| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.197 |
| Prevalence of Second Most Common Vertical Interval |
0.185 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9393 |
| Vertical Unisons |
0.02369 |
| Vertical Minor Seconds |
0.007793 |
| Vertical Thirds |
0.2967 |
| Vertical Tritones |
0.018 |
| Vertical Perfect Fourths |
0.1174 |
| Vertical Perfect Fifths |
0.185 |
| Vertical Sixths |
0.1322 |
| Vertical Sevenths |
0.03434 |
| Vertical Octaves |
0.1733 |
| Perfect Vertical Intervals |
0.4994 |
| Vertical Dissonance Ratio |
0.07724 |
| Vertical Minor Third Prevalence |
0.3747 |
| Vertical Major Third Prevalence |
0.4778 |
| Chord Duration |
2.01 |
| Partial Chords |
0.3757 |
| Standard Triads |
0.4277 |
| Diminished and Augmented Triads |
0.03692 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.03077 |
| Non-Standard Chords |
0.1658 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.716 |
| Average Number of Simultaneous Pitch Classes |
2.516 |
| Variability of Number of Simultaneous Pitch Classes |
0.7377 |
| Average Number of Simultaneous Pitches |
3.169 |
| Variability of Number of Simultaneous Pitches |
0.8957 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.752 |
| Variation of Dynamics In Each Voice |
1.756 |
| Average Note to Note Change in Dynamics |
1.929 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2004 |
| Stepwise Motion |
0.5317 |
| Melodic Thirds |
0.0873 |
| Melodic Perfect Fourths |
0.06151 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01786 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01587 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.385 |
| Melodic Embellishments |
0.009843 |
| Direction of Melodic Motion |
0.375 |
| Average Length of Melodic Arcs |
2.022 |
| Average Interval Spanned by Melodic Arcs |
4.938 |
| Melodic Pitch Variety |
4.177 |
| Mean Melodic Interval |
1.774 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3313 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8623 |
| Amount of Arpeggiation |
0.4067 |
| Repeated Notes |
0.2857 |
| Importance of Middle Register |
0.7402 |
| Importance of High Register |
0.003937 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.78 |
| Mean Pitch Class |
4.711 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1122 |
| Prevalence of Most Common Pitch Class |
0.2382 |
| Relative Prevalence of Top Pitches |
0.9474 |
| Relative Prevalence of Top Pitch Classes |
0.7521 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.062 |
| Pitch Class Variability |
3.6 |
| Pitch Class Variability After Folding |
3.402 |
| Pitch Skewness |
-0.3069 |
| Pitch Class Skewness |
-0.2411 |
| Pitch Class Skewness After Folding |
1.047 |
| Pitch Kurtosis |
5.168 |
| Pitch Class Kurtosis |
4.957 |
| Pitch Class Kurtosis After Folding |
6.797 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2559 |
| Note Density per Quarter Note |
1.411 |
| Note Density per Quarter Note per Voice |
0.3528 |
| Note Density per Quarter Note Variability |
0.6372 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007874 |
| Prevalence of Medium Rhythmic Values |
0.7657 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7992 |
| Prevalence of Very Long Rhythmic Values |
0.02756 |
| Prevalence of Dotted Notes |
0.1063 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.315 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.565 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3415 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.497 |
| Rhythmic Value Skewness |
0.6311 |
| Rhythmic Value Kurtosis |
24.2 |
| Mean Rhythmic Value Run Length |
1.977 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.938 |
| Mean Rhythmic Value Offset |
0.0001989 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.004483 |
| Complete Rests Fraction |
0.000002894 |
| Partial Rests Fraction |
0.4667 |
| Average Rest Fraction Across Voices |
0.1834 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.48 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
10.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.654 |
| Variability Across Voices of Combined Rests |
4.927 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5912 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2174 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.72 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8086 |
| Rhythmic Variability - Tempo Standardized |
0.05157 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
508.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6344 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
2.25 |
| Average Note Duration |
0.434 |
| Variability of Note Durations |
0.2807 |
| Amount of Staccato |
0.007874 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2139 |
| Strength of Second Strongest Rhythmic Pulse |
0.21 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.019 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.424 |
| Rhythmic Variability |
0.03228 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
67.5 |
| Note Density |
7.526 |
| Note Density Variability |
2.506 |
| Average Time Between Attacks |
0.2964 |
| Average Time Between Attacks for Each Voice |
0.5047 |
| Variability of Time Between Attacks |
0.1192 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.5197 |
| Relative Note Durations of Lowest Line |
1.054 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.878 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05365 |
| Average Number of Independent Voices |
3.266 |
| Similar Motion |
0.1803 |
| Contrary Motion |
0.1953 |
| Oblique Motion |
0.5708 |
| Parallel Fifths |
0.002146 |
| Parallel Octaves |
0.002146 |
| Variability of Number of Independent Voices |
0.8922 |
| Voice Equality - Number of Notes |
7.528 |
| Voice Equality - Note Duration |
0.9237 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
0.3333 |