0.05477
Vertical Thirds 0.2707
Vertical Tritones 0.03104
Vertical Perfect Fourths 0.1043
Vertical Perfect Fifths 0.1682
Vertical Sixths 0.1308
Vertical Sevenths 0.0518
Vertical Octaves 0.1283
Perfect Vertical Intervals 0.4327
Vertical Dissonance Ratio 0.1989
Vertical Minor Third Prevalence 0.5083
Vertical Major Third Prevalence 0.5444
Chord Duration 2.08
Partial Chords 0.2659
Standard Triads 0.3082
Diminished and Augmented Triads 0.02115
Dominant Seventh Chords 0.0
Seventh Chords 0.145
Non-Standard Chords 0.281
Complex Chords 0.06042
Minor Major Triad Ratio 0.8716
Average Number of Simultaneous Pitch Classes 2.939
Variability of Number of Simultaneous Pitch Classes 1.009
Average Number of Simultaneous Pitches 3.667
Variability of Number of Simultaneous Pitches 1.225
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.198
Stepwise Motion 0.5287
Melodic Thirds 0.08515
Melodic Perfect Fourths 0.06139
Melodic Tritones 0.0
Melodic Perfect Fifths 0.01782
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.01782
Melodic Large Intervals 0.00198
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.308
Melodic Embellishments 0.01556
Direction of Melodic Motion 0.375
Average Length of Melodic Arcs 2.022
Average Interval Spanned by Melodic Arcs 5.107
Melodic Pitch Variety 4.421
Mean Melodic Interval 1.83
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3307
Relative Prevalence of Most Common Melodic Intervals 0.8683
Amount of Arpeggiation 0.4079
Repeated Notes 0.2871
Importance of Middle Register 0.7354
Importance of High Register 0.003891
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 4.722
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1109
Prevalence of Most Common Pitch Class 0.2354
Relative Prevalence of Top Pitches 0.9474
Relative Prevalence of Top Pitch Classes 0.7521
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.055
Pitch Class Variability 3.604
Pitch Class Variability After Folding 3.397
Pitch Skewness -0.3135
Pitch Class Skewness -0.2317
Pitch Class Skewness After Folding 1.053
Pitch Kurtosis 5.169
Pitch Class Kurtosis 4.957
Pitch Class Kurtosis After Folding 6.799
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.007782
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.007782
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2607
Note Density per Quarter Note 1.424
Note Density per Quarter Note per Voice 1.424
Note Density per Quarter Note Variability 0.7731
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007782
Prevalence of Medium Rhythmic Values 0.7568
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8016
Prevalence of Very Long Rhythmic Values 0.03891
Prevalence of Dotted Notes 0.1167
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.428
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5584
Relative Prevalence of Most Common Rhythmic Values 0.3415
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.817
Rhythmic Value Skewness 0.7069
Rhythmic Value Kurtosis 21.32
Mean Rhythmic Value Run Length 1.985
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.933
Mean Rhythmic Value Offset 1.591
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 15.38
Complete Rests Fraction 0.00277
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5884
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.215
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.736
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8034
Rhythmic Variability - Tempo Standardized 0.05142
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 514.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1192
Minimum Note Duration 0.09375
Maximum Note Duration 42.94
Average Note Duration 0.7536
Variability of Note Durations 3.084
Amount of Staccato 0.007782
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2132
Strength of Second Strongest Rhythmic Pulse 0.2094
Strength Ratio of Two Strongest Rhythmic Pulses 1.018
Combined Strength of Two Strongest Rhythmic Pulses 0.4227
Rhythmic Variability 0.03227
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 67.69
Note Density 7.594
Note Density Variability 2.634
Average Time Between Attacks 0.2964
Average Time Between Attacks for Each Voice 0.2964
Variability of Time Between Attacks 0.1192
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1148
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.0449
Average Number of Independent Voices 1.0
Similar Motion 0.1898
Contrary Motion 0.1388
Oblique Motion 0.6265
Parallel Fifths 0.004082
Parallel Octaves 0.002041
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0