File

Last modified on: April 14, 2020, 1:49 a.m.

Rue1021c-Missa_O_gloriosa_domina-Credo.mid


Source
RenComp7
Musical Work
Missa O gloriosa domina
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
16.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.208
Prevalence of Second Most Common Vertical Interval 0.2017
Prevalence Ratio of Two Most Common Vertical Intervals 0.9695
Vertical Unisons 0.0308
Vertical Minor Seconds 0.005701
Vertical Thirds 0.3357
Vertical Tritones 0.01215
Vertical Perfect Fourths 0.0777
Vertical Perfect Fifths 0.1643
Vertical Sixths 0.1458
Vertical Sevenths 0.02821
Vertical Octaves 0.1772
Perfect Vertical Intervals 0.45
Vertical Dissonance Ratio 0.07352
Vertical Minor Third Prevalence 0.414
Vertical Major Third Prevalence 0.3056
Chord Duration 2.304
Partial Chords 0.5708
Standard Triads 0.3179
Diminished and Augmented Triads 0.01995
Dominant Seventh Chords 0.002574
Seventh Chords 0.009653
Non-Standard Chords 0.1017
Complex Chords 0.0
Minor Major Triad Ratio 1.699
Average Number of Simultaneous Pitch Classes 2.27
Variability of Number of Simultaneous Pitch Classes 0.7033
Average Number of Simultaneous Pitches 2.77
Variability of Number of Simultaneous Pitches 0.9691
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.58
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 18.86
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1941
Stepwise Motion 0.6018
Melodic Thirds 0.1149
Melodic Perfect Fourths 0.04908
Melodic Tritones 0.0005577
Melodic Perfect Fifths 0.01896
Melodic Sixths 0.006135
Melodic Sevenths 0.0005577
Melodic Octaves 0.008366
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.452
Melodic Embellishments 0.01613
Direction of Melodic Motion 0.4432
Average Length of Melodic Arcs 1.837
Average Interval Spanned by Melodic Arcs 4.426
Melodic Pitch Variety 4.451
Mean Melodic Interval 1.941
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4077
Relative Prevalence of Most Common Melodic Intervals 0.4897
Amount of Arpeggiation 0.3424
Repeated Notes 0.1997
Importance of Middle Register 0.8348
Importance of High Register 0.08676
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.43
Mean Pitch Class 5.325
Most Common Pitch 65.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1101
Prevalence of Most Common Pitch Class 0.1841
Relative Prevalence of Top Pitches 0.9495
Relative Prevalence of Top Pitch Classes 0.8731
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.486
Pitch Class Variability 3.316
Pitch Class Variability After Folding 3.474
Pitch Skewness -0.03216
Pitch Class Skewness 0.2944
Pitch Class Skewness After Folding 0.8237
Pitch Kurtosis 5.478
Pitch Class Kurtosis 4.945
Pitch Class Kurtosis After Folding 6.06
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.07842
Note Density per Quarter Note 1.01
Note Density per Quarter Note per Voice 0.2524
Note Density per Quarter Note Variability 0.4897
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001112
Prevalence of Medium Rhythmic Values 0.6179
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.767
Prevalence of Very Long Rhythmic Values 0.06229
Prevalence of Dotted Notes 0.09455
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.751
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3849
Relative Prevalence of Most Common Rhythmic Values 0.6488
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.938
Rhythmic Value Skewness 1.162
Rhythmic Value Kurtosis 13.15
Mean Rhythmic Value Run Length 1.629
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.049
Mean Rhythmic Value Offset 0.08676
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.008
Complete Rests Fraction 0.0005065
Partial Rests Fraction 0.641
Average Rest Fraction Across Voices 0.2869
Longest Complete Rest 0.902
Longest Partial Rest 170.6
Mean Complete Rest Duration 0.902
Mean Partial Rest Duration 14.92
Median Complete Rest Duration 0.902
Median Partial Rest Duration 2.274
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 29.2
Variability Across Voices of Combined Rests 63.18
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5745
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2156
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.664
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7901
Rhythmic Variability - Tempo Standardized 0.05087
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1798.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.871
Minimum Note Duration 0.1034
Maximum Note Duration 6.621
Average Note Duration 0.6432
Variability of Note Durations 0.5601
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 266.9
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2761
Strength of Second Strongest Rhythmic Pulse 0.2703
Strength Ratio of Two Strongest Rhythmic Pulses 1.021
Combined Strength of Two Strongest Rhythmic Pulses 0.5465
Rhythmic Variability 0.03776
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 28.38
Duration in Seconds 405.1
Note Density 4.438
Note Density Variability 1.669
Average Time Between Attacks 0.4026
Average Time Between Attacks for Each Voice 0.8511
Variability of Time Between Attacks 0.2252
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.3305
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.158
Relative Note Durations of Lowest Line 1.081
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8348
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.04941
Average Number of Independent Voices 2.864
Similar Motion 0.1232
Contrary Motion 0.19
Oblique Motion 0.6374
Parallel Fifths 0.001392
Parallel Octaves 0.0006959
Variability of Number of Independent Voices 0.9718
Voice Equality - Number of Notes 18.86
Voice Equality - Note Duration 14.37
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 10.0