File

Last modified on: April 14, 2020, 1:52 a.m.

Rue1024e-Missa_Pro_fidelibus_defunctis-Sanctus.mid


Source
RenComp7
Musical Work
Missa Pro fidelibus defunctis
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
6.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2165
Prevalence of Second Most Common Vertical Interval 0.1786
Prevalence Ratio of Two Most Common Vertical Intervals 0.8248
Vertical Unisons 0.03297
Vertical Minor Seconds 0.001105
Vertical Thirds 0.3198
Vertical Tritones 0.005896
Vertical Perfect Fourths 0.1219
Vertical Perfect Fifths 0.1786
Vertical Sixths 0.1353
Vertical Sevenths 0.01229
Vertical Octaves 0.1836
Perfect Vertical Intervals 0.517
Vertical Dissonance Ratio 0.02875
Vertical Minor Third Prevalence 0.5906
Vertical Major Third Prevalence 0.5417
Chord Duration 4.687
Partial Chords 0.2628
Standard Triads 0.6298
Diminished and Augmented Triads 0.01915
Dominant Seventh Chords 0.004255
Seventh Chords 0.02553
Non-Standard Chords 0.08191
Complex Chords 0.0
Minor Major Triad Ratio 1.176
Average Number of Simultaneous Pitch Classes 2.745
Variability of Number of Simultaneous Pitch Classes 0.565
Average Number of Simultaneous Pitches 3.612
Variability of Number of Simultaneous Pitches 0.9376
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 8.016
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 43.47
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2011
Stepwise Motion 0.5344
Melodic Thirds 0.1848
Melodic Perfect Fourths 0.06884
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03623
Melodic Sixths 0.007246
Melodic Sevenths 0.0
Melodic Octaves 0.007246
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.615
Melodic Embellishments 0.01613
Direction of Melodic Motion 0.4687
Average Length of Melodic Arcs 1.69
Average Interval Spanned by Melodic Arcs 4.482
Melodic Pitch Variety 4.464
Mean Melodic Interval 2.241
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3333
Relative Prevalence of Most Common Melodic Intervals 0.6033
Amount of Arpeggiation 0.3895
Repeated Notes 0.1612
Importance of Middle Register 0.5161
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 53.78
Mean Pitch Class 5.271
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1075
Prevalence of Most Common Pitch Class 0.1971
Relative Prevalence of Top Pitches 0.7833
Relative Prevalence of Top Pitch Classes 0.7909
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 7.144
Pitch Class Variability 3.578
Pitch Class Variability After Folding 3.204
Pitch Skewness -0.2657
Pitch Class Skewness 0.2269
Pitch Class Skewness After Folding 0.4446
Pitch Kurtosis 5.39
Pitch Class Kurtosis 4.777
Pitch Class Kurtosis After Folding 6.912
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.4839
Note Density per Quarter Note 0.5807
Note Density per Quarter Note per Voice 0.1161
Note Density per Quarter Note Variability 0.4518
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.181
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9892
Prevalence of Very Long Rhythmic Values 0.4373
Prevalence of Dotted Notes 0.2204
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 5.817
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.371
Relative Prevalence of Most Common Rhythmic Values 0.6135
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 3.27
Rhythmic Value Skewness 1.667
Rhythmic Value Kurtosis 5.353
Mean Rhythmic Value Run Length 1.529
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9958
Mean Rhythmic Value Offset 0.7168
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 3.311
Complete Rests Fraction 0.0009426
Partial Rests Fraction 0.7342
Average Rest Fraction Across Voices 0.2327
Longest Complete Rest 0.9059
Longest Partial Rest 274.9
Mean Complete Rest Duration 0.9059
Mean Partial Rest Duration 19.62
Median Complete Rest Duration 0.9059
Median Partial Rest Duration 4.52
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 48.36
Variability Across Voices of Combined Rests 115.9
Number of Strong Rhythmic Pulses - Tempo Standardized 1.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.8855
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.06988
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 12.67
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9554
Rhythmic Variability - Tempo Standardized 0.07004
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 558.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.796
Minimum Note Duration 0.2586
Maximum Note Duration 15.52
Average Note Duration 1.517
Variability of Note Durations 1.337
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 265.0
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.4448
Strength of Second Strongest Rhythmic Pulse 0.2923
Strength Ratio of Two Strongest Rhythmic Pulses 1.522
Combined Strength of Two Strongest Rhythmic Pulses 0.7371
Rhythmic Variability 0.04562
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 26.94
Duration in Seconds 219.9
Note Density 2.537
Note Density Variability 1.045
Average Time Between Attacks 0.8466
Average Time Between Attacks for Each Voice 1.896
Variability of Time Between Attacks 0.5093
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4412
Relative Range Isolation of Loudest Voice 0.2476
Relative Range of Highest Line 0.4412
Relative Note Density of Highest Line 0.5645
Relative Note Durations of Lowest Line 1.093
Relative Size of Melodic Intervals in Lowest Line 1.111
Voice Overlap 0.9158
Voice Separation 4.75
Variability of Voice Separation 1.258
Parallel Motion 0.05243
Average Number of Independent Voices 3.785
Similar Motion 0.1386
Contrary Motion 0.1199
Oblique Motion 0.6891
Parallel Fifths 0.0
Parallel Octaves 0.007491
Variability of Number of Independent Voices 0.9562
Voice Equality - Number of Notes 28.18
Voice Equality - Note Duration 26.53
Voice Equality - Dynamics 9.354
Voice Equality - Melodic Leaps 0.4472
Voice Equality - Range 1.225
Importance of Loudest Voice 12.5