File

Last modified on: April 14, 2020, 1:50 a.m.

Rue1020b-Missa_Nunca_fue_pena_mayor-Gloria.mid


Source
RenComp7
Musical Work
Missa Nunca fue pena mayor
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
12.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2024
Prevalence of Second Most Common Vertical Interval 0.1809
Prevalence Ratio of Two Most Common Vertical Intervals 0.894
Vertical Unisons 0.01919
Vertical Minor Seconds 0.003102
Vertical Thirds 0.3248
Vertical Tritones 0.009279
Vertical Perfect Fourths 0.08908
Vertical Perfect Fifths 0.2024
Vertical Sixths 0.1484
Vertical Sevenths 0.02126
Vertical Octaves 0.1606
Perfect Vertical Intervals 0.4712
Vertical Dissonance Ratio 0.05894
Vertical Minor Third Prevalence 0.5634
Vertical Major Third Prevalence 0.469
Chord Duration 2.473
Partial Chords 0.3005
Standard Triads 0.538
Diminished and Augmented Triads 0.02562
Dominant Seventh Chords 0.001553
Seventh Chords 0.01359
Non-Standard Chords 0.1479
Complex Chords 0.0
Minor Major Triad Ratio 1.009
Average Number of Simultaneous Pitch Classes 2.69
Variability of Number of Simultaneous Pitch Classes 0.585
Average Number of Simultaneous Pitches 3.36
Variability of Number of Simultaneous Pitches 0.7076
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.207
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 101.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2108
Stepwise Motion 0.5892
Melodic Thirds 0.132
Melodic Perfect Fourths 0.04942
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0471
Melodic Sixths 0.001544
Melodic Sevenths 0.0
Melodic Octaves 0.01158
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.672
Melodic Embellishments 0.02694
Direction of Melodic Motion 0.4833
Average Length of Melodic Arcs 1.894
Average Interval Spanned by Melodic Arcs 4.852
Melodic Pitch Variety 4.513
Mean Melodic Interval 2.141
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3784
Relative Prevalence of Most Common Melodic Intervals 0.5571
Amount of Arpeggiation 0.3598
Repeated Notes 0.1691
Importance of Middle Register 0.766
Importance of High Register 0.02694
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.98
Mean Pitch Class 5.405
Most Common Pitch 64.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1001
Prevalence of Most Common Pitch Class 0.1794
Relative Prevalence of Top Pitches 0.9538
Relative Prevalence of Top Pitch Classes 0.9871
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 7.485
Pitch Class Variability 3.68
Pitch Class Variability After Folding 2.919
Pitch Skewness 0.1928
Pitch Class Skewness 0.3301
Pitch Class Skewness After Folding 0.1978
Pitch Kurtosis 5.334
Pitch Class Kurtosis 4.773
Pitch Class Kurtosis After Folding 7.704
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.2071
Note Density per Quarter Note 0.9804
Note Density per Quarter Note per Voice 0.2451
Note Density per Quarter Note Variability 0.4155
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00154
Prevalence of Medium Rhythmic Values 0.4911
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8545
Prevalence of Very Long Rhythmic Values 0.1309
Prevalence of Dotted Notes 0.1247
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.358
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3457
Relative Prevalence of Most Common Rhythmic Values 0.9065
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.281
Rhythmic Value Skewness 0.4707
Rhythmic Value Kurtosis 9.605
Mean Rhythmic Value Run Length 1.575
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.287
Mean Rhythmic Value Offset 0.154
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.838
Complete Rests Fraction 0.0006681
Partial Rests Fraction 0.4434
Average Rest Fraction Across Voices 0.1381
Longest Complete Rest 0.8852
Longest Partial Rest 78.55
Mean Complete Rest Duration 0.8852
Mean Partial Rest Duration 7.32
Median Complete Rest Duration 0.8852
Median Partial Rest Duration 2.216
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 12.71
Variability Across Voices of Combined Rests 64.62
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6371
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1847
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.45
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8218
Rhythmic Variability - Tempo Standardized 0.05391
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1299.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.34
Minimum Note Duration 0.1293
Maximum Note Duration 15.52
Average Note Duration 0.8207
Variability of Note Durations 0.8115
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 260.1
Strongest Rhythmic Pulse 65.0
Second Strongest Rhythmic Pulse 43.0
Harmonicity of Two Strongest Rhythmic Pulses 1.512
Strength of Strongest Rhythmic Pulse 0.3222
Strength of Second Strongest Rhythmic Pulse 0.2745
Strength Ratio of Two Strongest Rhythmic Pulses 1.174
Combined Strength of Two Strongest Rhythmic Pulses 0.5967
Rhythmic Variability 0.03944
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 28.0
Duration in Seconds 309.2
Note Density 4.201
Note Density Variability 1.121
Average Time Between Attacks 0.4595
Average Time Between Attacks for Each Voice 1.024
Variability of Time Between Attacks 0.2348
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.3914
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.2094
Relative Note Durations of Lowest Line 0.9986
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.7998
Voice Separation 5.667
Variability of Voice Separation 3.215
Parallel Motion 0.03376
Average Number of Independent Voices 3.446
Similar Motion 0.1185
Contrary Motion 0.1753
Oblique Motion 0.6724
Parallel Fifths 0.002155
Parallel Octaves 0.0007184
Variability of Number of Independent Voices 0.6991
Voice Equality - Number of Notes 101.0
Voice Equality - Note Duration 15.08
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 1.0
Importance of Loudest Voice 10.0