| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2024 |
| Prevalence of Second Most Common Vertical Interval |
0.2019 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9975 |
| Vertical Unisons |
0.0436 |
| Vertical Minor Seconds |
0.001547 |
| Vertical Thirds |
0.377 |
| Vertical Tritones |
0.007737 |
| Vertical Perfect Fourths |
0.06812 |
| Vertical Perfect Fifths |
0.167 |
| Vertical Sixths |
0.1324 |
| Vertical Sevenths |
0.02865 |
| Vertical Octaves |
0.1583 |
| Perfect Vertical Intervals |
0.437 |
| Vertical Dissonance Ratio |
0.05661 |
| Vertical Minor Third Prevalence |
0.466 |
| Vertical Major Third Prevalence |
0.4161 |
| Chord Duration |
2.757 |
| Partial Chords |
0.499 |
| Standard Triads |
0.3801 |
| Diminished and Augmented Triads |
0.01335 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01049 |
| Non-Standard Chords |
0.1103 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.088 |
| Average Number of Simultaneous Pitch Classes |
2.412 |
| Variability of Number of Simultaneous Pitch Classes |
0.6571 |
| Average Number of Simultaneous Pitches |
2.894 |
| Variability of Number of Simultaneous Pitches |
0.7769 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.692 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
184.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2094 |
| Stepwise Motion |
0.6648 |
| Melodic Thirds |
0.1237 |
| Melodic Perfect Fourths |
0.05527 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05375 |
| Melodic Sixths |
0.006085 |
| Melodic Sevenths |
0.0005071 |
| Melodic Octaves |
0.01217 |
| Melodic Large Intervals |
0.0005071 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.94 |
| Melodic Embellishments |
0.01569 |
| Direction of Melodic Motion |
0.4607 |
| Average Length of Melodic Arcs |
1.868 |
| Average Interval Spanned by Melodic Arcs |
4.868 |
| Melodic Pitch Variety |
5.001 |
| Mean Melodic Interval |
2.395 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4554 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4599 |
| Amount of Arpeggiation |
0.2733 |
| Repeated Notes |
0.08316 |
| Importance of Middle Register |
0.6695 |
| Importance of High Register |
0.001518 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.3 |
| Mean Pitch Class |
5.174 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1048 |
| Prevalence of Most Common Pitch Class |
0.1771 |
| Relative Prevalence of Top Pitches |
0.8261 |
| Relative Prevalence of Top Pitch Classes |
0.9086 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.102 |
| Pitch Class Variability |
3.486 |
| Pitch Class Variability After Folding |
3.259 |
| Pitch Skewness |
0.341 |
| Pitch Class Skewness |
0.1494 |
| Pitch Class Skewness After Folding |
0.4943 |
| Pitch Kurtosis |
5.299 |
| Pitch Class Kurtosis |
4.839 |
| Pitch Class Kurtosis After Folding |
6.765 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3289 |
| Note Density per Quarter Note |
0.8724 |
| Note Density per Quarter Note per Voice |
0.2181 |
| Note Density per Quarter Note Variability |
0.4525 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001012 |
| Prevalence of Medium Rhythmic Values |
0.4691 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8502 |
| Prevalence of Very Long Rhythmic Values |
0.1336 |
| Prevalence of Dotted Notes |
0.1083 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.386 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3411 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9362 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.196 |
| Rhythmic Value Skewness |
0.5267 |
| Rhythmic Value Kurtosis |
8.898 |
| Mean Rhythmic Value Run Length |
1.723 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.378 |
| Mean Rhythmic Value Offset |
0.09919 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.394 |
| Complete Rests Fraction |
0.0003351 |
| Partial Rests Fraction |
0.69 |
| Average Rest Fraction Across Voices |
0.2469 |
| Longest Complete Rest |
0.7589 |
| Longest Partial Rest |
407.7 |
| Mean Complete Rest Duration |
0.7589 |
| Mean Partial Rest Duration |
14.07 |
| Median Complete Rest Duration |
0.7589 |
| Median Partial Rest Duration |
3.061 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.46 |
| Variability Across Voices of Combined Rests |
461.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6227 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.193 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.226 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8158 |
| Rhythmic Variability - Tempo Standardized |
0.05316 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1976.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.415 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6167 |
| Variability of Note Durations |
0.4929 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
350.1 |
| Strongest Rhythmic Pulse |
84.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2481 |
| Strength of Second Strongest Rhythmic Pulse |
0.2458 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4939 |
| Rhythmic Variability |
0.03407 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
73.09 |
| Duration in Seconds |
404.5 |
| Note Density |
4.885 |
| Note Density Variability |
1.259 |
| Average Time Between Attacks |
0.4036 |
| Average Time Between Attacks for Each Voice |
0.9328 |
| Variability of Time Between Attacks |
0.1986 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4467 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.1316 |
| Relative Note Durations of Lowest Line |
0.9549 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7955 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.05956 |
| Average Number of Independent Voices |
3.042 |
| Similar Motion |
0.1649 |
| Contrary Motion |
0.2062 |
| Oblique Motion |
0.5693 |
| Parallel Fifths |
0.001718 |
| Parallel Octaves |
0.001718 |
| Variability of Number of Independent Voices |
0.8242 |
| Voice Equality - Number of Notes |
184.0 |
| Voice Equality - Note Duration |
82.46 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
10.0 |