| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2116 |
| Prevalence of Second Most Common Vertical Interval |
0.1658 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7835 |
| Vertical Unisons |
0.03454 |
| Vertical Minor Seconds |
0.007349 |
| Vertical Thirds |
0.3089 |
| Vertical Tritones |
0.01613 |
| Vertical Perfect Fourths |
0.09553 |
| Vertical Perfect Fifths |
0.1656 |
| Vertical Sixths |
0.1379 |
| Vertical Sevenths |
0.03041 |
| Vertical Octaves |
0.1771 |
| Perfect Vertical Intervals |
0.4727 |
| Vertical Dissonance Ratio |
0.08749 |
| Vertical Minor Third Prevalence |
0.5209 |
| Vertical Major Third Prevalence |
0.5465 |
| Chord Duration |
1.752 |
| Partial Chords |
0.2947 |
| Standard Triads |
0.4664 |
| Diminished and Augmented Triads |
0.03684 |
| Dominant Seventh Chords |
0.01083 |
| Seventh Chords |
0.03034 |
| Non-Standard Chords |
0.2086 |
| Complex Chords |
0.008667 |
| Minor Major Triad Ratio |
0.5856 |
| Average Number of Simultaneous Pitch Classes |
2.732 |
| Variability of Number of Simultaneous Pitch Classes |
0.6734 |
| Average Number of Simultaneous Pitches |
3.575 |
| Variability of Number of Simultaneous Pitches |
1.022 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.203 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
290.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1852 |
| Stepwise Motion |
0.6359 |
| Melodic Thirds |
0.1243 |
| Melodic Perfect Fourths |
0.04972 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05213 |
| Melodic Sixths |
0.001604 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007217 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.298 |
| Melodic Embellishments |
0.01837 |
| Direction of Melodic Motion |
0.4908 |
| Average Length of Melodic Arcs |
1.902 |
| Average Interval Spanned by Melodic Arcs |
4.799 |
| Melodic Pitch Variety |
4.788 |
| Mean Melodic Interval |
2.211 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4507 |
| Relative Prevalence of Most Common Melodic Intervals |
0.411 |
| Amount of Arpeggiation |
0.3128 |
| Repeated Notes |
0.1291 |
| Importance of Middle Register |
0.6334 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
56.69 |
| Mean Pitch Class |
5.016 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09904 |
| Prevalence of Most Common Pitch Class |
0.1877 |
| Relative Prevalence of Top Pitches |
0.7903 |
| Relative Prevalence of Top Pitch Classes |
0.834 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.914 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
4.174 |
| Pitch Skewness |
-0.3815 |
| Pitch Class Skewness |
0.01385 |
| Pitch Class Skewness After Folding |
0.9393 |
| Pitch Kurtosis |
5.105 |
| Pitch Class Kurtosis |
4.741 |
| Pitch Class Kurtosis After Folding |
4.797 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3666 |
| Note Density per Quarter Note |
1.308 |
| Note Density per Quarter Note per Voice |
0.2617 |
| Note Density per Quarter Note Variability |
0.5739 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003195 |
| Prevalence of Medium Rhythmic Values |
0.6046 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.734 |
| Prevalence of Very Long Rhythmic Values |
0.08227 |
| Prevalence of Dotted Notes |
0.1046 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.801 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3387 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7759 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.049 |
| Rhythmic Value Skewness |
1.173 |
| Rhythmic Value Kurtosis |
11.11 |
| Mean Rhythmic Value Run Length |
1.571 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.039 |
| Mean Rhythmic Value Offset |
0.08067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9362 |
| Complete Rests Fraction |
0.001036 |
| Partial Rests Fraction |
0.7095 |
| Average Rest Fraction Across Voices |
0.2464 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
120.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.56 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.85 |
| Variability Across Voices of Combined Rests |
70.99 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5154 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2413 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.136 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7567 |
| Rhythmic Variability - Tempo Standardized |
0.0484 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1252.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.565 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.7449 |
| Variability of Note Durations |
0.6614 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3557 |
| Strength of Second Strongest Rhythmic Pulse |
0.3299 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.078 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6856 |
| Rhythmic Variability |
0.04156 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003321 |
| Duration in Seconds |
247.5 |
| Note Density |
5.059 |
| Note Density Variability |
1.795 |
| Average Time Between Attacks |
0.4162 |
| Average Time Between Attacks for Each Voice |
1.114 |
| Variability of Time Between Attacks |
0.2216 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3123 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2636 |
| Relative Note Durations of Lowest Line |
0.9933 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.9169 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.03528 |
| Average Number of Independent Voices |
3.772 |
| Similar Motion |
0.1195 |
| Contrary Motion |
0.1692 |
| Oblique Motion |
0.676 |
| Parallel Fifths |
0.00144 |
| Parallel Octaves |
0.0036 |
| Variability of Number of Independent Voices |
1.049 |
| Voice Equality - Number of Notes |
95.58 |
| Voice Equality - Note Duration |
18.36 |
| Voice Equality - Dynamics |
8.216 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
3.536 |
| Importance of Loudest Voice |
7.5 |