| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2 |
| Prevalence of Second Most Common Vertical Interval |
0.1919 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9593 |
| Vertical Unisons |
0.02428 |
| Vertical Minor Seconds |
0.003918 |
| Vertical Thirds |
0.263 |
| Vertical Tritones |
0.01711 |
| Vertical Perfect Fourths |
0.106 |
| Vertical Perfect Fifths |
0.1919 |
| Vertical Sixths |
0.1562 |
| Vertical Sevenths |
0.03974 |
| Vertical Octaves |
0.1758 |
| Perfect Vertical Intervals |
0.4979 |
| Vertical Dissonance Ratio |
0.09037 |
| Vertical Minor Third Prevalence |
0.3412 |
| Vertical Major Third Prevalence |
0.2976 |
| Chord Duration |
2.003 |
| Partial Chords |
0.5424 |
| Standard Triads |
0.3036 |
| Diminished and Augmented Triads |
0.0212 |
| Dominant Seventh Chords |
0.002494 |
| Seventh Chords |
0.01496 |
| Non-Standard Chords |
0.139 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.423 |
| Average Number of Simultaneous Pitch Classes |
2.385 |
| Variability of Number of Simultaneous Pitch Classes |
0.6977 |
| Average Number of Simultaneous Pitches |
2.907 |
| Variability of Number of Simultaneous Pitches |
0.9304 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.43 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
20.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2085 |
| Stepwise Motion |
0.6968 |
| Melodic Thirds |
0.1128 |
| Melodic Perfect Fourths |
0.0766 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03511 |
| Melodic Sixths |
0.001064 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003191 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.524 |
| Melodic Embellishments |
0.01801 |
| Direction of Melodic Motion |
0.4655 |
| Average Length of Melodic Arcs |
1.851 |
| Average Interval Spanned by Melodic Arcs |
4.451 |
| Melodic Pitch Variety |
4.674 |
| Mean Melodic Interval |
2.244 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4883 |
| Relative Prevalence of Most Common Melodic Intervals |
0.427 |
| Amount of Arpeggiation |
0.2255 |
| Repeated Notes |
0.07447 |
| Importance of Middle Register |
0.7966 |
| Importance of High Register |
0.07309 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.68 |
| Mean Pitch Class |
5.269 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09746 |
| Prevalence of Most Common Pitch Class |
0.1674 |
| Relative Prevalence of Top Pitches |
0.913 |
| Relative Prevalence of Top Pitch Classes |
0.9747 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.087 |
| Pitch Class Variability |
3.431 |
| Pitch Class Variability After Folding |
3.301 |
| Pitch Skewness |
-0.4798 |
| Pitch Class Skewness |
0.2353 |
| Pitch Class Skewness After Folding |
0.5603 |
| Pitch Kurtosis |
5.282 |
| Pitch Class Kurtosis |
4.933 |
| Pitch Class Kurtosis After Folding |
6.654 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1303 |
| Note Density per Quarter Note |
1.081 |
| Note Density per Quarter Note per Voice |
0.2703 |
| Note Density per Quarter Note Variability |
0.5952 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01059 |
| Prevalence of Medium Rhythmic Values |
0.6049 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7256 |
| Prevalence of Very Long Rhythmic Values |
0.07309 |
| Prevalence of Dotted Notes |
0.1176 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.72 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3305 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7981 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.94 |
| Rhythmic Value Skewness |
1.114 |
| Rhythmic Value Kurtosis |
11.19 |
| Mean Rhythmic Value Run Length |
1.592 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.054 |
| Mean Rhythmic Value Offset |
0.04237 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5193 |
| Complete Rests Fraction |
0.001032 |
| Partial Rests Fraction |
0.5713 |
| Average Rest Fraction Across Voices |
0.243 |
| Longest Complete Rest |
0.9009 |
| Longest Partial Rest |
87.21 |
| Mean Complete Rest Duration |
0.9009 |
| Mean Partial Rest Duration |
15.15 |
| Median Complete Rest Duration |
0.9009 |
| Median Partial Rest Duration |
4.542 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.91 |
| Variability Across Voices of Combined Rests |
20.27 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5034 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2465 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.042 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.75 |
| Rhythmic Variability - Tempo Standardized |
0.04772 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
944.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.527 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6378 |
| Variability of Note Durations |
0.5158 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
266.6 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2554 |
| Strength of Second Strongest Rhythmic Pulse |
0.2534 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.008 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5088 |
| Rhythmic Variability |
0.03606 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.45 |
| Duration in Seconds |
198.8 |
| Note Density |
4.748 |
| Note Density Variability |
1.933 |
| Average Time Between Attacks |
0.3784 |
| Average Time Between Attacks for Each Voice |
0.8146 |
| Variability of Time Between Attacks |
0.2125 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6274 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3008 |
| Relative Note Durations of Lowest Line |
1.107 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.6949 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.05053 |
| Average Number of Independent Voices |
2.991 |
| Similar Motion |
0.1312 |
| Contrary Motion |
0.1594 |
| Oblique Motion |
0.6589 |
| Parallel Fifths |
0.002915 |
| Parallel Octaves |
0.0009718 |
| Variability of Number of Independent Voices |
0.9433 |
| Voice Equality - Number of Notes |
20.22 |
| Voice Equality - Note Duration |
4.616 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |