File

Last modified on: April 14, 2020, 1:54 a.m.

Rue1016b-Missa_Incessament-Gloria.mid


Source
RenComp7
Musical Work
Missa Incessament
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
16.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2407
Prevalence of Second Most Common Vertical Interval 0.1584
Prevalence Ratio of Two Most Common Vertical Intervals 0.6584
Vertical Unisons 0.05056
Vertical Minor Seconds 0.002966
Vertical Thirds 0.2974
Vertical Tritones 0.01507
Vertical Perfect Fourths 0.1008
Vertical Perfect Fifths 0.1584
Vertical Sixths 0.1379
Vertical Sevenths 0.02757
Vertical Octaves 0.1901
Perfect Vertical Intervals 0.4999
Vertical Dissonance Ratio 0.06936
Vertical Minor Third Prevalence 0.4774
Vertical Major Third Prevalence 0.4483
Chord Duration 2.115
Partial Chords 0.4216
Standard Triads 0.3876
Diminished and Augmented Triads 0.04375
Dominant Seventh Chords 0.002051
Seventh Chords 0.0123
Non-Standard Chords 0.1785
Complex Chords 0.002051
Minor Major Triad Ratio 0.4639
Average Number of Simultaneous Pitch Classes 2.558
Variability of Number of Simultaneous Pitch Classes 0.6645
Average Number of Simultaneous Pitches 3.334
Variability of Number of Simultaneous Pitches 0.9609
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.241
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 51.35
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.183
Stepwise Motion 0.5668
Melodic Thirds 0.1589
Melodic Perfect Fourths 0.06196
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03959
Melodic Sixths 0.005737
Melodic Sevenths 0.0005737
Melodic Octaves 0.008032
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.473
Melodic Embellishments 0.02117
Direction of Melodic Motion 0.4751
Average Length of Melodic Arcs 1.778
Average Interval Spanned by Melodic Arcs 4.673
Melodic Pitch Variety 4.935
Mean Melodic Interval 2.228
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3838
Relative Prevalence of Most Common Melodic Intervals 0.4768
Amount of Arpeggiation 0.3655
Repeated Notes 0.1583
Importance of Middle Register 0.7408
Importance of High Register 0.01144
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.61
Mean Pitch Class 5.011
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1178
Prevalence of Most Common Pitch Class 0.2031
Relative Prevalence of Top Pitches 0.8447
Relative Prevalence of Top Pitch Classes 0.831
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.776
Pitch Class Variability 3.47
Pitch Class Variability After Folding 3.324
Pitch Skewness 0.08105
Pitch Class Skewness 0.009892
Pitch Class Skewness After Folding 1.163
Pitch Kurtosis 5.31
Pitch Class Kurtosis 4.93
Pitch Class Kurtosis After Folding 6.84
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.2477
Note Density per Quarter Note 1.14
Note Density per Quarter Note per Voice 0.2281
Note Density per Quarter Note Variability 0.543
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003432
Prevalence of Medium Rhythmic Values 0.5635
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8095
Prevalence of Very Long Rhythmic Values 0.09954
Prevalence of Dotted Notes 0.1201
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.053
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.373
Relative Prevalence of Most Common Rhythmic Values 0.7209
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.183
Rhythmic Value Skewness 1.447
Rhythmic Value Kurtosis 11.11
Mean Rhythmic Value Run Length 1.665
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.197
Mean Rhythmic Value Offset 0.09268
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.112
Complete Rests Fraction 0.0006794
Partial Rests Fraction 0.7847
Average Rest Fraction Across Voices 0.2893
Longest Complete Rest 1.042
Longest Partial Rest 116.3
Mean Complete Rest Duration 1.042
Mean Partial Rest Duration 14.78
Median Complete Rest Duration 1.042
Median Partial Rest Duration 8.461
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 20.0
Variability Across Voices of Combined Rests 165.5
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.583
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2057
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.834
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7887
Rhythmic Variability - Tempo Standardized 0.05106
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1748.0
Initial Tempo 288.0
Average Variability of Time Between Attacks for Each Voice 1.48
Minimum Note Duration 0.1034
Maximum Note Duration 4.92
Average Note Duration 0.6139
Variability of Note Durations 0.4879
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 311.4
Strongest Rhythmic Pulse 76.0
Second Strongest Rhythmic Pulse 51.0
Harmonicity of Two Strongest Rhythmic Pulses 1.49
Strength of Strongest Rhythmic Pulse 0.2728
Strength of Second Strongest Rhythmic Pulse 0.2472
Strength Ratio of Two Strongest Rhythmic Pulses 1.103
Combined Strength of Two Strongest Rhythmic Pulses 0.52
Rhythmic Variability 0.03552
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 53.34
Duration in Seconds 302.0
Note Density 5.788
Note Density Variability 1.661
Average Time Between Attacks 0.3522
Average Time Between Attacks for Each Voice 0.8679
Variability of Time Between Attacks 0.17
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.4327
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.1916
Relative Note Durations of Lowest Line 1.142
Relative Size of Melodic Intervals in Lowest Line 1.111
Voice Overlap 0.8799
Voice Separation 4.0
Variability of Voice Separation 1.826
Parallel Motion 0.05144
Average Number of Independent Voices 3.587
Similar Motion 0.1372
Contrary Motion 0.1568
Oblique Motion 0.6546
Parallel Fifths 0.001837
Parallel Octaves 0.003062
Variability of Number of Independent Voices 1.022
Voice Equality - Number of Notes 85.33
Voice Equality - Note Duration 32.6
Voice Equality - Dynamics 7.583
Voice Equality - Melodic Leaps 0.4472
Voice Equality - Range 2.191
Importance of Loudest Voice 8.75